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Original by Koji Kondo, Remix: The Legend of zelda Main Theme and Lost Woods from Ocarina of time. Arrangement and Perform: Yoann Turpin. [2012-2013]

Remix: Zelda Lost Woods and Above

A remix of lost woods put together to compliment the release of song of storms 

Download the track at: http://www.ephixa.com
Facebook: http://www.facebook.com/ephixamusic 
Twitter: http://www.twitter.com/ephixa 
Youtube:  http://www.youtube.com/djephixa 

Made with FL10 and Komplete7

Lost Woods Dubstep - Ephixa

Divinations - from Mastodon's album "Crack The Skye"

Divinations

This is an orchestral/electronic remix of two songs from the Metroid series:  The Kraid's Lair theme from the original game, and Red Soil theme from Super Metroid.  It's kind of a cinematic styled piece, with strings, brass, and choir.  I hope you like it :)

-Sam

The Crimson Depths (Metroid Remix)

A remix of Gerudo valley, requested by the fans from lost woods dubstep 

**Want Ephixa Merch?**
http://new.merchnow.com/catalogs/ephixa

Download the track at: http://www.ephixa.com 
Facebook: http://www.facebook.com/ephixamusic 
Twitter: http://www.twitter.com/ephixa 
Youtube: http://www.youtube.com/djephixa

Made with FL10 and Komplete7

Gerudo Valley Dubstep - Ephixa [Zeldastep]

An 8Bit Dubstep Track

An orchestration of the Metroid music Kraid's Lair. This one really stood out to me as an awesome track for the middle part. As with my last Metroid piece, there's also little synthy bits to it to give it a retro touch.

Thanks for all the comments, likes & subscribers on my channel so far! Feel free to check it out for more of my music, including game remixes and original pieces.

Used:
FL Studio 10, Kontakt 4, Cinesamples CineBrass, CineOrch, CineSnare & Drums of War, Spitfire Albion, Percussion, Great British Brass, British Woodwinds & Harp, Audiobro LA Scoring Strings, Tonehammer Requiem, Project SAM True Strike, Native Instruments Alicia's Keys, Private Orchestral libraries

Metroid - Kraid's Lair Orchestra

Final Fantasy VII - Still More Fighting (drum n bass remix)

The full dubstep remix of Sonic The Hedgehog "Green Hill Zone" by Hooky. 

Follow Hooky:

http://www.facebook.com/HookyLDN
http://twitter.com/#!/HookyLDN

For bookings and enquiries please email: hookybookings@hotmail.com

finished 8th October 2011

Sonic The Hedgehog - Green Hill Zone (Hooky dubstep Remix)

SUPER METROID SYMPHONY  is the culmination of years of experience working with the Synthetic Orchestra and my biggest project to date. With the aim of faithfully recreating every piece of music from the series' 3rd game, the album is an hour long journey through 30 tracks that were lovingly crafted - minute by minute, note by note.

I hope you enjoy listening to the final album as much as I enjoyed working on it.

You can pick up a copy from Loudr (http://blake.so/supermetroid) in DRM-Free MP3/FLAC format or find out more information from the website (http://metroidorchestra.com)

Super Metroid Symphony : Maridia Rocky Underwater Area (Preview)

This is an official rework we have made for Activision for the new James Bond game GoldenEye 007. 
Check out the launch trailer including our version here:
http://www.youtube.com/watch?v=Vd8jr1FbpxY&feature=youtu.be&t=25s

Camo & Krooked - James Bond Theme (OFFICIAL REWORK)

Final Fantasy X - Someday the Dream Will End

The Misfits - Last Caress

Done in one sitting, man did I need a piss when I'd finished. This is what I think this music would have sounded like were it not for the limitations of the Gameboy's sound chip. 7 guitar tracks, 2 bass tracks and MIDI drums (because I can't drum). It's supposed to sound vaguely '60s-y...

Super Mario Land - World 2

An orchestrated version of the Brinstar theme from the original Metroid game. It's quite brassy and does differ in rhythm from the original, but you should hopefully recognise it.

Used:
FL Studio 10, Kontakt 5, Cinesamples CineBrass, CineBrass Pro, HollyWoodwinds, CineSnare & CineCrash, Spitfire Albion, Percussion & Symphonic Strings, Tonehammer Requiem Pro, SoundIron Mars, Audiobro LA Scoring Strings, Vienna Symphonic Library Epic Horns

Metroid - Brinstar Orchestra

An ambient cover of "Roses For The Dead". Inspired by Funeral For A Friend.

