This is an open remix project with 11 original, downloadable 24 bit / 48kbps field recordings we captured to create the track Hidden-by-the-Wall (included in this playlist). We invite anyone to take these and use them to create something new. If you do, please post it here on SoundCloud and let us know – we very much want to hear what you do with them.

Hidden-by-the-Wall is a new soundwork by :zoviet*france: commissioned by Green Croft Arts as part of its Collision and Conflict project.

Collision and Conflict is a GPS-triggered geolocated sound walk, presented through the Echoes phone app, that follows a circular route between Walltown and Green Croft in Northumberland, UK. The route runs alongside and close by Hadrian's Wall, a vast Roman defensive fortification that runs east/west across northern England, marking the northwestern frontier of the Roman empire. While following the route, walkers can listen to each of the 14 new music, sound and spoken word Collision and Conflict compositions at the locations to which they've been allocated along the way. Hidden-by-the-Wall can be found along a stretch of open country between Walltown and Thirlwall, a high point from which the distant Scottish borders to the north and the North Pennines to the south can be seen.

In devising Hidden-by-the-Wall we set out to capture hidden and unnoticed sounds in the vicinity and recreate lost sounds that would have been heard decades ago but have now gone forever. The original field recordings that form the hidden and unnoticed sounds are here in this playlist. More about each track can be found in the description on its page.

More on Collision and Conflict:
https://www.greencroftonthewall.com/collision-and-conflict

The recordings are made available under creative commons Attribution-NonCommercial-ShareAlike 4.0 International (CC BY-NC-SA 4.0) (https://creativecommons.org/licenses/by-nc-sa/4.0/)

Hidden-by-the-Wall Open Remix

A binaural recording of the outflow from Horsetail Ponds. The ponds drain into a culvert which runs for several hundred metres before opening out into Quarry Lake.

Recorded 27 January 2021 at Horsetail Ponds, Walltown, Northumberland, UK.
54°59'20.5"N 2°31'08.6"W
Google Maps: https://goo.gl/maps/usVgkYVy6Ys3oFG38

Part of the Hidden-by-the-Wall Open Remix project:
soundcloud.com/zoviet-france/sets/hidden-by-the-wall-open-remix/

© 2021 This recording is made available under creative commons Attribution-NonCommercial-ShareAlike 4.0 International (CC BY-NC-SA 4.0) (creativecommons.org/licenses/by-nc-sa/4.0/)

Horsetail Ponds Outflow

The audio recorded from a hydrophone as it's dropped into the water followed by the sound of the tiny bubbles created in the immersion.

Recorded 4 March 2021 at Horsetail Ponds, Walltown, Northumberland, UK.
54°59'24.6"N 2°31'05.7"W
Google Maps: https://goo.gl/maps/hwYhgN45TMmC5eHC6

Part of the Hidden-by-the-Wall Open Remix project:
soundcloud.com/zoviet-france/sets/hidden-by-the-wall-open-remix/

© 2021 This recording is made available under creative commons Attribution-NonCommercial-ShareAlike 4.0 International (CC BY-NC-SA 4.0) (creativecommons.org/licenses/by-nc-sa/4.0/)

Hydrophone Dropped into Horsetail Ponds

A binaural recording of marcescent oak leaves, dead but still on the branches, rustling in the breeze.

Unlike other deciduous trees, for reasons not fully understood, young oaks, along with beech and hornbeam, retain their dead leaves through winter, a characteristic known as marcescence.

Recorded 27 January 2021 at Horsetail Ponds, Walltown, Northumberland, UK.
54°59'20.9"N 2°31'08.4"W
Google Maps: goo.gl/maps/g8ySoNRtSANdSrza6

Part of the Hidden-by-the-Wall Open Remix project:
soundcloud.com/zoviet-france/sets/hidden-by-the-wall-open-remix/

© 2021 This recording is made available under creative commons Attribution-NonCommercial-ShareAlike 4.0 International (CC BY-NC-SA 4.0) (creativecommons.org/licenses/by-nc-sa/4.0/)

Dry Oak Leaves, Horsetail Ponds

A binaural recording of walking in a circle around the microphones.

