This is so sick!!!! Imagine as the sound track for a new edgy cartoon on adult swim!!! The gypsy jazz meets surf metal is top!!!! 🔥🔥🔥🔥🔥

For the defenders of Ukraine.

Written, recorded and produced by K Gennery.
All instruments played by K Gennery except the wonderful main piano's and beautiful BV's by Alise Kirtley. 
Image not my own.

Thank you Alise for being so generous with your time and talent and coming to work in my very basic home studio, with ancient gear and an ancient bloke. You helped to make the record exactly what I had imagined. It truely needed a gifted pianists touch and not my rough and heavy mitt's.
Twas a delight spending time with you. 

Heres the actual open mic performance.
https://youtu.be/CLDW8ZK1J-g

And Alise performing a cheeky little number at the very same open mic.
https://youtu.be/7PvJ6utVoC8

A few links to my fave songs from Alise and her band, The Bearing.
https://youtu.be/ixaPvRT08Is
https://youtu.be/ZE168NXoXJU
https://youtu.be/p3sm6Buu1ec


The story:
I wrote this song on my acoustic guitar and started to record it that way, but just wasn't getting the vibe as I did when played live. I tried various ways to get it down with the guitar including an electric...nope, nothing happening.
So I  then thought maybe it wants to be a piano song but my wooden, plonkey key skills were not up to the task. About this time I was thinking possibly the song was not that good. Maybe I was feeling the emotion from the lyrics and not the melody. So I decided to play it at the next open mic, along with two other new songs and I asked the audience to pick which to record next. They all said this one.  On the way to sit back down Alise, who I knew was an amazing piano player, said, "Thats a beautiful song". So, I tried my luck and replied, "I'm just not getting it down with the guitar, what the song needs is a classically trained pianist, anyone spring to mind?" Alise smiled and said, "I would love to be involved". I was tickled pink.






Lyrics:
So many of us fall, cause we all heard the call,
to bleed blue and yellow.

For this is our own home, dust will cover our bones, forever,
we'll never concede.

If I can't be found, lightening marks the ground,
 if I can't be found, lightening marks the ground,
where I once stood.

Keep or children safe, teach them of our bravery.
Death in defiance, we'll never be compliant to invasion,
cause this is our nation.

If I can't be found, lightening marks the ground,
 if I can't be found, lightening marks the ground,
where I once stood.

Where I Once Stood

Basado en la novela del escritor costarricense Jose Leon Sanchez. Quien sobrevivio mas de 30 años de prision en la Isla de San Lucas.

Basierend auf dem Roman des costaricanischen Schriftstellers Jose Leon Sanchez.  Der mehr als 30 Jahre im Gefängnis auf der Insel San Lucas überlebt hat.

Based on the novel by Costa Rican writer Jose Leon Sanchez.  Who survived more than 30 years in prison on the Island of San Lucas.

La Isla de los Hombres Solos

Vishow - Limo Wreck (Cover SoundGarden )

The fantastic percussions of Sonic Kitchen are a complete theme on itsown. I only tried to do my best with synths and programming.
For more Sonic Kitchen: https://on.soundcloud.com/MZw8
For the original theme: https://soundcloud.com/sonic_kitchen/dance-of-the-kingfisher-prototype-1?si=993d5659054a46ad83031cccfd47ddb8&utm_source=clipboard&utm_medium=text&utm_campaign=social_sharing

DANCE OF THE KING FISHER (WITH SONIC KITCHEN)

I'm happy to share with you the Zhorhann first single recorded a few months ago in a cave in Toulouse, it's a cover of "La chambre jaune" of M'Z

Now it's available as a single and for listening on all platforms here: https://album.link/frm2bcqqpcjz7
Thank you Luminol Records for distribution and trust
Thank you Hugo Lemercier for the mix

For context:
It's a cover taken from M'Z's prism album, which focuses on concepts, and uses constraint to tell its stories.
The reflection is centered around the notion of Prism.
The goal is to create parallels between colors and musical modes (musical colors), but it is also a pretext to tell a more personal story in parallel.
Another of the driving ideas of this project is that everything is inevitably interpreted, no matter how hard we try to approach a totally objective truth, it will never really be the case.
This project tries to break down every particle, to analyze every atom, but each time it tries to transcribe a message, it will be biased by the translation that its own prisms and analysis filters produce.
Despite his efforts to find an objective point of view, he can only admit that his feelings will systematically influence his decisions and thoughts.
It will be the same for the style, while trying not to approach only one aesthetic and mixing all its influences, he will quickly realize that fusion even with an open mind remains a kind of musical label.
M being the guitar Z the machine, the idea is also to create a bridge between organic and electric/electronic music, a bridge between the code and its acceptance as the need to get out of the code. Released on December 27, 2017 in self production.

