Where the Light Still Waits — for the ones who carry quiet hope.

*trigger warning
pov from one who has suffered sexual abuse or exploited. The erasing of the words of those not believed or heard. Why does no one believe the victims? 
Written by ilasky. Production by @NU11//BROADAC57

#womenartist #protest #endsilence #believevictims #assault #emotional

silence washed away

5th collab with my Bredda SENNID 🔥🔥
A Dub Steppa Tune ... A great honor for me to work with mi Lion ♥️💛💚🙏🙏🙏....Sennid + KSB ...Only Good Vibes...

ANOTHER LEVEL

ANOTHER LEVEL (Collab SENNID & KillaSoundBoy)-(Dub/Steppa)

Beautiful Scent

RAVE IN THE BOX

RAVE IN THE BOX (Electro Dub Vs Techno Dub)

Recorded in Modesto, Ca.  Featuring Gibson 335 Electric Guitar solo. Steel Drum solo. Roland Synthesizer Bass. Yamaha Synthesizer Bass. Korg Synthesizer Bass. Gibson SG Electric Guitar Rhythm. Roland Synthesizer Rhythm. Drums Full kit set. Percussion Cow Bell, Tambourine, Electronic Snare. Zildjain 22" Ride & Crash Cymbals.

Let it Ride

Steel Drum Ride

Steel Drum ride

Where the Light Still Waits

⚠️WARNING: don’t even think about missing this – watch the video on YouTube! 🎬 Here: https://youtu.be/P2ARL50HuoU

Here we go with Left for Dead, the real ending of our Apocalyptic Trilogy (https://soundcloud.com/beatingedge/sets/apocalyptic-trilogy)!
Be sure to watch the video, because this song without its video is like night without day, it just doesn’t make sense!
The video opens in the best possible way with the amazing Carl (@thebeautifuldark) and Joe Stroffolino (@joseph-stroffolino), who kick off a fun little intro. So yes, this is a true Italy–Ireland–USA production.🇮🇹🇮🇪🇺🇸
Left for Dead follows Everything Changed (But Me) [https://soundcloud.com/beatingedge/everything-changed-but-me]  and Let’s Die Tonight [https://soundcloud.com/beatingedge/lets-die-tonight], plus the instrumental interlude The World Dies Tonight [https://soundcloud.com/beatingedge/the-world-dies-tonight], all connected by the same storyline. This is one continuous apocalypse that’s finally coming to an end, is it right? Make sure to watch the video all the way to the end, because there are several little surprises for the most attentive viewers.🤯
And speaking of the end of the world, while we’re showing a comet entering our solar system, in real life the mysterious Atlas/3I has actually arrived from who knows where. Not only that, the Lemmon comet is now visible to the naked eye. When we started the Apocalyptic Trilogy, nobody had even heard of either of them. Creepy timing, right?😱😂
Also, Joe is experimenting with a new idea for a song of his own in the intro, something he plans to turn into a full track and release on SoundCloud soon. Just a little peek behind the scenes while we bring you the apocalypse.
Have fun!! And let’s hope YouTube doesn’t censor the video for a few hectoliters of digital blood! 😅
Ah, this is NOT related to the game with a similar name, just full-on zombie chaos!🤟
Have fun!!!🫶

At the moment, this track is exclusively available on SoundCloud.
Released on October 17, 2025.
©2025 Beating Edge

Lyrics:

Woke up in a church with no god left inside
My hands still shake, but I’m holding the line
Heard screams in the dark, but they sounded like mine
This city’s a grave, and I live in the cracks

She smiled with half a jaw, said "you got a light?"
The dead don't burn, they just dance through the night
I carved out a path with a bat and regret
Left my name on the wall, it just said: “Not Yet.”

Left for dead, but I’m not done breathing
Shadows howl, but I keep on leaving
No prayer, no plan, just bleeding
We were left for dead…
But we won’t die yet.

We ran out of time, then we broke all the clocks
Buried our fears under ammo and rocks
She hummed an old song with her back to the fire
Said "If they get me, shoot me... but aim a bit higher."

Left for dead, but the fire’s still feeding
Bones may snap, but hearts keep beating
No priest, no cure, just needing
We were left for dead…
But we’re still not dead.

This ain’t salvation, it’s just bad luck with a gun
And a backpack full of jokes we forgot how to run
But I’d rather die with them than live as one of “them”
So load up, lock in, here we go again.

Left for dead, and the sky keeps falling
Friends are ghosts, but I hear them calling
One by one, still crawling
We were left for dead…
But we keep on walking!

Left for Dead

Official Music Video

Alt Rock with a Scottish vibe.
Release Date: December 1, 2025

Brilliance

Postcards from a Past Lane is a collection of places you’ve been, people you lost, and moments you never said out loud.

It opens on “Letters from the Seaside Town,” where salt air and unsent words still feel alive, and moves into “After the Last Train Home,” a nighttime walk through a city that’s teaching you how to keep going. “Paper Lantern Hearts” floats a softer kind of hope, and “The Way Back Home” reminds you that sometimes coming back is the bravest move.

“Maps of the Morning” is early light, coffee, and quiet courage. “Static Between Stars” is the sound of reaching for someone across distance and doubt. “Somewhere the Lights Stay On” promises you don’t have to be okay to be welcome. “Echoes of a Quiet Street” walks the blocks that still remember your name.

By “Half-Life of a Promise,” you’re learning what fades and what doesn’t. “Cathedrals of the Common Day” lifts ordinary life until it feels holy. “Postcards Never Sent” is every almost-said thing you’ve carried for years. “Bright Enough for Two” leaves you in the sunlight with someone who makes the room feel bigger than you thought it could.

Bonus tracks circle the heart of the record:

“Where the Footbridge Starts” is about going back to where you first told the truth.
“First Warm Thought” is for the person who never loved you back but still lives inside your gentlest memory.

These aren’t love songs and heartbreak songs. They’re memory songs. This album is not asking you to relive the past. It’s handing it back to you so you can walk forward with both hands free.

First Warm Thought

Another song 50 years in the making.  The Dutch rock group "Focus" wrote an instrumental named "Sylvia" around 1974.  Sylvia was clearly album filler, but I loved the melody, and wrote lyric for it shortly after I heard it.  Paul Newett took the lyric without hearing the instrumental, and wrote new melodies and instrumental.  It was not impressive to musicians, but I "covered" the song in Suno.ai, and I'm very pleased with the result.  There is no trace of the original instrumental left in the song. 

Where the Light Still Waits

Marol

Recent comments

KAT

Related tracks