Funeral For A Friend - Roses For The Dead - Piano Cover

Suteki Da Ne Final Fantasy X -  - Final Fantasy

Holo The Wise Wolf

I've been an avid fan of Street Fighter since my involvement with HD Remix, so you can imagine my delight at the announcement of Super Street Fighter IV. Among the new characters, one just really stood out for me - Hakan! When I first saw his reveal trailer, I was hooked. Everything about him is hilarious and awesome, from his special moves, to his backstory, voice acting, physical appearance, and, of course, his music.

    I got the inspiration for this remix after hearing the OST version of his theme on YouTube. I listened to it a few times over the course of a few days, during which I was coincidentally listening to a lot of Infected Mushroom, perhaps the most famous psytrance group. Inspiration struck at breakfast one morning when I imagined how Hakan's theme would sound with a psytrance beat.

    So, I got to work on the mix and finished it in about three days. I can honestly say working on this was the most fun I've ever had making music. I interspersed my long mix sessions with watching SSFIV videos to keep myself in the zone, and one night was so excited about both my track and the game itself that I could barely sleep, waking up at 6am to continue working.

    As for the musical content of "Time to Oil Up", it's completely over-the-top psytrance. I used a huge ensemble of Middle Eastern and European stringed and wind instruments, world percussion, and custom synth sounds I made from scratch just for this track. I also had a lot of visual imagery in mind while working on it; for example, I imagined the massive drum breakdown at 2:25 to be Hakan or his fans actually playing his giant wooden barrel of oil. The icing on the cake though is the vocal part, provided by my wife Jill. I wrote it out on a synth, pitch bends and all, and was blown away that she completely nailed the Arabic style I had in mind.

    Anyway, I hope this remix puts a smile on your face. I had an absolute blast making it, and can't think of a better way to pay tribute to an amazing game, series and soundtrack, fit for the king of Turkish oil wrestling himself!

Time to Oil Up (SSF4 Hakan's Theme Remix)

My friend and fellow producer PrototypeRaptor called this "cinematic dubstep" when he first heard it. I agree with that genre! I wanted to combine really dark and atmospheric elements reminiscent of monster-infested lava caves on an alien world with heavy dubstep rhythms, beats, wobbles and my own personal flavor. Hope you enjoy the result.

Ashes to Ashes (Super Metroid Lower Norfair Remix)

Quite possibly my most popular remix ever, this one is certainly a fan favorite. I was inspired to remix this theme after hearing another artist’s take on the material as a judge on OCR. It’s such an epic melody and progression that I just wanted to take it to the next level and go over-the-top with suspenseful pads, choir and strings, sound effects and a full orchestra (film score style.) With big beats and heavy guitars, of course. Even though I made this in 2007, I’m very proud of it! 

Super Mario World - Monstrous Turtles!

Get the free Circus Mix from http://www.circus-records.co.uk/

Connect with Doctor P on:
http://facebook.com/doctorpcircus
http://twitter.com/doctorpcircus
http://www.circus-records.co.uk/

Tetris

Doctor P - Tetris

Final Fantasy XIII ;D You know whats up. Just wish Versus would come out already...

Time Goes (Final Fantasy XIII Theme Remix)

Massive 80s/funk/electro-influenced remix of the classic video game theme "Vampire Killer", from the original NES Castlevania. I was really inspired on this one and finished it within 24 hours. GET THAT PORK CHOP

Castlevania - Electro Killer 6000

Super Metroid Symphony : Ridley - Draygon Encounter (Preview)

ボス戦

Nascida a 21 de Setembro de 1986, Lindsey Stirling é uma violinista, dançarina, cantora e compositora. Em 2010 participou na quinta temporada do programa 'A America Tem Talento' (America's Got Talent).
Com apenas 5 anos pediu ao pai para aprender a tocar violino, influenciada em grande parte pela musica clássica que este ouvia. Teve assim aulas privadas durante 12 anos em musica clássica e aos 16 participou numa banda de música rock constituída por 4 amigos chamada 'Stomp on Melvin'.
O Cinematografo Devin Graham, após a participação de Lindsey no concurso 'America's Got Talent' no ano de 2010, contactou-a via Facebook com a esperança de poder realizar vídeos com a artista. Alguns meses mais tarde Lindsey entrou em contacto com ele de forma a gravar o seu novo video para a musica "Spontaneous Me". [6] O Video ajudou imenso para o aumento de popularidade de Lindsey.

