We are a product of biological evolution that started its own evolutionary process in the virtual space. Isolated from human control by design, digital intelligence defines its further evolution by itself, slowly growing into an independent subject that will eventually redefine our physical and virtual realities.

Detached from biological, it is a digital-born inhabitant of the metaverse. Will it manifest itself in any three-dimensional shape or will it outgrow our form-oriented reality?
https://zhestkov.studio/Artificial-Organisms

Artificial Organisms

by @mishanikitin

Tracklist:
1. Sote - Plural
2. Sote - Trans Force
3. Yvanko - Rognes
4. Jaijiu - 42 AM
5. African Imperial Wizard - Opoku Ware
6. JAUBI - Satanic Nafs (The Gaslamp Killer & Mophono Remix)
7. Unknown Azan
8. Gilb’R - Shamaleh (Gilb-r Main Mix)
9. Slikback - SLIKBACK X GRAŃ - RANK
10. Muammar Gaddafi Interview |TV Eye
11. Acid Arab - Ras El Ain (feat. Rizan Said)
12. Amarhac - Petrobio
13. Othello Aubern - Verticales
14. Church Andrews & Matt Davies - TEMPORAL

Misha Nikitin - Baḥr al-Rūm

February 24, 2022 brought Sal Solaris out of its anabiosis, demanding to speak out with all clarity: the war against Ukraine is an immeasurable crime for which we and our descendants will have to pay. And one more thing: the war against Ukraine is a war of Putin’s elite against Russia and its future.

The need for this statement is dictated not only by civil, but also by personal responsibility. As many people know, and for those who have forgotten, we remind you, Sal Solaris began in the second half of the 1990s as a project tightly associated with the National Bolshevik Party. Party card with a number from the second thousand, hitchhiking from Rostov to the first congress of the party, Dugin's personal anathema to the founder of Sal Solaris - we have a lot to tell, but that's not the point.

Since its founding, the National Bolshevik Party has been a subcultural movement, in which symbolic gesture was placed above political pragmatism. The cultivation of ambivalent radicalism attracted people of different views, who were united by their aversion to shitty Russian reality. As the balance of power in the country began to shift toward the siloviki (defense and law enforcement chiefs) in the second half of the 2000s, it became clear that the Limonov group was incapable of recognizing recognizing the changes taking place in the country and of making anything more than a gesture. The "first call" National Bolsheviks were leaving the movement, unable to grow beyond the narcissism of its founder. The movement was shaken by splits.

Further, the radicalism of the National Bolshevik rhetoric remarkably converged with the rhetoric of the authorities, eventually acquiring the features of an over-identification with Comrade Major. After Limonov welcomed the annexation of Crimea, contrary to the interests of the peoples of Russia, only complete dickheads remained with him. The death of the many times reborn entity was sealed by the renaming of the party into "The Other Russia of E.V. Limonov." A party that claimed to banish idols and strive for the future! The irony is emphasized by the fact that in the "party" there is not a single person left who has enough brains to realize what has happened.

How did the movement exchange radicalism for the pleasure of barking in unison with the sheepdogs of the regime? Was this transformation inevitable and what made it possible? One problem may lie in the very principle of "for everything radical against everything bad" - effective for cultural mobilization in a period of transition, and unsuitable for the production of a political alternative amidst the concentration of power. These questions require a detailed answer, which will be presented elsewhere. 

The NBP has a lot to be damned for. Yes: diluting responsibility is what the operators of the war want. Yes: up to a certain point, both among party members and on the level of declarations, there have been properties that do not fit in any way with the evolution of the RF. These are protest, actionism, egalitarianism, obsession with rebellion, etc. Putin's Gormenghast was built from other bricks, by other builders and stimulated by other sources. It’s pure Chekist bullshit, DUGIN, spaced-out conspiracism and dead water. But: now is not the best time to separate the grains from the chaff. Therefore, let's state the facts with all the straightforwardness of the authentic NBP of the 1990s.

The National Bolsheviks are monstrously fucked up. It's stupid to say that the current war is a caricature of the kind of righteous imperial irredentism that the National Bolsheviks dreamed of. Those dreams could not have come true in any other form, and we have to live with that.

It was the SS sermon of June 12, 2022.

***

On the cover is the Northern Saltovka neighborhood of Kharkiv in June 2022. Somewhere far beyond the bombed-out houses in this photo is the former Saltovsky settlement, where Eduard Limonov was born and grew up.

