"Lee's breath imparts a certain glow to the radiance of her sound that is partly magic and partly a very precise approach to tone and volume." The Clarinet


Seunghee Lee, Clarinet
Evan Solomon, Piano

www.seunghee.com

Summit Records, 2011



Chopin: Nocturne In C Minor, Op. Posth (arr. Lee)

Wilhelm Richard Wagner - Der Traum An Die Sommernacht

Listening to the chaconne is as rich and layered an experience as the story behind the music. Whatever meaning you ascribe to the chaconne — personal, civic, divine, or none at all — it's certain to leave its mark.

Johann Sebastian Bach's chaconne has been arranged for nearly every instrument: from the ominous-sounding organ to the solo flute or the delightfully sparse marimba. Or, listen to these renditions by an enterprising clarinetist and an equally ambitious saxophonist. Or how about this menacing arrangement for trumpet and orchestra and this lyrical performance by two cellos. There is truly an arrangement for everyone.

But it's something spectacular when a great violinist performs the chaconne.

Tim Fain's live performance during Krista's conversation with Bernard Chazelle at WXQR's Bachstock is no exception. Before a full house at The Greene Space, he played Bach's chaconne, the fifth and final movement from Partita No. 2. As our executive editor Trent Gilliss observed, "It's a rarity and a privilege to be able to listen to a 15-minute violin solo without an orchestra." Especially a great performance like Tim Fain's, who is known for his electrifying recordings in Black Swan and 12 Years a Slave.

This performance is included in On Being's radio production, "Discovering the Cosmology of Bach" (http://www.onbeing.org/program/bernard-chazelle-discovering-the-cosmology-of-bach/7026)

Johann Sebastian Bach: "Chaconne" from Partita in D Minor for Solo Violin - Tim Fain

Improvised music produced entirely on the iOS platform using an iPad Pro.

Morning On Mars

Schubert - Piano Sonata In A Major, D. 959 Second Movement (Andantino) - Alfred Brendel (1)

The Lansdowne Symphony Orchestra
April 26, 2015
Reuben Blundell Conductor
Janet Wu, Piano

Mozart, Piano Concerto No. 20 in D minor, K. 466: I. Allegro

Tomaso Albinoni - Adagio For Strings And Organ In G Minor

Zoltan & his gypsy Orchestra - Dark Eyes

From the movie "We Own the Night"

I do not own this, all rights on this track and video belong to Wojciech Kilar. 
If you feel that this video breaks your own content message me and I will take it off.

Wojciech Kilar - Vadim Dies

guitar: Frank Hiemenz  (http://soundcloud.com/fhgitarre)
[ *new since august 2015: Listen to an amazing orchestra arrangement around this recording --> https://soundcloud.com/jtcmposr/asturias-featuring-frank-heimenz ]
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This recording  was part of my very first studio production. I labeled it "affettuoso assai" and made copies on CompactCassettes, each one by hand !  During the following years I managed to sell 500 pieces during my first gigs and concerts and was enormously proud of it.
;-) 
Listen to all tracks of this production at http://soundcloud.com/fhgitarre/sets/affettuoso-assai-old-archive
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video : http://www.youtube.com/watch?v=svHzX6HM3qw&hd=1
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recorded in puzzlepie studio Munich/Türkenfeld  '85
new restored with WaveLab 7, Dec. '12 by FHgitarre

"Asturias" by Isaac Albéniz [studio version/old archive]

The touching Stabat Mater by Giovanni Battista Pergolesi is perhaps the most famous version of the Stabat Mater, a cycle of songs about Virgin Mary. The final number he wrote when he was on his deathbed (1736). Pergolesi had in fact very dangerous TBC which was caused that he died at the age of 26. The master of the Italian Baroque chose an intimate composition: soprano, alto, two violins, viola and continuo. The moving Stabat Mater by Pergolesi with Olga Zinovieva and Sytse Buwalda. The Bach Orchestra of the Netherlands, Pieter Jan Leusink – conductor

Wojciech Kilar - Vadim Dies

tadas

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