sounds very funky tribal, reminds me of Material and Eno, totally enjoyed!

great sounds. reminiscent of my favorite YMO tracks with guitar. the bass very dominating though, it's hard to focus on other elements

I made some sounds in the unsleepable heat of last nite, that vaguely resemble music. The Topic  : Death
Sounds triggered by various methods, arranged to resemble differing musical elements co-exisisting within a space.

Please note if playing this music anywhere inside or outside of Earth's atmosphere, the artist still retains all rights to the work indefinitely. This overrides any licensing rights implied by agencies or websites that it may be featured on or with, inclusive of also overriding any user license settings default or otherwise stated or unstated, by the websites or domains the work is featured on, before or after the date of the tracks original publishing date.
for bookings, donations, purchase or licensing please contact
syncop8@gmx.com




Amalgumtree (imorte-toll version)

Yoga Zone-Zen meditation

etude for fleeing ponies

Green pill

Human Mystery' track By Celt Islam Vocals Pure Mischief
The Right To Safety,  The Right To Shelter, The Right To Speak!!
Working Progress Sharing the journey x
https://soundcloud.com/celt-islam
https://soundcloud.com/puremischief

Pure Mischief With Celt Islam 'Human Mystery'

Early life

Rudnik was born on 28 October 1932 in Nadkole.[2][3]

In 1967 he graduated from the Faculty of Electronics on Warsaw University of Technology. From 1955 he worked for Polish Radio, at first as the manager of plumbers, carpenters and painters.[4]

In 1958 Rudnik started working in the Experimental Studio of the Polish Radio, fourth such facility in Europe, founded and directed by Józef Patkowski. Between 1967-68, he worked in the Studio for Electronic Music of the Westdeutscher Rundfunk in Cologne, when he cooperated with Włodzimierz Kotoński by the implementation of Klangspiele. In the late 1960s and 1970s Rudnik co- created some of Norwegian composer Arne Nordheim works, including "Colorazione" and "Solitaire" (1969).

Rudnik was one of the first Polish electroacoustic music producers and co-founder of the so-called Polish school of electroacoustic music and author of innovative solutions of spatial sound projection, composer of Skalary (1966). He was also author of the one of the first in the world poliversional tracks to tape, and the first Polish track quadraphonic Vox Humana (1968) carried out in Studio WDR in Cologne. His work has defined and confirmed the role of sound producer as a co-author of the works of electroacoustic music.

As a composer Rudnik created almost 100 works in studios of electronic music in Warsaw, Stockholm, Cologne, Paris, Bourges, Baden-Baden, Brussels and Ghent. They were presented on different radio stations throughout Europe and in many countries, as well as at many festivals in Warsaw, Wrocław, Finland, Zagreb, Stockholm, Berlin, Paris, Arles, and other sites. In 2006, he was a central figure in Warsaw edition of Audio Art Festival. His composition Homo Ludens was presented in 1985 at the prestigious world exhibition of contemporary art Documenta VII in Kassel.

Eugeniusz Rudnik - Kolaż   Collage [1965]

Abadoned Spacestation

2019-07-30

another dimension

5 of 27 minutes

Rough jam with Rob on geetar, myself on bass, popped in the sequencer for some added width synth and drums.

Skankypunk

just a jam, free download. happy solstice month.

r2dv8 - pollen 8 tors seed ah

improvisations, experiments, docudirge, uneasy listening, grumpy noise machinations, optimistic sonic vistas .... Please note if playing this music anywhere inside or outside of Earth's atmosphere, the artist still retains all rights to the work indefinitely. This overrides any licensing rights implied by agencies or websites that it may be featured on or with, inclusive of also overriding any user license settings default or otherwise stated or unstated, before or after the date of the tracks original publishing date.

Blurring the lines between genres, no formal training. Attempts at sonic diversity within pieces of sound, these drawings and doodles i scribble with them messily.
I turn voices and noise into bad documentary soap opera narratives, as a vehicle for my views on peaceful sustainable coexistence, environment permaculture, fair trade, and mutual empowerment.
I'm forever delighted to find new music on Soundcloud, especially the "off the beaten track" alternatives, odd fusions of different musical genres, experimental types of arrangements and sonic amalgamations.

Amalgumtree (imorte-toll version)

c0g

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