The endless wait

Psychedelic Journey

Saša Delimar -  Shaped (Diffused Signal Remix) 
SEQMENTS: Form [C/S 002 / FRGMNTS]

Produced by Saša Delimar
Additional Production by Diffused Signal 
Mastered by Motion Symmetry
Artwork by Saša Delimar
Released by FRGMNTS from Berlin, Germany
Release Date: December 12th, 2025
Format - Cassette and Digital

For the second release in the series, I invited Diffused Signal from Australia. His track can be categorised more as an extension of my original track rather than a remix. With  new rhythmic elements and textures that blend smoothly with the main idea, creating a more dynamic atmosphere.
The result is a fusion of deep techno and breakbeat, with an organic aesthetic that gives the release its unique character. 

Diffused Signal (Perth, Australia)
https://soundcloud.com/diffusedsignal
https://www.facebook.com/diffusedsignal
https://www.instagram.com/diffused.signal

Saša Delimar (Berlin)
https://soundcloud.com/inf001
https://www.instagram.com/sasa_delimar_infinity
https://delimar.bandcamp.com

Oslated.
http://www.oslated.com

SEQMENTS: Form

Shaped (Diffused Signal Remix)

Support & Buy

Saša Delimar -  Shaped (Diffused Signal Remix) [FRGMNTS]

String Figures vi - Inouï (and free)
Watch video :  https://vimeo.com/channels/staffpicks/252069857 / https://www.youtube.com/watch?v=f9qp9ghz9ZI
Album out March 2nd via SVS records @svs-records
Pre-order album : http://bit.ly/2FdEQZa

Music:
Written, recorded, performed, and produced by Zoë Mc Pherson
Mixed by Jeremy Michel
Mastering by Rashad Becker

Video:
Direction - Alessandra Leone
Concept and music - Zoë Mc Pherson 
3D Animation - Andreas Barden
DoP - Julian Moser

Produced by Zoë Mc Pherson
Thanks to the support of Flanders, state of art.

stringfigures.xyz/
Instagram : http://bit.ly/2BCFa0o
Facebook : http://bit.ly/2BCFpbO
Soundcloud : http://bit.ly/2DULkOz
Spotify : spoti.fi/2nmtdqt
Twitter : http://bit.ly/2BCnNg7
Youtube : http://bit.ly/2DIep0q

SVS Records
svs-records.com/
Facebook : http://bit.ly/2BCHAfu
Soundcloud : http://bit.ly/2nqsepA

Part of an ongoing audiovisual album—titled 'String Figures'—by Zoë Mc Pherson, film directed by Alessandra Leone and animated by Andreas Barden.

vi. Inouï (and Free)

LIES-122
Krikor-Saudi
excerpts from three tracks from the 28 track lp
to be released Oct. 1st 2018

SAUDI

Buy Direct

Krikor- three track excerpts from SAUDI lp (LIES-122)

BUY VINYL > https://melodiessouterraines.bandcamp.com // Remastered edition // 
-
Chen Yi aims for a collective approach of art. As an isolated group of humans/numbers operating directly from a secret place in Chelmsford (UK), they developped a personnal and "bizarre" utilisation of guitars, machines, voices, distortion, giving as result an unconventional regroupment of compositions amongst a lot of lost/unreleased recordings. This is likely what got John Peel interested which leads to an inexplicable CBS contract. More couldn't be finalised, because CBS suddenly pulled out of the contract. "Due to their raw and alternative 'self-made' musical approach, they've been compared to the likes of Throbbing Gristle, Borghesia & Severed Heads or more underground names as Het Zweet, Biting Tongues..."

Chen Yi - "The" 1978-1983 (LP,Vinyl // 90% Wasser)

Artist : AIR LQD 
Track : A Foolish Game
Title : Repeat Itself
Label : Unknown Precept
Catalog: PRECEPT017
Release Date : 13 sep 2019
Preorder : https://unknownprecept.com/catalog/repeat-itself

Repeat Itself

DT PREMIERE: AIR LQD - A Foolish Game [PRECEPT017]

Recorded in Scheveningen, The Hague, with a Electribe ESX1 and Roland TR808.

Compassion

Out on August 7th, 2020. Available at https://shop.tapeterecords.com/new/conrad-schnitzler-frank-bretschneider-construct.html

About the Con-Struct series
Conrad Schnitzler liked to embark on daily excursions through the sonic diversity of his synthesizers. Finding exceptional sounds with great regularity, he preserved them for use in combination with each other in subsequent live performances. He thus amassed a vast sound archive of his discoveries over time. When the m=min- imal label in Berlin reissued two Conrad Schnitzler al- bums at the outset of the 2010 decade, label honcho Jens Strüver was granted access to this audio library.
Strüver came up with the idea of con-structing new compositions, not remixes, from the archived material. On completion of the first Con-Struct album, he decided to develop the concept into a series, with different electronic musicians invited into Schnitzler’s unique world of sound.

