loved the alien minimalism applied on this track

Close your eyes, take a deep breath, and wander into the meticulously-crafted, windswept and somber world that is Existential Dystopia. 

Heavyhearted presents her debut EP - a violent, yet delicate soundscape where scorched lands and fractured realities collapse onto each other and re-arrange any remaining pieces into a vision of unconditional despair. The listener becomes submerged into a bottomless sonic dimension, enveloped by calm but chilling tones across each one of the three tracks, only to be besieged by merciless eruptions of sharp and hard-hitting drums shortly after. 

Heavyhearted demonstrates an aptness of creating soul-crushing ambiences, which she effortlessly intertwines with aggressive and energetic rhythmic bursts of raw power. Every sound is arranged with rigorous precision, guiding the listener forward into an ever-growing passage of profound darkness. 

Fragments of Breakcore, Speedcore, Hardcore and Hyperglitch influences can be felt, spread out across the soundscape. Themes of destruction, error, loss, and hardship are not mere accents, but rather the foundation which carries Heavyhearted’s artistic output. 

For a split second, a sensation of light and hope arises in the listener before being drawn right back into the unyielding desolation of Existential Dystopia.

Production & Mastering by Heavyhearted
Artwork by seskamol

Bandcamp

Still Struggling

exploring the edges of sanity, together with the wonderful chewlie..

https://www.instagram.com/chewliea/
https://soundcloud.com/juicy_chewlie

Let's become mad all together. Hopefully in a beautiful way.

Please enjoy and take care of your mind..

much love <3

chewlie & frantsel - folie à deux

Avancer d'une tristesse rêveuse, confus, dans l'antinomie des sens, sans horizon ni lumière...

Moving forward, with a dreamy sadness, confused, in the senses’antinomy, without horizon or light...

False Climb Illusion par Grosso Gadgetto, taken from CONTRADICTION ep

Vinyl & Digital: https://afteraffectsrec.bandcamp.com/album/contradiction
-------------------------------------------------------------------------------------------------------
Since 2002, far away from the classic formats, GrossoGadgetto puts his mark in contemporary Indie hip-hop, the music of movies, contemporary shows. He destabilizes the listener by these sound deluges, under a fire nourished of scary atmospheres, drone layers, pervert breakbeats, metal guitars and catchy and addicting melodies, perfect soundtracks for a sick and claustrophobic science fiction movie.
- https://grossogadgetto.bandcamp.com/
- https://soundcloud.com/grossotoprod
- https://soundcloud.com/grossogadgetto-1
- https://www.youtube.com/channel/UCKA11qpXB1tAIINZ6ZNmOyg/featured
- https://www.facebook.com/profile.php?id=100050314544615

Contradiction

False Climb Illusion

A1 - Grosso Gadgetto - False Climb Illusion - Contradiction Ep - After Affects Rec

Alien Cactus

Experience X-019

released July 9, 2022

Tracks 1, 2, 4, 5 and 6 written & produced by Christopher Westby & Jonathan D. Baruc

Track 3 written & produced by Christopher Westby

Mastered by Gianmaria Dell’aera & Daniele Antezza at Dadub Studio

--

when death infects life the real erupts

Swerve [Preview]

Ever heard the term "Drill & Bass" ?
Even tho we are not fan of putting everything in a little box, this is the perfect description for Alex Chisholm's, aka HAL, music.

Analog basslines, gritty breakbeats, cut & paste madness & rolling snares, it's all there! All in a playfull, yet melancholic, melodic package.
Perfect for driving on the highway by night.

