READ > https://inverted-audio.com/premiere-omoo-not-sure-really

Inspired by the region’s rave lineage and pioneering figures such as Aphex Twin and Luke Vibert, @eeldisc is a party series and label providing a platform for music of Cornish origin. Their first compilation brings together a diverse array of productions and is an exciting snapshot of the local scene.

not sure really

omoo - not sure really [eel]

Psychic Liberation presents “Friendly CSA Compilations Parts 1 & 2”. A compilation in two parts consisting of artists orbiting the PL canon from around the world in an effort to raise funds for Roots Unbound Friendly CSA.

Roots Unbound (RU) is an abolitionist grassroots organization based in Brooklyn offering nature-based programming centered around food justice, therapeutic horticulture and ecological disinvestment to people in the NYC area with a focus on supporting and uplifting people impacted by the carceral system.

Friendly CSA is a cooperative, agricultural initiative that was mobilized to respond to the food apartheid within New York jails and prisons. Roots Unbound sends care packages of harvested produce that are
chosen by incarcerated folks via a newsletter sent out every month, by growing and collaborating with local New York City land stewards. This CSA is provided at no cost to the recipients, funds raised for this CSA will be used towards packaging, postage, printed materials for newsletters, and a P.O. box.

To find out more information and donate further :
rootsunbound.org

opencollective.com/rootsunbound/donate
credits
releases May 7, 2021

Mastering : Glyn Maier
Image :Nick Klein
Layout : RJM Vanderheyden

Friendly CSA Compilation Part 1

BUY/DONATE

ALEX SUAREZ- Three Shapes Dances

do_____NT))CRY4_me!!!!!!!!!!im BRAVE

V/A - Kikommando
Label: PAN / Hakuna Kulala
Cat.No. PAN 124 / HK029
Format: DL / Book
Release Date: 6 August 2021
Purchase: pan.lnk.to/Kikommando
Video: bit.ly/3i2EgSg

A collective effort from a vital scene in Kampala, KIKOMMANDO takes its name from Ugandan street food of flat bread and beans. As a ‘food of soldiers’ offering maximum energy for minimum funds, the eponymous mixtape, video series and book project is an equally nourishing and ambitious proposition. It all began in the East African summer of 2018, during a two-month residency at the Nyege Nyege label and collective’s villa, in collaboration with their sublabel Hakuna Kulala. Producer and PAN artist Simone Trabucchi (aka STILL) opened the door to his temporary studio in the city and a crucial cross-cultural collaboration was born.

“The intention was to record as much as possible,” Trabucchi says about KIKOMMANDO’s musical showcase of eight Kampala-based artists, coming from the spectrum of musical influences, crossing trap, drill, cut ups, kuduro, electro, smooth jams—the list goes on. In creating a sonic space to support the expression of its featured singers, poets and emcees, the mixtape ties countless styles and flows into a single snapshot of a particular part of the Kampala music scene, at a particular point in time. The invective of rapper and street legend Blaq Bandana’s “Nkwaata” is laid over a spare and brooding ambient. Kampala Unit trumpet player and first-time singer, Florence, rolls a thick melodic texture through the organic clicks, knocks and atmospherics of “Bae Tasanze”. Jahcity’s unique lyricism combines a personal take on traditional music and soulful-reggae with a jerky, wobbly collection of drops and donks.

Meanwhile, Ecko Bazz applies his grimey vocals and rhythmic, introspective words to lead single ‘Ntabala (Rolex Riddim) at a particularly pertinent moment of self-reflection. “I was trying to listen to the voice inside myself and wanted to achieve a higher level of understanding of things, life,” he says about the themes that he felt inspired to explore with Trabucchi at the recording desk. The accompanying video, shot on a rooftop in the Kampala neighborhood of Ggaba, is one of a series of slick and high-definition films complementing each one of the KIKOMMANDO tracks. These also include contributions from Ugandan emcee and key Hakuna Kulala member Biga Yut, don dada of the GabaGaza gang Swordman Kitala (with Omutaba on percussion) and South Sudanese poet and singer Winnie Lado.

Also accompanying a ‘visual mixtape’ of moving images for each song on KIKOMMANDO is a recording diary of sorts, where Trabucchi compiles a vibrant collection of pictures, colours and textures reflecting the its heterogeneous sonic palette into a book. Together this multifaceted, interdisciplinary project showcases, what Lamin Fofana’s liner notes describe as, “amazing originality, complexity”, while “embracing dissonance”.