Recorded 27 January 2021 at Horsetail Ponds, Walltown, Northumberland, UK.
54°59'20.9"N 2°31'08.4"W
Google Maps: https://goo.gl/maps/g8ySoNRtSANdSrza6

Part of the Hidden-by-the-Wall Open Remix project:
https://soundcloud.com/zoviet-france/sets/hidden-by-the-wall-open-remix/

© 2021 This recording is made available under creative commons Attribution-NonCommercial-ShareAlike 4.0 International (CC BY-NC-SA 4.0) (https://creativecommons.org/licenses/by-nc-sa/4.0/)

Circle Walk, Horsetail Ponds

Hidden-by-the-Wall is a new soundwork by :zoviet*france: commissioned by Green Croft Arts as part of its Collision and Conflict project.

Collision and Conflict is a GPS-triggered geolocated sound walk, presented through the Echoes phone app, that follows a circular route between Walltown and Green Croft in Northumberland, UK. The route runs alongside and close by Hadrian's Wall, a vast Roman defensive fortification that runs east/west across northern England, marking the northwestern frontier of the Roman empire. While following the route, walkers can listen to each of the 14 new music, sound and spoken word Collision and Conflict compositions at the locations to which they've been allocated along the way. Hidden-by-the-Wall can be found along a stretch of open country between Walltown and Thirlwall, a high point from which the distant Scottish borders to the north and the North Pennines to the south straddle the horizons.

In devising Hidden-by-the-Wall we set out to capture hidden and unnoticed sounds in the vicinity and recreate lost sounds that would have been heard decades ago but have now gone forever. The original field recordings that form the hidden and unnoticed sounds are here in this playlist. More about each track can be found in the description on its page. Those tracks form an  open remix project with 11 original, downloadable 24 bit / 48kbps field recordings we captured to create this track. We invite anyone to take these and use them to create something new. If you do, please post it here on SoundCloud and let us know – we very much want to hear what you do with them.

More on Collision and Conflict:
www.greencroftonthewall.com/collision-and-conflict

Open remix tracks:
https://soundcloud.com/zoviet-france/sets/hidden-by-the-wall-open-remix

Hear the remixes:
https://soundcloud.com/zoviet-france/sets/hidden-by-the-wall-remixes

Hidden-by-the-Wall

Taken from upcoming album "Only Love From Now On", out Feb 25th on Smalltown Supersound. 
Pre-order here: 
https://carmenvillain.bandcamp.com/album/only-love-from-now-on

Produced by Carmen Villain.
Mastered by Rashad Becker.

Gestures w/ Arve Henriksen

Full Album:
https://hairdel.bandcamp.com/album/das-kameel-der-l-we-und-das-kind

Weltraumameise

During the summer of 2021, Delphine Dora was invited for a residency at the church of St Saphorin (Switzerland), on the occasion of the Jolie Vue Festival. Having the opportunity  to fully explore the organ the days before the actual festival, Delphine improvised a long, long series of tracks, of which you’ll find a small selection on ‘hymnes apophatiques’.
She’s definitely full of respect for the organ, at some moments diving deep in the sound traditionally associated with this rich instrument – the one you’ll recognize from the hours spent in church as a kid. However, at many moments throughout the album the sound is more playful than we’re used to. It’s a fearless approach. The fact that she dares to intervene with her voice quite often really makes her recordings stand out from those of many other artists who have been experimenting with a church organ lately: she definitely has a high regards for the tradition of the organ, but refuses to bow. She’s in charge, not the instrument itself. This way, Delphine manages to bend the sound completely her way. 
It’s an enthralling listen, that not only takes you along all the possibilities of the instrument, but also through Delphine’s entire musical path. And that’s quite a journey.

Hymnes Apophatiques****

S'extraire De L'abîme

CD available directly from Imprec.com

Highly recommended to fans of Alessandro Cortini, Caterina
Barbieri, Shasta Cults

"A slow building beauty of electronic soundscapes." The Vinyl District

Alina Kalancea is a sonic alchemist who can warp and weave electronic
signals into complex tapestries of synthesized analog timbre. These
transportive environments were recorded using the artist's personal
collection of historic Buchla electronic music instruments including
Allen Strange's expanded Music Easel.
Letters Never Sent, Alina Kalancea's second full length for Imprec
follows 2021's double LP titled Impedance and is being released at the
same time as a new cassette titled Alchemy.
Kalancea's music has the ability to evoke both emotion and image;
feeling and landscape; passion and place. She described recording
Letters Never Sent as being like collecting images that are born in
your mind. Shades of sound, tone, color and feeling shape the
experience of listening to Kalancea's work.
Kalancea's work is made of malleable sonic material that never looks
or sounds the same way twice. Part of the magic of the music, and her
work is similar to ELEH in this way, is that her work leaves room for
the conscious and unconscious emotions of the listener. How you react
is partially a result of how you feel at the time.
Alchemy, Alina Kalancea's subsequent cassette being released
simultaneously, is a limited edition appendix to the album Letters
Never Sent.

