me encanta esa rola la repito y la repito👍

Umoja, the quintessential sunshine duo from wet fields of the Netherlands, returns with a deep, dark and dubby rendition. As a follow up to the 70’s west African Funk and Afrobeat influenced Je-Ka-Lo!, Vuelo Nocturno sets out to be a reassuring statement of the duo’s production wizardry. With this record, the duo have managed to synthesis Cumbia and Afrocentric music traditions into a cohesive body of work.
credits

all tracks produced & mixed by Umoja
Mastering: B.Eyele at the Pigeon Hole 
Artwork: Umoja
Label: INI Movement
Catalog: INI011

JUNO: http://www.junodownload.com/products/umoja-vuelo-nocturno/2270827-02/
BANDCAMP: http://inirecordings.bandcamp.com/album/vuelo-nocturno

Flujo Suave

Un paseo por las venas

All Together (Live Sketch 1)

https://soundcloud.com/shango-records/01-mbaya-ritmos-asali

Out Now @Shango-Records

RELEASE INFO
ARTIST: VARIOUS ARTISTS 
TITLE: “TROPICAL ORISHAS SERIES: ΟBATALA EP”
FORMAT: MP3/WAV
LABEL: SHANGO RECORDS
CAT. No: SHNGTO02
RELEASE DATE: 10 MAY
GENRE: Electronica/Downtempo/Tropical
COVER DESIGN: 2.46 Design

Born in the dark streets of Cairo, grown to the unforgettable forests of Santa Esmeralda, spending its teen years in Bombay and Tangier markets, mature into the deep spacey Jungle of Ghana we proudly present you a new label from the land of the pyramids: SHANGO RECORDS invites you to an unheard world music psychedelic trip: like through a colorful kaleidoscope we will melt down Indian and Pakistani Vibes, Arab-Tek and Oriental groovy vibes, Afro-Beat rhythms n' pieces, Cumbia Tropicana flavors and cosmic Ghetto-Latin vibes into forbidden sounds of frenzied electronic dancefloor rituals. Outside traditional paths these driving grooves and polyphonic structures take the adventure seeking dancer to Dionysian highs and places never been before.

Obatala is an Orisha. He is the Sky father and the creator of human bodies which were brought to life by Olodumare's smooth breath. He is the father of all Orishas. Obatala is the second son of Olodumare and is authorized by him to create land over the water beneath the sky. He's Olodumare representative on earth and the shaper of human beings.. CRISTIAN MONAK, HWULU, ISAQUE SOUSA and MBAYA RITMOS are paying their respects with five awesome original tracks influenced and inspired by Obatala.

1.MBAYA RITMOS “Asali”
2.ISAQUE SOUSA “Beyond The Mirrors”
3.CRISTIAN MONAK “Focus”
4.CRISTIAN MONAK “Boycott”
5.HWULU “Chabala”

Asali // SHNGTO2 (https://soundcloud.com/shango-records/01-mbaya-ritmos-asali)

Castora Herz - Castora Herz (Folcore 096)
Folcore Records website: https://folcore.org
Folcore Records Bandcamp: https://folcore-records.bandcamp.com

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Los Amorachinis son pequeños seres malvados de un solo ojo, algunos de ellos con aspecto de bebé, que juegan en las Nubes Negras de las Tormentas. Se dice que tienen tal puntería que podrían incendiar cualquier casa con uno de sus rayos hechos en el Volcán Gasco.

The Amorachinis are small one-eye evil beings, some of them looking like babies, who play on the Black Storm Clouds. It is said that they have such aim that they could set fire to any house with one of their thunderbolts made in the Gasco Volcano.

