count bones

Walking Between The Dust and The Wind

An excerpt of the original music I composed for the show "How to proceed" (by Thomas Hauert and his company ZOO)

Mauro Lanza - JSB bleibet meine Freude

This is the world premiere of the new work for double-bell horn, developed during the Virtual Brass Academy with Christine Chapman and Ensemble MusikFabrik, July 2020. This performance took place on July 30th, 2020 - in Cologne.
I am indebted to Ensemble MusikFabrik and the fantastic work they did with us in introducing us to the worlds of double-bell instruments, and to the ever-expanding repertoire of new music for these instruments they are bringing to the world.

The work explores a sense of dual forces that act and react upon each other, and how the relative mediator (the performer) indeed interacts with the score, the instrument and it's two bells, and finally how the theatre of the piece - both through actions and the position of the instrument - is transmitted to the audience. In the four sections of the piece that each explore a different facet of the manipulation of the horn - first through the use of a contra-bassoon reed to produce aggressive yet fulfilling multiphonics; then in the second and third exploring the two bells and their range of possibilities. The final section condenses the instrument down to only it's single-bell form and the mute and interacts briefly with it to express a settling within the performance. Gasping, grunting, growling and grandeur are all some of the ideas explored in this short miniature.

Image: LIGO/Caltech/MIT/Sonoma State (https://www.vox.com/science-and-health/2017/6/1/15721268/gravitational-waves-ligo-future)

Understated Matter - for solo double-bell horn [premiere]

Keep digging the hare hole
for cello and electronics

(Cello-Séverin Ballon)

Grande salle -Centre Pompidou

Keep digging the hare hole (2020)

Marco Lucchi : piano
Walter Fini : synths 
a rework by me of a track by Marco Lucchi

settember 2020
for "piano patterns", a project by Marco Lucchi
soundcloud.com/marcolucchi/sets/piano-patterns

Enigma e Maschere - Marco Lucchi e Walter Fini (remix of Piano patterns n.2)

Douglas Valentine explains the 1960s CIA Vietnam torture and extermination program known as "Phoenix" which later went on to be perfected and deployed in war zones around the world after 9/11 and which has come home to roost in the United States through the creation of a permanent surveillance and police state under the auspices of the Department of Homeland Security, Fusion Centers, NSA bulk data collection, and numerous other programs. He explains how both political parties are two sides of the same coin and how the pandemic has advanced the interests of the security state.

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Show Notes
USA Torture Vietnamese Phoenix Program (BBC) https://www.youtube.com/watch?v=WMtD3pCch0s

Websites
Douglas Valentine http://www.douglasvalentine.com
Facebook https://www.facebook.com/doug.valentine.71
Doug Valentine BOOKS http://www.douglasvalentine.com/works.htm

About Douglas Valentine
Douglas Valentine is an American journalist and author of four works of historical non-fiction: The Hotel Tacloban, The Phoenix Program, The Strength of the Wolf (winner of the Choice Academic Library Award), and The Strength of the Pack. His articles have appeared regularly in CounterPunch, ConsortiumNews, and elsewhere.

Portions of his research materials are archived at the National Security Archive (both a Vietnam Collection and a separate Drug Enforcement Collection), Texas Tech University’s Vietnam Center, and John Jay College. He provided expert testimony at the King v Jowers trial on the Martin Luther King, Jr. assassination at the request of the King family.

*Podcast intro music is from the song "The Queens Jig" by "Musicke & Mirth" from their album "Music for Two Lyra Viols": http://musicke-mirth.de/en/recordings.html (available on iTunes or Amazon)

Doug Valentine: How the CIA's Phoenix Program Gave Birth to the Police State #163

quarantine dream

My immense gratitude to the JACK Quartet for their thought and attention in this reading!

mastered by carlos cotallo solares

manifold

2020.11.10 Thunderstorm Meditation: Night Forest. Late Spring.

the Sea They Think They Hear
for soprano, flute, harp, piano, violin, viola and violoncello | 2021

Written for and performed by the Wet Ink Ensemble and Gelsey Bell
Recorded at Scholes Street Studio
Mix and Mastering by Murat Çolak

Text

The ocean, deep blue-green.
What we learn in the middle of the night is that the world makes us flinch. (Michel Serres, The Five Senses: Philosophy of Mingled Bodies)
Sounds an ocean, drinks it in.

Then everything became worse for the wear, damaged, used and used-up and ultimately destroyed.
More and more I made up for what was lost, I slowly improved myself, and I considered myself healed. (Ingeborg Bachmann, Malina)

I found myself trapped in a nightmare, standing alone at the sea. Everyday becoming more and more.
White and yellow and gray and horizonless. (Tove Jansson, The Summer Book)

the Sea They Think They Hear (2021)

Composer - Researcher. Currently based in Berlin.
https://zeyneptoraman.com/
https://www.instagram.com/tora_zeynep/

tora.zeynep@gmail.com

the Sea They Think They Hear (2021)

Zeynep Toraman

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