This song, specifically, is about the color yellow. It is the reaction of our emotions when we try to deny them and try to bury them very deeply, then they will feel rejected and try again, to capture our attention. So well buried they will manage to communicate with our subconscious that reigns in these places, together with this strange friend, they will then be able to play with our state of consciousness and we will be forced to adopt behaviors that will bring us closer to madness, until until we can finally find a way to better deal with these emotions, hitherto misunderstood, unheard and rejected.

While waiting for the album that we are currently finishing mixing, here is something to listen to...
Can't wait to hear your feedback
Mathieu TORRES

Zhorhann - La Chambre Jaune

Re-Animated @frawstakwa 
https://soundcloud.com/youngelderly/re-animated-164bpm?in=randther/sets/open-for-collab
Lyrics and vocals written and performed by RS Frawstakwa @frawstakwa
randther RS Frawstakwa
https://soundcloud.com/randther
Paploviante: Music, Bass, other Instruments, Picture, Mix and Mastering

Re - Animated Frawstakwa & Paploviante

Rabbit Rock

This is a song that started with Ian (IPG1 aka Lou) and his amazing vocal stem, of which I really identify with the lyrics. He has a plethora of vocal stems, so if you're interested in making a hip hop song, you did hit him up. He shared this psychiatrist l particular one with Tez (Llanpsych), who put a beat and guitar on it. Tez then sent it to me, and I added the bass and the synth. Then Tez put the solo part in there along with the effects. he mixed and produced it, and an excellent job he always does, too. This is my first foray into making hip hop, though I've listened to plenty. Hopefully there will be more to come.

Purple Microdot (with IPG1 aka Lou, and Llanpsych)

Song recipe: Borrow chords from the CCR Songbook that my Dad gave me for my 12th birthday, play some distorted Elmore James guitar licks, shout some vocals, become a human beatbox, add black magic, press record.

Lyrics:
When John met the Devil
The Devil was in a hole
And the Devil said to John:
Give me your hand, any I will give you riches like you've never known
Just give me your hand, John
I'll give you riches like you've never known
I'll give you a brand new (to you)
Gently used mobile home
Oh, John, don't worry about the bad
Cause the bad sleep well
Every single night
I'll leave you lots of whisky and bones
With meat...
Meat on them bones!
You can have all the love that you want
From these bathing beauties
in this Devil factory
It's like a bad restaurant
That's not very good
But you can have all you want
Understood?
One man's good luck charm
Is another man's burden
One man's suicide tree
Is just another man's shade
John, I can give you guile
Vanquish demons
I can keep you in style
Indulge your Id ego
I'll help you keep it under control
Hey John, Let me out of this hole
Get me out of this hole
Give me your hand, John!
Your hand John
Lift me up and out of the hole

John Meets The Devil (Act 1)

"Vinyl Ventriloquist" a poem by written by Jo Richter (Sonic Structures and Silent Stretchs)
.
.
people are busy
completing first lines
"recital by proxy"
confirming stylistic confines
.
resounding diaphragms
refresh prior engrams
raising the doorjambs
to tame toxic bedlam
.
.
everything that has grooves
everyone knows the moves
everything that resonates
precurses, premediates
.
.
syphilitic sibilants
pandemic plops
empowering resonance
as the chrystal pin drops
.
spiral recursion
runs down the track
affirmation, aversion
thwarted, played back
.
.
everything causing friction
sounds a prediction
everything that rotates
crescendoes and fades
.
.
praise luddite iconoclasts
who still dare to jam
creative enthusiasts
 la vie s'écrivant elle même

Vinyl Ventriloquist featuring a poem by Jo Richter (Sonic Structures and Silent Stretches)

Original music by: FPMORINSTUDIO/Francois Pierre Morin composer

A Guitar Line A 90

Zhorhann groupe de musique fusion in opposition de Toulouse
Jazz Rock, Metal, World, Cartoon, Noise, Prog, Expérimental

C'est un projet musical instrumental, un peu Zappaïen, avec des touches de Gong, Mr Bungle, Secret Chief 3, John Zorn, Naked City, Nirvana, Pantera, Steve Coleman, Ceramic Dogs, Tigran Hamasyan…

Faisant suite à "La Théorie des cordes", Zhorhann est un conteur musical, cherchant le sens dans la note, il motive le sensible use d'Arts pour déjouer les normes, puisque les mots, si bien ordonnés soient-ils, ont conduit l'ensemble du vivant à l’aube de son extinction

Zhorhann - La Chambre Jaune

Zhorhann

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