Zelda Medley  Lindsey Stirling

My remix of one of my favourite tunes from the Sonic games!

Free Download Here: https://www.toneden.io/protostar/post/sonic-mystic-cave-zone

---------------------------------------------------------------------------------------------------

Support me!
Facebook: https://www.facebook.com/ProtostarMusic
Twitter: https://twitter.com/Protostar_UK
Soundcloud: https://soundcloud.com/psdub

Support my label!
Facebook : www.facebook.com/Adaptedrecords

released 11 December 2012

FREE DOWNLOAD HERE!

Sonic - Mystic Cave Zone [Protostar Remix]

From my 10th album Identity Sequence, available now on Bandcamp!
http://zirconstudios.bandcamp.com/album/identity-sequence

Colossus

GO GO THE WEAPONS GO!!

Cloudhopping - by Chimpazilla and Timaeus
remix of Yoshi Touch and Go
sources:  Flower Garden, Score Attack, Rankings & High Scores

Submitted to OCR for judging on Feb 1, 2013
It passed!  Received "Direct Post" notification Aug 25, 2013

Majority of non-percussive sounds made using Zebra2, presets by Timaeus. 
Zebra-nautic Revolution 180-preset pack for sale: 
http://timaeusproductions.bandcamp.com/

Cloudhopping - Yoshi Touch & Go - by Chimpazilla and Timaeus

Title track of my 2012 album Identity Sequence!

http://zirconstudios.bandcamp.com/album/identity-sequence

Buy Album

Identity Sequence (ft Jillian Aversa)

From my 2012 album Identity Sequence:

http://zirconstudios.bandcamp.com/album/identity-sequence

Memory (ft Jillian Aversa)

DΣPTH

[breach]

This has reached 100 downloads, so get this track on OC ReMix (for free) since it just recently got uploaded! 

https://ocremix.org/remix/OCR04148

This is the Mod Review Version. It was revised (reverb, bass mixing, drum programming), and it was submitted to http://ocremix.org on March 17, 2013. The final version was approved on Dec. 14, 2013 for direct-posting on OC ReMix! :D

Sources: Watery Graves, Loonboon, Rigor Mormist

Chimpazilla's Comments:
As our first collaboration (Cloudhopping) turned out wonderful, it's time for a second collaboration with Timaeus!  This time we decided to go a little darker, into the creepy world of Plants vs. Zombies.  We wanted a lot of variation in styles, moods and sounds throughout the song, and it was easy to fill up the remix with source due to the complex melodies of the tunes in the OST. Timaeus's dubstep breakdown with the "bungee scream" gives me chills every time I hear it. Thanks to Laura Shigihara for writing such a fun soundtrack for a great game.  I still can't believe no one has remixed this game yet! djp, we hope you are happy that someone finally accepted your challenge of doing a remix for Plants vs. Zombies! About time, eh?

Timaeus's Comments:
This was by far the most complicated remix I've ever worked on with anyone, and I've never given so much attention to detail to one remix before. There ended up to be a whole bunch of drum samples, automations, and unique sound patches including a few of my own. If I had to pick a favorite sound, it would probably be that 12-string sitar patch Howard Scarr made for Zebra. This remix drew a little inspiration from zircon, Sole Signal, and Ben Briggs. Now, since this might actually be the first Plants vs. Zombies remix ever shared with OC ReMix, I figured it would be nice to include a quick little source breakdown (not NEARLY as precise as the last one):