Bretschneider on his Con-Structions
I read the name Conrad Schnitzler for the first time in the arti- cle about Tangerine Dream in the Rowohlt Rock Lexicon from 1973 (back then, at 17 in the GDR, an indispensable guide). The first time I heard his music was only in 1980, when his wave track “Auf dem Schwarzen Kanal” was played on the ra- dio, an RCA 12“ Super Sound Single in disco remix. Then the man was gone and stayed under the radar again, in spite of his almost inflationary number of releases. Maybe his mate- rial was too obscure or his approach too radical to be noticed by the general public. It wasn‘t until 1988 that I heard from Schnitzler again, a tape on Jörg Thomasius‘ East Berlin Kröten Kassetten label. And again almost 10 years later his Plate Lunch CDs “Rot” and “00/106”. But it was all too rough and raw for me, both in terms of sound and organization, kind of mechanically and not really cool. Only after I heard Wolfgang Seidel at the NBI around 2002 with one of his tape concerts, I came slowly closer.
Schnitzler‘s early role as co-founder of two influential bands is one reason for the ongoing reception. Another is his con- sequence as an artist. “I‘m not interested in having publicity or a public feedback” he declared in an 1996 interview. It remains an open question whether one has to completely refuse to do so. But I was always fascinated by this almost extinct way of being an artist in its full independence. Just as I feel connected, as a self- taught person and as someone who prefers to look forward instead of looking back: “I don‘t want nostalgia.” After all it was Jens Strüver who inspired me to work with Conrad Schnitzer‘s material.
I had the idea of flowing music in which patterns develop, shift, dissolve and finally reorganize. A modular system seemed the most suitable to connect Schnitzler‘s world with my own by triggering and modulating his sounds via a sampling module and supplementing them with my own. Perhaps I have not always succeeded in merging both worlds congenially, sometimes they orbit, sometimes they collide, but they never stand still. As Conrad Schnitzler says in his „Context“ manifesto: “The sounds don‘t come to stay.”

Buy CD/LP

BB349 Conrad Schnitzler & Frank Bretschneider – Con-Struct (Album Preview)

Interview de @vazyjulie du @metaphorecollectif avec @ola_terreur, qui aborde ce superbe collectif à l'occasion de la sortie de la compilation ICI DANSE LE PEUBLE OUBLIÉ. 

“Depuis quelques temps l’équipe de Metaphore Collectif réfléchit à une façon de garder une trace de son histoire, de l’ancrer dans le temps. La crise sanitaire a précipité les choses lorsque, suite à une fermeture forcée, un grand appel à l’aide a été lancé pour sauver le Meta, leur lieu associatif, bastion de la fête libre à Marseille. Un appel auprès des membres de l’association, mais aussi auprès des artistes passés par la case Meta. La liste était longue, et ils ont quasiment tous répondus présents !
C’est ainsi qu’est né la compilation de 64 titres intitulée «Ici danse le peuple oublié».

Ola te parle • avec Vazy Julie (Métaphore Collectif)(20.08.20)

buy cassette/digital nicemusiclabel.bandcamp.com

taken from Simon J Karis 'Piovve' NM039

Simon J Karis returns to Nice Music with Piovve, his first release for the label since 2017’s Madrugada. Following from recent releases for Altered States and Vienna Press, Piovve offers up six tracks demonstrating the development and deepening of Karis’ obliquely emotive approach to electronic murk. Floating on clouds of tape hiss in smeared VHS fidelity, Karis explores a range of formal approaches, from the burbling monophonic synth lines and spoken text of opener ‘Infinite July’ to the four-on-the-floor kickdrum and wistful music-box melodies of half-remembered rave closer ‘Shale Pardon’. In between we’re treated to the drumless motorik propulsion of ‘To Think of You’, which calls to mind Moebius and Beerbohm’s Double Cut in its woozy rhythmic insistence before the mood is hijacked by a distorted devotional vocal sample that abruptly reroutes proceedings from the morose to the ecstatic. The opposite path is travelled in ‘On Ardour’ where jittering synth pads toy with euphoria before descending into pensive gloom. Across these six miniatures – each of which concludes with an abrupt cut to silence – Karis mines a vein where sonic experimentation and emotional reflection meet, crafting something uneasy but ultimately celebratory. -Francis Plagne

For fans of Cluster, Actress

Piovve

Simon J Karis 'Infinite July'

zoemcpherson.xyz || s-f-x.space
runs @s-f-x-0101 


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