Alina Kalancea - Letters Never Sent - Album Mix - CD June 23, 2023

From Lisa Lerkenfeldt

Recorded in Naarm, ’Shell Of A City’ reframes the architecture an instrument, in a concrète procession.

Durational contact recordings of a highway’s substructure reveal an unearthly resonance.

The continuous physical phenomenon is gently processed to explore the fringes of electroacoustic practice with a contemplative urgency.

The 40 minute arrangement pairs two channels of site-based improvisation into a time-altering minimal structure.

Many people wrote to me to say ‘A Liquor Of Daisies’ tape was a tool they used for rest. How precious. ‘Shell Of A City’ follows in its path.

I carve out space for listening to the discrete and lesser noticed.

Lisa Lerkenfeldt - Shell Of A City

Zoomachia Disc 1 - Excerpt - Side A

Taken from album 'Forma' released as LP and Digital

Lucy Railton 'Forma' (excerpt) (SPGRM 002)

_ph011 Jordan Christoff - Плаващ

Track from the upcoming DE NOR 2020 compilation LP/DL, out on January 11, 2021!

Aaron Dilloway & Lucrecia Dalt : The Monster Of Yesa

NORMAN WESTBERG & JACEK MAZURKIEWICZ, First Man in the Moon - LP
Release date - March 12th 2021
Catalogue nr. - HG2101
Format - Vinyl / digital
Hallow Ground
Vinyl / digital, catalogue nr. HG2101

hallowground.bandcamp.com

Tracklist:
What Is Good For The Goose (09:35)
That Was Then (08:29)
First Man In The Moon (06:45)
Falsely Accused (06:33)
Oxnard (05:47)

Credits:
Recorded at Studio Diamentowy Pies
Damian Pielka, engineering
Piotr Mazurek, engineering assistance
Jacek Mazurkiewicz, mix
Lawrence English, mastering
John Fell, photographs
Greenpointless, design

///
An unlikely meeting of two like-minded spirits, »First Man in the Moon« sees the former Swans guitarist and Hallow Ground regular Norman Westberg and the prolific double bass player Jacek Mazurkiewicz collaborate for five evocative tracks. The pair finds common ground beyond the boundaries of atmospheric drone, abstract jazz and experimental music and blurs the lines between the acoustic and the electronic. 

The two first met when the composer Mazurkiewicz supported Swans with his solo project 3FoNIA on their 2014 European tour. »I really enjoyed his approach,« says Westberg about the Polish musician’s blending of the acoustic qualities of his instrument with electronically generated sounds. A decision to collaborate was made and when the US-American musician returned to Eastern Europe to support Michael Gira on his solo tour in late 2019, Mazurkiewicz reached out to him with the idea of booking some studio time before Gira’s two concerts in Warsaw. »Recording was very fun and easy,« remembers Westberg. »It was just two people enjoying hearing and reacting to what the other is doing.«

»First Man in the Moon« is not however a plain document of these improvised sessions, but also shaped by Mazurkiewicz’s approach as a composer. Once the recordings were finished, he selected and edited the recorded material, refining the peculiar dialogue between the guitarist’s meditative drones and bright chords and his own rhythmic yet subtle approach to playing the double bass, sometimes plucking the strings and occasionally using his bow to underscore Westberg’s fleeting melodies, but also using the instrument in unconventional ways to generate sound. 

A feeling of weightlessness prevails throughout the aptly-titled »First Man in the Moon.« Even at their most abstract however, these five improvisations-turned-compositions remain tangible, lively, and joyfully explorative. It is a record that you wouldn’t expect from either of these musicians, but the logical result of two idiosyncratic minds sharing not only space and time, but also their respective visions with each other.

NORMAN WESTBERG & JACEK MAZURKIEWICZ - What Is Good For The Goose (HG2101)

This SoundCloud account has been created and is maintained by :zoviet*france:

If you share a track with us, thank you, it's appreciated and we will listen to it but we aren't always able to respond directly.

Circle Walk, Horsetail Ponds

:zoviet*france:

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