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credits
released October 10, 2018 

All tracks by Castora Herz 

Mastering by Producciones Ensimismadas 
produccionesensimismadas.com 

Executive produccion by Folcore Records 
folcore.org

Follow Castora Herz on Soundcloud: https://soundcloud.com/castoraherz

<a href="https://theartistunion.com/tracks/63d1b5" rel="nofollow">Download for free on The Artist Union</a>

Castora Herz

Castora Herz - Tormenta Tus Ojos

"...atmospheric grooves and towering beats fused with hand-me-down tales of conquistadors, traditions and fables."
Sounds & Colours

"a cultural and ancestral journey through sounds and rhythms..."
DJ Mag Latin America

Lagartijeando has produced a very special EP with a choir from an indigenous tribe called Coro Qom Chelaalapi. The choir formed as a means of passing down their culture to future generations in the absence of any formal records. They have been declared a living cultural heritage by UNESCO. Blending traditional songs with brooding beats and big grooves, The Revisión EP is a unique and special collaboration exploring the tribe’s rich musical heritage with contemporary production.

The original songs have a mythology and their bespoke instruments have deep significances. The nivike is a single string violin (representing the sounds made by a jaguar sharpening its claws on a tree trunk) and was used as a form of communication to contact loved ones or to find love amongst the mountain dwellers.

On 'Lapacho' Lagartijeando lays down a big groove to accompany the choirs’ infectious vocals. It is about a tree that when in bloom signifies the start of marriage season.

Available on Ltd Edition 12" on Bandcamp

Coro Qom Chelaalapi Meets Lagartijeando - Lapacho

track by soundcloud.com/biomigrant <3
\
In December 2018, the Universal Declaration of Human Rights (UDHR) turns 70. Designed to prevent the repetition of the horrific human rights violations that had been committed during World War II, this landmark document has been ratified by the majority of countries. Up to now it seems that the UDHR has fallen on hard times; that's certainly not perfect, and somehow it is important to point out that emphasises individualism over community. Don't deceive yourself, UDHR remains as significant today as it was in 1948. However, reflection becomes easier when we realize that the saddest chapters of human history are ultimately derived from the ideology of domination. 

Given its unique rational nature, only the individual is able to use reason to perform an act. Going further, we should understand why our interests often prevail to the detriment of the interests of other species. In fact, if we exam closely, we're always reclaiming the world as our own. Sometimes it made us drift from a tender-hearted logic. 

Hovering over these aspects, the compilation MUX in its fourth edition put us through the wringer! Have you ever noticed or had the feeling that social solidarity is more and more undermined? The drama of the modern human which causes individuals to become commodities of exchange such as capital goods. It resumes every morning, but always with the decentralized, crooked, fragmenting self. In contrast, even though we still do not have a fair and peaceful world, we have to believe that there will be regeneration. There's a smell of good years coming, our hopes are placed in some future ahead. We want to believe. 

Beyond this duality, under two parts - [a] & [b] - MUX vol.4 put together a wide spectrum of artists that prepared tracks with a semblance of freedom, faith, dignity. Undoubtedly, an "ethereal, humanoid and dancing" facet guides this sonic miscellany, where judgements of value aren’t fit and nothing feels the same as it did. It call us to take our emptiness away, to eradicate the dark selfishness that still inhabits our hearts. 

In the endeavor of progress we are beings in constant evolution, without the knowledge of ourselves there is no inner transformation. <3

Credits\

released December 10, 2018 

Artwork\ jnth <3 
www.facebook.com/allanjnth 
www.instagram.com/jnth/ 

Master\ André Torres @ RD Studio, Brasília - DF <3 
www.facebook.com/andreh.torres.br 
bash.br@gmail.com

_download

Biomigrant  feat. Juan Diego Illescas — Dualidade

Buy/stream 'Otun' now: montoya.lnk.to/otun

While the internet’s universality means once-inaccessible traditional and indigenous styles of music across the planet can be appropriated, sampled, and commodified with ease; it also means they can be integrated and celebrated, reflecting humanity’s idiosyncrasies as well as our shared communality. Montoya, recently signed to ZZK Records, personifies the very best of this musical globalism.

Montoya, who grew up in Colombia and now resides in Italy, entered music as a classically trained violinist. He’s keen to stress his gratitude for this adolescent education, not only in how it exposed whole new worlds of music, but permitted him travel places and sample different cultures from a young age, including playing at such renowned orchestra theaters as Gran Teatro de La Habana in Cuba and the Musikverein in Vienna. This classical upbringing naturally informed his inclusive, and methodically exacting, attitude to songwriting and production.