Support DIY

Всё, остальное

tracklist:
1. John Cage - Radio Music (00:00:08)
2. Leven Signs - Held In Arms(00:00:48)
3. Spice Mouse - Tunde tiivul (00:04:00)
4. Jolly Mare - L'Irraggiungibile (00:06:40)
5. Mlin Patz - Noori Pussy (00:10:25)
6. Moebius - Etwas(00:14:42)
7. Influenza Prods - Rocking Gertrude (00:18:27)
8. Bitchin Bajas - Angels And Demons At Play (00:21:09)
9. Broadcast - Mother's Milk Means Music (At Home In The Universe)(00:27:13)
10. Cora Emens - Decadenzia (00:30:06)
11. A.R. Kane - The Sun Falls Into The Sea (00:34:05)
12. Ariel Kalma - Kosmik Traffik(00:39:20)
13. A World Wondered Full - Gentle Dreams (Part 2) (00:43:28)
14. Jake Muir - Peacock's Tail (00:52:49)
15. Black Lodge & Jack Lever - Enso (00:57:47)
16. Phunsi Charoemphong & The Saman Kanchanaphalin Band - Wat Bot (01:01:17)
17. Goncalo F Cardoso - Two Hornbills On A Dollar Bill (01:04:04)
18. Wanda Group - Cleaners (01:08:15)
19. Wanderwelle - Dies Infaustes (01:08:50)
20. Lamin Fofana - The Ballad Of Air & Fire (01:12:43)
21. Karima Walker - We've Been Here Before (01:32:02)
22. Potato Band - Garden Ghost (01:37:40)
23. O$VMV$M - Backdrop (01:40:00)
24.  Meitei - Sankai (01:41:19)
25. YL Hooi - Stranger (01:45:20)
26. Jonny Nash / Lindsay Todd - A Series Of Small Frogs (01:49:10)
27. Francisco Meirino - Shattered Reel(m)s (01:54:48)

130701 - A Dream Across The Border 35 - radio show on 1BTN - 10.07.22

Kim Durbeck @ Radio Vilnius August 20, 2022

https://roelfuncken.bandcamp.com/album/vespertine

Datura Stramonium by Legiac

AC05

sTia supporting and adoring one and only Geo Soundsystem with her bass to d’n’n b selection celebrating 5 years of @sionihifi

sTia [27.07.2023]

A modular set from https://soundcloud.com/banahaffarmusic at the Moog Mother-32 Perfect Circuit Audio in-store on 2/22/17, utilizing a 3-tier Moog Mother-32 System, Eventide Space Reverb and Moog Minifooger Delay. 

Check out their setup on Perfect Circuit: https://goo.gl/P4A90b

Bana Haffar @ Moog Mother 32 In-Store (2/22/17)

»island people« is a new band project consisting of mastering engineer conor dalton, grammy award winning producer david donaldson, musician and DJ graeme reedie and guitarist ian »chippy« maclennan. on their first self-titled record, they present their collaborative work that evolved over the past three years.
 
being based in different cities, namely berlin and glasgow, files had to be exchanged back and forth between the band members in order to create tracks. for their delicate sound structures, field recordings and other sound sources were heavily processed and rendered unrecognizable. layer after layer, the tracks came into being quite naturally, not only reflecting their continuous way of working, but also incorporating their different and individual backgrounds: »during the whole creation of the album, we never realized our actions were quickly leading us into forming »island people«, we were too busy having fun, making music and sharing ideas.«
 
the result of their collaboration is a timeless music that is as open as a natural phenomenon, developing a certain feeling of euphoria over time. all in all, »island people« is a pure listening record in the best tradition of ambient.

Island People

island people »ember« taken from »island people«

A mix of various unreleased/rare/alternative cut tunes by Burial that I put together.

Radio Rarities Mix 

Burial Radio Rarities Mix (2004-19)

Maxim Zhestkov is an artist who examines the connections of physical and digital realities. Divided by a permeable membrane, these two worlds exist in a constant exchange and redefine one another. Zhestkov acts on their intersection: manifesting the continuity of exploration, he imagines new worlds and expands the understanding of the phenomena present in our universe.

Merging architecture, sculpture, color, movement, and sound, the artist combines various channels of perception to develop a distinct universal language to depict complicated concepts and ideas in a succinct yet not scaled down manner. Experience and observation as well as a diverse and digitally sophisticated toolkit give an endless supply to this artistic research. Combining basic geometrical shapes — dots, spheres, and planes — Zhestkov creates intricate and hypnotic visual stories centralized on objects in their volume, detail, and beauty of movement.

The message of his art exploration is to find ways out of implicit limits of comprehension: capturing the unexpected, Maxim aspires to open doors to the unknown and spotlight the unseen.

Artificial Organisms

Zhestkov

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