Fang is a stupid thing to call Nack the Weasel.

Tried my best to limit the number of sounds here, as well as the number of voices. It doesn't go above 18 at any point, I'm pretty sure.
I didn't want to use PM's piano sounds for the de facto lead, because the note ranges didn't work too well for it, and on top of that it didn't mesh with a lot of the other colors. The piano is pretty rare to hear in Paper Mario to begin with anyway, so it actually makes sense to use something else.
Keeping as many of the parts as possible without using the stated patches was a challenge. Part of it was because of instruments not being suited for certain ranges again, like the left-pan guitar. In the end it uses 4 different patches. The rest was wanting to have a proper PM64 sound, like the song was begging to have applied to it on a compositional level. I wanted a sound where you could imagine gameplay of the fight easily.

MIDI uses the official 2.2 sequence. Speaking of which, the Arid Canyon sequences were exactly the same as the ones I used for my recent uploads. That Juan Esparza guy either did MIDIs for the game and thus had the right to post it, or he's a hack. I'd like to think it was the former. (Update: HACK confirmed by Cobalt herself in these here comments).

VS. Fang - SRB2 (Paper Mario Arrange.)

The artwork is by me.

All composed, arranged, produced, and performed/programmed by me.

Heavenly

Tiger, tiger, on the wall - Who shall uppercut them all? 

DNM: https://drive.google.com/file/d/1IXxNQ6q-7HQD356tK_0aqoZ2rDHqKzGb/view?usp=drive_link

YouTube: https://youtu.be/T31fojAdGm4

Street Fighter II - Sagat's Theme [2A03]

The first time I've ever written for actual performers!! My final for last semester

Performed by Gabriele Vanoni and two Berklee alumni (violin and cello)

A bit iffy because it was my first time. The pizzicato part (1:24) sounded so good, though, I was grinning the whole time.

The Grotto's Pool (LIVE!!)

Startup Sounds: Sherbet Flavors reimagines Blacklight Beat Patrol’s debut EP through a collaboration with their alter ego project, Sherbet in Delhi—an embrace of experimentation with new music tech. Together they reshape the original tracks into something stranger, looser, and more psychedelic, blurring the line between BLBP’s chaotic grooves and Sherbet’s exploratory soundcraft.

The release closes with “No More,” a previously unreleased Blacklight Beat Patrol track brought to life in collaboration with Sherbet in Delhi. A bridge between past and future, it captures BLBP’s restless energy and Sherbet’s boundary-pushing approach to creation.

Street Fighter II - Sagat's Theme [2A03]

ZeroJanitor [3]

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