for alto flute, bass clarinet & cello

performed by Contempoartensemble at Inaudita Festival, Barga, Italy

* this is an unofficial recording. The performance took place outdoors at the beautiful Chiostro Santa Elisabetta, hence the presence of much ambient noise - some welcome, some... not so much. 

This piece was also performed by IEMA at Wittener Tage für neue Kammermusik 2015, click on this link (the piece starts around 11'30"):
https://soundcloud.com/wdr3konzert/newcomer-konzert-26-04-2015



[this].connection (excerpt 1)

a nod to the notion of 'Sprachspiel'

Premiered by Ensemble Recherche:
Violin - Melise Mellinger
Viola - Barbara Maurer
Cello - Åsa Åkerberg
Piano - Jean-Pierre Collot

September 2014, Voix nouvelles de Royaumont

Tonspiel (2014)

Ensemble SurPlus:
Erich Wagner (conductor)
Martina Roth (flute)
Joshua Löhrer (bass clarinet)
Olaf Tzschoppe (percussion)
Stefan Häussler (violin)
Sylvie Altenburger (viola)
Johannes Burghoff (violoncello)

Sebastian Schottke (recording engineer) 
Guibal-Saal, Akademie Schloss Solitude
August 2015

the use of headphones is recommended to perceive some of the nuances of timbre

***
...on the intended blankness, I see without seeing.




...sur fond blanc (2015)

Premiered by Ensemble Wapiti:
Geneviève Liboiron (Violin*)
Daniel Áñez(Piano*)
*amplified

Sound engineer: James O'Callaghan

28.02.17
Concert produced by Codes d'accès for the Montréal/Nouvelles Musiques Festival

(t)here (2017)

Tokyo Philharmonic Orchestra 
Kah-Chun Wong, conductor

Toru Takemitsu Composition Award
Tokyo Opera City Concert Hall, May 28, 2017
© Tokyo Opera City Cultural Foundation

Another performance by the MGSO can be experienced through this link:
https://www.youtube.com/watch?v=z2y-xtsGzzU

at the still point (2017)

no names but thingless names
part ii: installative performance

Ensemble Schallfeld
Myriam García Fidalgo (Cello)
Lorenzo Derinni (Violin)
Manuel Alcaraz Clemente (Percussion)

Audio recording & setup: Daniele Pozzi

due to the nature of the work, certain elements were better captured in the video recording, which can be found here: https://youtu.be/EgSbl8fHJ0Q

January 26, 2019
Afro-Asiastiches Institut, Graz
Styria Artist-in-Residence

with support from:
Kultur Steiermark 
Afro-Asiatisches Institut
Conseil des arts et des lettres du Québec

no names but thingless names (2018)

For video recordings and more details, visit:

https://zihuatan.bandcamp.com/album/what-came-before-me-is-going-after-me

http://www.zihuatan.com

Zihua Tan

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