synth

Imagine a mid-70s Halloween party on the filming location of John Carpenter’s The Thing with a three-piece krautrock obsessed electronic rock combo creating long plodding yeti funk and haywire electro soundscapes via suitcase-synths and mutant mouth organs!  The cryogenically frozen music on this limited cassette is based on a true story.

Operating as true “outsiders” of electronic American music both artistically and geographically, this interchangeable Alaskan collective headed by electronic harmonica player Gary Sloan would inadvertently prognosticate electro and techno while attempting to reinvigorate the self-contained Anchorage blues rock scene via an addiction to state of the art synthesisers and custom contraptions. Recorded four years before their untravelled milestone LP Harmonitalk, the Hallowe’en sessions are taken from a bottomless archive of direct-to-cassette recorded jam sessions, experiments and custom-built radio themes either entirely unheard or singularly distributed exclusively via the airwaves on Sloan’s very own Import Hour show for Anchorage radio station KGOT.  Taken from a cassette marked Hallowe’en Music recorded on October 31st 1976 and previously unheard outside the confides of the trio’s own rehearsal room, this session provides a further glimpse into a wider dossier of future Cache Cache Clone releases and acts as a perfect companion piece to the equally underexposed Octabred LP (backed with unreleased Suzanne Ciani music) now available via our Disposable Music library subscription series.

STRICTLY LIMITED EDTION CASSETTE

http://www.finderskeepersrecords.com/shop/clone-halloween-1976/

Clone - Hallowe'en 1976 (Excerpt)

Los Angeles techno veteran Silent Servant crafted a grim edit of "Tell Me", transforming the original song's synth-heavy bliss into a steely acid workout and hollowing out Hall's vocals until they hang like ambient gauze.

http://www.facebook.com/SilentServantMusicOfficial

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Soft Metals - Lenses Remixes LP

- Deluxe white and black splatter vinyl.
- Limited to 450 copies worldwide.
- Remixes of Silent Servant, Bryan Zentz, Jesse Ruins, Bestial Mouths, Tying Tiffany, L-Sedition, Marbeya Sound and Sumergido.
- Download code

Order your copy: http://goo.gl/XXePIz

After two successful albums and one EP on Captured Tracks and touring extensively the US and Canada, Soft Metals is starting 2014 with this remix album from tracks from their last album "Lenses".

Soft Metals - Tell Me (Silent Servant Edit)

Suzanne Ciani - Liberator | Cache Cache (CACHE013)
http://www.finderskeepersrecords.com/shop/suzanne-ciani-liberator/

Suzanne Ciani - Liberator

For almost two decades, I have been tirelessly seeking honesty in music. I aim to find the sounds with which the artist speaks. Soundscapes that make you feel. Atmospheres that not only fill your room (and headphones) but truly transport you into another time and place. I will never forget the first time I heard Abul Mogard’s music. I was mesmerised. His intricate attention to sound design, rich textures, and manipulation of the created environment instantly transformed me into an avid fan. His music didn’t just augment my mood; it seemed to seep into my being, altering the code behind the perception of my mind. I didn’t just listen to his music, I invited it to be a part of my condition. In an effort to delve deeper and spend more time with such music, and more importantly, the composers themselves,  I created Headphone Community, where I feature an artist for an in-depth exploration. In the last three months, I’ve highlighted the sounds of James Murray, Ben Chatwin, and Erik K Skodvin. Today, I am honoured to announce that Abul Mogard will be the featured artist for the entire month of June! I invite you to join us on this journey, with the knowledge that your financial contribution will go directly to the artist!

Join here: https://www.patreon.com/c/HeadphoneCommunity

TRACK PREMIERE : Abul Mogard - In a studded procession

Full tracklist: https://bleep.com/bleep-mix-303-abul-mogard

With his latest solo album Quiet Pieces initiating his imprint Soft Echoes, Abul Mogard mixes composers and collaborators that have permeated his discography and inspirations. An impeccable sense of flow and continuity defines these selections, as Mogard says: "I imagined this mix as an atmosphere you could inhabit – a quiet weave of pieces I’m drawn to. It’s a sound collage of old and new music, where tracks meet and overlap gently, carrying you along in a flow while subtly shifting the scenery beneath your feet." From groaning ambience to trilling winds and warm washes of glitching noise comes a frisson of flutes on Stefano Pilia’s ‘CADUX / Plectere’ over an all consuming rumbling bass drone. Mogard highlights vocals in the midsection: the hissing of ‘Anticredos’, Meredith monk’s harmonic conterplay with arrays of pointillist vocal notes, Félicia Atkinson’s spoken word barely rising from its quietude, before brewing a dense buzzing electrical storm of swirling currents and gyres with the final few tracks, the rugged and visceral clockwork of Rafael Anton Irisarri mechanically crumbling as William Basinski’s piano notes eternally intone.

Bleep Mix #303 - Abul Mogard

Nnil Drum

Sighing Buddha

“Like a Bird”, recorded live at IKLECTIK × Waterloo Festival, St John’s Church, Waterloo, London — 12 July 2025.

The original album version appears on Quiet Pieces, released 30 May 2025 via Soft Echoes.

Photo by Colin Hickie.

BUY ALBUM

Like a Bird (Live at IKLECTIK × Waterloo Festival, St John’s Church, London, 12 July 2025)

After decades of chasing, accumulating, and then sharing new music with you, I think I've hit some saturation point. I think I'm done spinning in the vortex of the "new", being pulled in all directions, catching up on all the "fresh" and "innovative" tracks. I'm not saying that I will stop covering new music. No. But I think I'll focus the virtual lens of my listening on a very narrow point, investing my time and attention over more extended periods. I think I will turn inwards... towards music and the artists that genuinely make me feel. This is the case with Rafael Anton Irisarri's A Fragile Geography, an album from 2015, which captured my attention then as it does now, triggering memories, triggering thoughts, and emotion. A decade ago, during a move between coasts, Rafael lost his possessions - stolen with the moving truck - along with all his audio archives, forcing him to rebuild his studio and sound from the ground up. The pain of this loss is reflected in almost every single track on the album. This music is slightly dark and melancholic. It's visceral, and it gets under your skin. And there it stays with you for ages. Becoming part of you, becoming part of your existence.

On September 19th, the album will be reissued, beautifully remastered by Stephan Mathieu at his Schwebung studio, along with a limited edition cassette of remixes by the most renowned artists, handpicked by Rafael. "This record has always been about letting go of one life and rebuilding another", says Irisarri, "It feels fitting to return to it now - ten years later, in a different country, a different world." These reworks are worthy of your precious awareness as well. I know that there are more than a few in the pipeline (at least six), which will be revealed one at a time. As of this writing, there is already a gorgeous rework by the one and only William Basinski, with his version of "Secretly Wishing For Rain" with Gary Thomas Wright, which incorporates field recordings of Reseda rain and birds captured by Basinski himself. You can check out a digital stream of that track here. *BUT!* Today, I am premiering for you a second rework by Abul Mogard! This piece bears not only the original elements of "Persistence" but, of course, Guido's extremely personal touch that breathes new life into this sound.

Head over to headphonecommute.com to read more about this release, including a quote from Abul Mogard on the rework.

Sequence 5

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