The pan-international musicality of his Montoya project is rooted in the musical diaspora of his native Colombia. This diaspora is vast; indigenous folk music hailing from Amazonian and Andean tribes; the cosmopolitan synthesis of modern reggaeton and traditional salsa taking place in Bogota and Medellin, and the Afro-Caribbean stylings of Cumbia and Champeta. Fusing the multi-layered precision of his classical education, his innate curiosity for Latin and “world” music, and affection for melodic electronica; his discography is at once ambitious and comfortingly familiar, as desirous of a catchy harmony as conceptual melding of Latin folk and modern electronics.

So far, under the moniker Montoya, he’s produced the stirring 2015 album Iwa and 2016 Ep Lux, where you can detect him refining his cooking skills of the indigenous and the electronic. He’s also remixed the gifted Ecuadorian Nicola Cruz’s pleasantly plodding “Cumbia del Olvido”, adding another layer of melody with a soothing string arrangement. Moreover he’s played Sonar Bogota and Musicbox Lisbon, and various European venues, but his latest album Otun looks set to both break him properly on the continent, and produce his best work so far; a fiery and flavourful gourmet dish, with British expat producer Richard Blair providing refinement as a proverbial sous chef.

On Otun, the breadth of Montoya’s influences and tastes is at its most striking; the dulcet techno hum of “La Pastora” is perforated by sprightly flutes and percussion, while lead single “Solo Quiero” deploys a languid reggaeton pattern beneath Bogota rising star Pedrina’s distorted, wilting croon anticipating a euphoric synthesiser-lead climax. The title track, featuring a sultry guest vocal from Nidia Gongora, is a fierce and vigorous club anthem, amplified by hissing synth pads and sordid breakbeats. Even a more straightforwardly techno track like “Tatacoa” is stylized with intoxicating Indian vocal samples, and more traditional folk selections like “Orun” still use an inobtrusive bassline drone. Montoya’s palette is simultaneously expansive and curious, yet coherent, with a steadily melodic electronic through-line running through Otun’s duration.

Montoya absolutely sustains ZZK’s pedigree of platforming the most exciting and inventive electronic artists from Latin America, joining the storied legacy already built by the likes of Nicola Cruz, Chancha Via Circuito, and King Coya. Whether it’s through the intricate patterns of his synthesisers or the analogue beauty of his violin, what unifies his instrumentation is the candid expression of Montoya’s experiences, ideas and dreams: “I want to feed me of all these emotions, composing and putting into music all that I’ve lived.”

Otun

Montoya - Hey Avi!!

Hecho con grabaciones de la manifestación anoche en el barrio.

Imagen adaptada de una ilustración de Hernán Sansone

#Cacerolazo #ElParoSeMantiene #FueraDuque

Son De La Cacerola

Un Track con una  provadita de las practicas ancestrales del mexico antiguo  impartidas por el maestro Sergio Magaña  Ocelocoyetl. 

El primer track de 2 grandes amigos creado durante la cuarentena del 2020

Diguital Trip & Macuchi - XILONEN Feat. Ocelocoyotl

Tres Semillas es el primer disco que el ecuatoriano Lascivio Bohemia edita en conjunto con New Latam Beats, el cual es conformado por tres canciones hechas a lo largo del tiempo y en diferentes momentos creativos del proyecto, pero cuya propuesta global es comunicar de manera instrumental, tal como propone el artista, “mi fascinación por todo lo que veo, y experimento. Siempre de forma muy psicodélica sonoramente”.

Producción: Lascivio Bohemia
Masterización: Eduardo Zambrano
Arte: Eduardo Zambrano
Diseño: Jimmy Galard
Producción Ejecutiva: Murúa

Download

Lascivio Bohemia - Misterioso Andes

Making beats since 2008 - http://zzkrecords.com

COMMUNICATE WITH ZZK: gritar@zzkrecords.com

Montoya - Hey Avi!!

zzkrecords

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