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~~~ numbah 4 ~~~
wif 
MC Lazer Fazer & DJ Arminass

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http://palanga.live

SKATE OR BUY #4 WITH MC LAZER FAZER AND DJ ARMINASS

"au sujet de fusion: la genèse d'un(e) . . ." (2019-21)
for amplified ensemble - flute, saxophone, percussion, piano and electronics

Live recording

OPUS 22.1 Jeune Génération

Thursday, March 10, 2022
Le Rocher De Palmer

Proxima Centauri

Marie-Bernadette Charrier, saxophone
Sylvain Millepied, flute
Benoit Poly, percussion
Hilomi Sakaguchi, piano
Christophe Havel, electronics

"au sujet de fusion: la genèse d'un(e) . . .", for amplified ensemble and electronics (2019-20)

मातङ्गी (Mātaṅgī)
Nirantar Yakthumba
[violin, cello, sine waves]
2022

Lange Nacht der Neuen Musik 2022
Robert Schumann Hochschule, Düsseldorf

Elaboration and demonstration of algebraic integers (Z[√2]) over a sequence of primes:

A: 2 + n√2, 3 + n√2: sweeping curves
B: 5 + n√2, 7 + n√2: interferences
C: 11 + n√2, 13 + n√2: points and steps
D: 17 + n√2, 19 + n√2, 23 + n√2, 29 + n √2, 31 + n√2: echoing cascades

Performed by Kali:
Violin - İdil Yunkuş
Cello - Beste Yıldız

मातङ्गी (Matangi)

https://www.youtube.com/watch?v=zelwVNqsN7M

dedicated to Tortoise (http://www.trts.com/)

Constance Volk, flute
Hanna Hurwitz, violin
Ammie Brod, viola
Juan Horie, cello
Christopher Jones, conductor

Written for the Dal Niente and DePaul Summer Residency for New Music 2022.

(almost always is nearly enough) [live]  // Ensemble Dal Niente

with this track i tapped into my relation to media, online culture and escapism through screens. dulling down the senses by overstimulation, by 'warming' the brain input and keeping the body still. an eerie, catatonic contrast. NONTENT HEAT is a reflection of that experience. it is there, it exists. 

_/_/_/

I log in cold. Digital messiah.
Surrender all you know to the fire.
Reducing all thoughts into nought.
Everything 'bout us is bought, our body and soul.

Live out nontent.

Not what it is, what I want.
Catatonic bliss what I want.
It's nontent heat that I want.
Nontent: make me an abated savant.

I'm afraid of today so I push it away.
And I dream of tomorrow bringing better days.
Now give in. Live out nontent.

Insane. Reducing all thoughts into nought.
Everything 'bout us is bought, our body and soul.

And angels dance in the dark.
Not what it is, what I want.
Catatonic bliss what I want.
It's nontent heat what I want.
Nontent: make me an abated savant.

Not what it is, what I want.
Isometric kiss what I want.
It's nontent heat what I---

_/_/_/

songwriting, production, etc. by BART
mixing & mastering by Wilko Schmidt-Dannert
released with @post.dreifing

warmth and love to the best people at post-dreifing.
`yulia ILY and you are the best!

NONTENT HEAT

ABSCHLUSSKONZERT 3 
International Ensemble Modern Academy (IEMA) 2021/22

Hochschule für Musik und Darstellende Kunst Frankfurt am Main (HfMDK)
Kleiner Saal
September 29, 2022

“…qui s'enchaînent” is a piece for a large ensemble that explores the limits of recursive obsession and systemic propagation of musical events. It is unfolding multiple processes of repetition, formalizing microstructures with unique sonority characteristics and yet outlining superimposed identities of similar sonority objects. The notion of harmony comes to unify quasi-homogeneous materials for creating prominent sound archetypes that frame the canvas of broader musical ideas that formulate the piece's dramaturgy. Mimetic micro-variations and rhythmic metamorphoses are obsessively sculpting, and constantly re-formulating the timbral identities of the sound materials exposed. The piece is heartily dedicated to the musicians of the International Ensemble Modern Academy 2021-22.

“...qui s'enchaînent”, for large ensemble (2022)

This piece is a custom-built Max/MSP application to control the acoustic Utopa and Sauer organs in the Orgelpark, Amsterdam, NL (https://www.orgelpark.nl/en/Instrumenten/Our-Instruments). Performed live by Isaac Barzso, November 26, 2022.

and then nothing turned itself inside-out (live) // Orgelpark Hyperorgan

What If I Made It All Up? - for The Busy Drone

16.02.2023 @ Ircam Espace de Projection
Music by Didem C.
On vibraphone: Christophe Bredeloup
On Marimba : Benoît Masson
'Dawn Chorus, que l’on peut traduire par « le chœur de l’aube », désigne ce moment du début de journée où les oiseaux se mettent à chanter. Dans Dawn Chorus, Didem Coskunseven mêle à nouveau ses goût et intérêt personnels pour le jazz modal avec une électronique à l’esthétique contemporaine, soulignant la joie simple qu’il y a à écouter de la musique – que l’on pourrait tout aussi bien appeler le duende. El duende désigne en effet le pouvoir d’envoûtement et d’évocation de l’art : il trouve sa source au plus profond de notre être en tant que réponse physique ou émotionnelle à la réception d’une œuvre. C’est ce qui fait naître le frisson, ce qui fait sourire ou pleurer, en tant que réaction charnelle à une performance artistique particulièrement expressive. Le concept donna naissance à une théorie développée par Federico Garcia Lorca.
Cependant, ce qui intéresse Didem Coşkunseven dans Dawn Chorus est moins le duende en lui-même que ce frisson d’enchantement suscité par l’acte « d’écouter de la musique » en concert. Elle aspire ainsi à créer un « état d’émotion exacerbé », dont nous pourrions faire l’expérience collectivement ; une expérience qui serait plongée dans l’espace performatif'

Note de programme du concert du 16 février 2023 à l'Espace de projection de l'Ircam

Dawn Chorus [for vibraphone,marimba&electronics]

Revised Studio Version, recorded in Brno
Performers:
Michele Rampino: electric guitar
Filip Zázvorka: bass drum
David Derner: trombone
Zeynep Oktar: live electronics

removal of the images for amplified trombone, bass drum, electric guitar and live electronics (2023)

live at 2640 Space (Baltimore); live recording of the premiere

Performed by, written for, commissioned by Ty Bouque [voice]

more info:
http://timothy-mccormack.com/seated-at-the-throat
http://tybouque.com

[photo credit: Hang Su, @oliver_espace]

removal of the images for amplified trombone, bass drum, electric guitar and live electronics (2023)

Zeynep Oktar

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