“No gravity, I slip away, I’ve lost my place in ever after.” 

I often feel as if I’m losing touch with what holds me to this Earth. Simultaneously crushed beneath the weight of existence, while slowly being pulled away from it. My new single “Gravity” details my struggle to keep my feet on the ground. Featuring blistering guitars by Sebastian Svalland (PAIN, Letters from the Colony, LINDEMANN) with mixing and production by Rhys Fulber (Frontline Assembly, Delerium, Conjure One, Fear Factory) “Gravity” is a unique mash-up of Industrial Pop and Nu-Metal. 

As an added bonus, the single features a club mix by LIEBKNECHT (Daniel Myer of Haujobb, Destroid & Rendered). 

“Gravity” drops May 7th.

Aesthetic Perfection - Gravity (feat. Sebastian Svalland)

Failure

Divide (2021 Mix)

EMDR

Incubite   Riot Trigger (2012)

DEVIN TOWNSEND PROJECT - Rejoice. Taken from the album Z². Inside Out Music 2014.
Get the album here:
http://www.omerch.eu/shop/devintownse...
http://smarturl.it/dtpIOM
http://smarturl.it/Z2iTunes

DEVIN TOWNSEND PROJECT - Rejoice

Lyrics:

I feel the hunger in my chest
The hollow ache, the endless rest
But every hand that reached before
Left me bleeding on the floor

I crave the warmth, the human light
But fear the teeth that always bite
The closer love has ever been
The deeper it has carved my skin

Once bitten, twice shy
I want to live, but I can’t try
The bridges burned, the ghosts remain
I guard my heart, I starve my veins

Once bitten, twice shy
I want to live, but I can’t try
The bridges burned, the ghosts remain
I guard my heart, I starve my veins

The loneliness consumes my frame
A hollow voice without a name
Yet I resist the open door
Afraid of what I’ve known before

I see your eyes, I hear your call
But fear the rise, the coming fall
If I let go, I may not stand
I cage myself with my own hands

Once bitten, twice shy
I want to live, but I can’t try
The bridges burned, the ghosts remain
I guard my heart, I starve my veins

I want to trust, I want to heal
But every wound still feels too real
I fear the joy, I fear the kiss
Afraid of what I’ll lose in this

Once bitten, twice shy
I want to live, but I can’t try
The fire calls, the shadows cling
And I retreat from everything

Once bitten, twice shy
I ache for love, but I deny
Better silence, better pain
Than bleed and break and fall again

Twice Shy

Set Your World On Fire

Standby

The Birthday Massacre - Broken

Harmonic Disruptor

Shut Down Your Soul

The Underground

„Bye-Bye Borderline“

Kiss your loved ones goodbye, turn around one last time and burn down the bridges to your old life. No one can join you on this way. No one but this very special band from Norway who deliver the finest soundtrack to your very own apocalypse ever since they started playing in 1999. More than once, the music for your dying world, the symphony of your self-destruction came from ZEROMANCER. Now, they are finally back. And sound more intense, more stricken and determined than they did in a long time.

First a double strike, then the big hush: After “Sinners International” and “The Death Of Romance” were released with barely a year between these two masterpieces, Norway's Electro Rock connoisseurs vanished from view. Except for their unforgettable live appearances, the ZEROMANCER camp fell silent, a whole three years had to pass until a new album was finally born. “Bye-Bye Borderline” is its name – and sounds like a perfect embodiment of the title: Melancholic, bipolar, in one moment brimful with positive energy, in another falling into a bottomless depth. Sure, pleasure and pain share the same bed. Yet, nobody knew until now they were really that close: With the trained eye for pain and sorrow that made hymns like “My Little Tragedy” to milestones of melancholy in recent years, ZEROMANCER advance with new determination, armed to the teeth with the biggest of emotions. Love, hate, desperation or sacrifice are not only empty words for ZEROMANCER, but razorsharp songs for the next breakdown. Electro Rock mysticism in the purest sense of the word – sensual, highly erotic and altogether much too dangerous.

Songs like “Auf Wiedersehen Boy” or the biting title track prove just how much anger and bitterness piled up in the last three years. They drag a raw Industrial Rock edge back into the ZEROMANCER sound that finally stands for all things dark, infamous and forbidden again. But ZEROMANCER are more than that: The slow-motion serenade of self-destruction called “Manoeuvres” would even stir emotions in a rotten heart. Ambivalent, layered, passionate and abysmal is the guise of “Bye-Bye Borderline” – beginning with the title itself. Do ZEROMANCER sing about healing or disease? About life or death? “Ash Wednesday” certainly is on death's side, although hope seeps through some of the wonderful melodies like the sun through thick clouds. Dance, cry, hush or hope – no matter what it is: ZEROMANCER have just the right music for it. More intimate, more intense Electro Rock has yet to be invented.

The Underground

Zeromancer

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