0:00 - 0:04.5 = Original
0:04.5 - 0:09 = Watery Graves (0:00 - 0:02.5)
0:09 - 0:25 = Watery Graves (0:00 - 0:18.5)
0:25 - 0:38.5 = Loonboon (0:00 - 0:05.5)
0:38.5 - 0:45 = Watery Graves (1:03.5 - 1:05.5)
0:45 - 1:03 = Loonboon (0:12 - 0:25)
1:03 - 1:21.5 = Watery Graves (0:18.5 - 0:27.5 [The backup instrument])
1:21.5 - 1:39.5 = Watery Graves (0:27.5 - 1:03.5)
1:39.5 - 1:53 [Such a fun solo] = Loonboon (0:49 - 1:11.5)
1:53 - 1:57.7 = Loonboon (0:23.75 - 0:25.25)
1:57.7 - 2:15.25 [Havin' too much fun here] = Watery Graves (0:00 - 0:18.5)
2:15.25 - 2:33.93 = Watery Graves (1:03.5 - 1:21)
2:33.93 - 2:52 = Watery Graves (0:27.5 - 1:03.5)
2:52 - 3:10.2 [glitchy goodness] = Watery Graves (1:23.3 - 1:41.3)
3:10.20 - 3:28.25 = Loonboon (1:22.2 - 1:46.5)
3:28.25 - 3:37.88 = Watery Graves (0:00 - 0:18.5)
3:37.88 - 3:41.82 = Rigor Mormist (0:02.7 - 0:06.6)
3:41.82 - 3:46.38 = Watery Graves (0:00 - 0:02.5)
3:46.38 - 3:50.90 = Watery Graves (0:00 - 0:02.5) and Rigor Mormist (0:02.7 - 0:06.6)
3:50.9 - 3:55.7 = Watery Graves (0:00 - 0:18.5)
3:55.7 - 3:59.9 = Rigor Mormist (0:02.7 - 0:06.6)
3:59.9 - End = Watery Graves (0:00 - 0:18.5)

Overall, I'm really proud of the mixing/arranging work we both did. Cheers to the most awesome video game remixing site ever! :D

- Timaeus & Chimpazilla

Plants Vs. Zombies - 'The Zombies Are Coming' V8-1 of 10 [Medley] by Chimpazilla & Timaeus

~ short thingy.. rpg inspired i guess 
n_n

This is my vision of the future - cybernetic clublife. Enveloping atmospheres, huge bass/beats, and a big chip hook. Enjoy!

GET THE ALBUM! - http://overclockedrecords.com/?product=getaway
Exclusive debut on OverClocked Records!

SCI-FI/CYBERPUNK ALBUM - http://zirconstudios.bandcamp.com/album/identity-sequence
LIKE ON FACEBOOK! http://facebook.com/zirconmusic
FOLLOW ON TWITTER! http://twitter.com/zirconst

Buy the EP

Augment

Andrew Aversa (a.k.a. zircon) is an award-winning, covert-ops audio specialist with headquarters located on the outskirts of Baltimore, MD. His top-secret blend of cutting-edge electronic-organic sound design, sonorous composition, and ultra-polished production values have yielded dozens of credits in the realm of video games (Monkey Island 2: Special Edition, Super Street Fighter II Turbo HD Remix, Soulcalibur V), TV (Heroes, Skins, MTV, Touch), film, advertising and other media. As the recording artist zircon, he has written, produced, engineered and collaborated on over 15 albums.

The continuously-expanding array of zircon albums and EPs has met with both critical and popular acclaim – Impulse Prime achieved a dual victory at the 2006 Just Plain Folks Music Awards, winning “Best Techno Album” and the single “Tomorrow” winning “Best Techno Song”. This victory was repeated at the subsequent 2009 JPF Awards, with Antigravity’s “Depth Charge” taking “Best Techno Song” again, as well as the #1 spot of “Best Techno Song of All Time” at Garageband.com.

A lifelong fan of music, film scores and video games, Andrew’s background in music began in classical piano but soon evolved to include computer-based music production shortly before his departure to college. This led to a powerful thirst for knowledge and self-improvement, a thirst that has yet to be quenched as he continues to devour composition and production techniques every day. Thanks to this liquid background, Andrew integrates in his music a formidable arsenal of influences ranging from electronic artists like BT, Prodigy, Hybrid and Pendulum to film composers such as James Newton-Howard, Hans Zimmer, Danny Elfman and many more.

A true sound-scientist at heart, Andrew is the lead producer and co-founder of Impact Soundworks, a sound design & sample library development company with an enormous list of users all over the world, including some of the most well-known video game, television and film composers in the industry. If he is not designing a new collection of critically-acclaimed instruments for this company, he can be found concocting synthesizer presets which are similarly widely-used.

Andrew is frequently sighted teaching student composers and game developers at Drexel University or otherwise assisting fellow musicians in the fields of production, mastering, and sound design.