Trabucchi’s personal take on a kind of ‘digital dancehall’ defined the sound of his ground-breaking rumination on Italy’s colonial history on debut STILL album, I, in 2017. KIKOMMANDO is a different proposition entirely, where he finds new ways to complement the personality and skills of its contributors sprung from a constant stream of visitors arriving at the Nyege Nyege Villa’s makeshift studio. “It was a dialogue,” stresses Trabucchi, who has always preferred collaboration as a means to escape branded and stereotypical identities, while creating something new. “I created the musical platform to make the singers confident, and challenged them at the same time. Working together accelerates ideas and reveals that nothing is your invention alone. That’s why KIKOMMANDO is a mixtape to me, and not an album.”

The mixtape is mastered by Rashad Becker, featuring artwork by NMR. Tracks 1, 2, 3, 4, 7, 9, 11 & 12 mixed by Ville Haimala. Tracks 5, 6 & 8 mixed by Lorenzo Dal Ri.

@hakunakulala

KIKOMMANDO

STILL, Swordman Kitala - Rollacosta feat. Omutaba (PAN 124 / HK029)

Whirlpool is a new sonic tale of love and loss by Vanity Productions. This time Christian Stadsgaard strikes with a special collaboration with Meuko Meuko and Yunus Rozenzweig blending music and poetry. A fragile feeling grows like a seed into a whirlpool of emotions that elevates you and fuses separate worlds into a body full of beauty and quiet contemplation. Until the dream abruptly ends with the whisper of outlandish winds. 

All music by Christian Stadsgaard and Yunus Rosenzweig 
Vocal and lyrics Meuko Meuko 
Mixed by Yunus Rosenzweig and Malthe Fischer 
Mastered by Malthe Fischer 

Posh Isolation 263

Whirlpool (feat. Meuko Meuko and Yunus Rosenzweig)

Vanity Productions - Whirlpool (feat. Meuko Meuko and Yunus Rosenzweig)

Wet Brown

Tedium is modernity in the waiting phase. A longed-for moment of stasis.
A compilation of 23 tracks that shows us a rather wide spectrum including diverse manifestations of modern electronics. Boredom and neurosis that hold hands and become a chameleon-like whole.

Sometimes this combination draws its essence from obscure ambient demotivating, other times steals the body of enormous noisy and granular flows.

An emblematic sound vessel capable of containing everything from the sharpest electro-acoustic resonances to the most deformed deteriorations of hip hop imagery.

released May 27, 2022

Curated by A Flooded Need and Eks.
Artwork by NMR.
Mastered by Guido Marziale at KU Studio.
FLOOD01 - A Flooded Need, 2022.

Tedium

Dreamwork

Sara Persico & Xavier Lopez - Dreamwork

ISN'T NO PLACE AND ALL PLACES THE SAME PLACE
a mixtape for the displaced


you’re in denial 
get it together
acting like its happy hour for blood suckers 24/7
the plot ain’t thick and the vision has shifted
2 factor authentication has been hacked since day 1
jackpot baby always wins
a double whopper, a license to troll and a personalised ad
you’ve been played 
all options are fake 
goodnight kisses thankfully delivered by 
the institution


Tracklist:

1. Nothing Ever Rests
2. I Want It All
3. Questions
4. Gateway 
5. 77 Desire
6. Hi n Byestory
7. Isn’t No Place And All Places The Same Place
8. Crying Song

All Music written by Ziúr / 2019
Cover Artwork by Stefan Fähler

Download: 
https://www.dropbox.com/sh/tghqokdivjl2ynn/AADeiYmBdKP6ZUSa0MvWDS2La?dl=0

ISN'T NO PLACE AND ALL PLACES THE SAME PLACE

See here for more info: http://bit.ly/2tLua30

Nape, 'Stammer' (2020). Courtesy Beat Concern Records, London.

See here for more info: http://bit.ly/2tYMSEs

States Of Fugue

Zoë Mc Pherson, 'LEARN UR LANGUAGE FASTER feat. Elvin Brandhi' (2020). Courtesy SFX, Berlin.

The LATAM sonic hustle reaches 2020 with a complete brainstorm collage by Chilean underdog, Tomás Urquieta. Established in Mexico City since a couple of years ago, Urquieta has managed to shape his worship for hardcore and punk into high-level agroindustrial electronics. Síntesis de Fricción, his awaited debut for Insurgentes, showcases his fierce and riot-infused style across three stinging tracks.

Pre-order__​
https://insurgentes-co.bandcamp.com/album/s-ntesis-de-fricci-n

Tracklist__
A1 Dopamina
B1 Síntesis de Fricción
B2 Céfiro

Cat. number: INS 7
Release date: 02/04/2019
Format: Vinyl, 12", EP, Limited Edition
Programmed by Tomás Urquieta en la gran CDMX,  2019.

Tomás Urquieta — Síntesis De Fricción — INS 7

∞ booking: carin@outer-agency.com (World) 
frankie@discwoman.com (US) ∞ ziurinhell@gmail.com ∞ @nownowmeansnownow

ISN'T NO PLACE AND ALL PLACES THE SAME PLACE

Ziúr

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