At A Time When Time Was Irrelevant

Woman

Prick & The Princess is a powerful exclamation of the absurdity of being with the wrong person, the unnecessary pain it causes and the necessary courage it takes to move on. Denial is the refusal to grasp reality, too often in a relationship it's easier to deny the truth and continue a fictitious romance, continue lying to yourself and continue feeling incomplete, than it is to go your own way.

Prick & The Princess

Breakthrough - Zilverbacks

Breakthrough

zilverbacks

Feel That Feeling

Eighteen. Taken
She was too young
She was too young
Mistaken, broken memories
She was too young
She was too young
In life
To be, a shootin' star
A satellite.

Aching, stay in
She was too young
She was to young
Escaping, jokes and revelry
She was too young
She was too young
In life
To be, a house of cards
Dynamite.

Breathing, breathe out
Who will remember your old ways
Cave in, to all that you believe
Was it true love
Was it true love
A type, subtle charms
Cyanide

Trying, yet worn out
Was it true love
Was it true love
Shaking, begging on her knees
Of course she cried
Well of course she

She so, didn't want it
Catastrophe, without warning
She so didn't want it
Catastrophe, without warning
Ohh, taken whole
Without warning ohhh
Taken ohh

Failing, fall out
It was to wrong
It was too wrong
Cradling, unspoken melodies
It was too wrong
In life
To sing kamikaze lullabies

Baby, save in
It was too wrong
It was too wrong
Awaken, to reality
Of course she cried
Of course she.

She so, didn't want it
Catastrophe, without warning
She so didn't want it
Catastrophe, without warning
Ohh, taken whole
Without warning ohhh
Taken ohh

Eighteen, takin’
It was too young, it was too young
Mistaken, oh remember me
It was too young, too young
In life
To be
Alone in dark
A candlelight.

Kamikaze Lullabies

From the Debut Album 'At A Time When Time Was Irrelevant’  

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Next Single Release 'Woman' Out Soon

Ultimatum

Raft Of Medusa

Real Lies

Zilverbacks reveals a haunting and often challenging ride with vibrant layers of guitars, offset against a throaty and coarse vocal delivery; drawing comparisons to an early King Krule. The latest single ‘Breakthrough‘ sounds like a Clean Cut Kid record but with more punch, accompanied by lead vocalist Chris Harris distinct vocal tone. The boldness and sense of spirit only serves to add to Zilverback’s personality, a personable and genuine musician who sings with raw emotion.

With 10 tracks to be released, the stereo mix leans more onto grunge than indie-rock, while the sonic landscape created by multi-instrumentalist Harris almost crosses into the realm of confrontation. The lyricism follows the solum themes of loss, love and insanity set against the backdrop of a beautifully organic and robust instrumental.

Unable to read music and with no formal musical education under his belt, the task of producing the entirety of the album in his bedroom would have seemed almost impossible, however within just half a year he has created a diversely powerful collection of evocative lyrics and eclectic sounds that have made many pay attention to his musicianship and songwriting abilities. Without the aid of any professional studio equipment, his portfolio must be considered an impressive body of work at the least.

As an independent artist the only means of recognition is by sharing - if you appreciate the music please take the time to share, or even better donate via Zilverbacks' Bandcamp page zilverbacks.bandcamp.com

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