Our other collaborator Jerry La Flim is blessing us with a superb remix of the title track as well.
crédits
Out on 9 novembre 2022

Music by Alex Chisholm aka HAL
Track 9 remix by Jerry La Flim
Mixing by Eric Hoegemeyer
Mastering by Julien "Stazma" Guillot at the Electric Voyage Studio
Artwork by Julien Guillot & Alex Chisholm

CC36 - HAL - Zippermouth

materials taken from weibo, zhihu, youku, tudou, alibaba and douyin 
 (阿宏: 怎麼樣? 酷吧?)
 (緊急煞車)
 完了完了完了完了 完了 巴比Q 巴比Q 怎麼都這樣 
 完了完了 真的完蛋了真的GG了 真的哭哭了 
 怎麼會這樣誰會知道 誰會知道 誰會知道 
 去年的聖誕節 我給了你我的心 
 可是隔天你就把它丟到資源回收桶 LINE的人都在公審我
 完了完了 完了巴比Q 巴比Q了完蛋了 
 像烤雞的遊戲一樣被烤熟了GG了 
 烤熟了烤熟了 整個完蛋了巴比Q了 
 完蛋了完蛋了巴比Q了 什麼都不重要休假最大 
 休假最大結果跑去歡樂耶誕城寸步難行 
 不要給外地人知道你是板橋土生土長 
 等一個紅綠燈的時間 可以從府中走到縣立殯儀館 
 從江子翠走到亞東醫院 回到板橋廣場的時候 
 大部分的摩托車和汽車 小客車和公車 全部停在那邊 
 完了巴比Q了 完了巴比Q了 真的完蛋了GG了 真的GG了 誰會知道
 新一代的洗衣機 新一代的人 新一代的抖音妹 
 同時約三任男友 一起去唱KTV 結果男的跟男的之間先打起來了 
 更多更詳盡歌詞 在　※ｍｐｊｏｍ．ｃｉｍㄇ境ㄍ慈網 　
 兩邊不甘示弱互相叫囂 最後拿出了各自的穿雲箭 一下叫了好多人 
 全部都聚集在新北耶誕城 拿奶油派砸來砸去 兩邊都喝了酒 
 真的巴比Q了 誰知道怎麼會這樣 
 上天有好生之德 但生命不是在塞車中糟蹋 
 新北耶誕城會一直樹立到明年元宵節 還有一堆人意猶未盡 
 (阿宏: 爸 媽 對不起 我真的太不孝了 你們把我養這麼大 我卻沒有好好報答你們 
 還害你們白髮人送黑髮人 我真的不是故意的 對不起 
 我不應該喝酒 更不應該飆車 現在說什麼都來不及了 這真是喚不回的愛呀！)

xmas theme 2022

I.T.Z - Dfrnt
SIRDUBs005

releases April 18, 2024

Music by: I.T.Z
Artwork by: Zzaeln

Follow I.T.Z:
INSTAGRAM: instagram.com/itznotme6?igshid=OGQ5ZDc2ODk2ZA==
BANDCAMP ARTIST PAGE: itznotme.bandcamp.com
SOUNDCLOUD: on.soundcloud.com/aktVnQcykfaek6H66
MIXCLOUD: www.mixcloud.com/_iTz/

Follow Sir Dub Muzik:
linktr.ee/sirdubmuzik

Sir Dub Muzik 2024

Dfrnt

I.T.Z - Dfrnt - SIRDUBs005

A1 - Sōhei // B1 - Yari (Vip) // B2 - Five Kings of Wa

Mastered and cut by Beau Thomas @ 1087
Release Date: 18 August 2017

Sohei EP

Hojo Clan Store

Shiken Hanzo - Sōhei Ep // 12" Vinyl & Digital // Hojo Clan 003

Bat field recordings from a recent trip to the North GA mountains. This sound clip was captured using the Anabat SD2 - Bat Detector - high microphone. This device allows you to monitor the ultrasonic echolocation calls of bats for species identification and activity measurement. The particular species of bat in this recording are the Indiana Bat. The typical hearing range of this bat is between 20hz - 150Khz. They locate their prey by means of echolocation. They will produce a very, loud short sound and assess the echo when it bounces back. The type of insect and how big it is can be determined by the quality of the echo and time it takes for the echo to rebound. They also use two frequency types; constant frequency (CF) and frequency modulated (FM) calls that descend in pitch. Each type reveals different information for the bat. The CF is used to detect an object, and the FM is used to provide information regarding the nature of the object and its distance. The pulses of sound produced by the bat last only a few thousandths of a second with silences between the calls that give time to listen for the information coming back in the form of a echo. I was amazed at how complex some of these  echolocation patterns looked on a sonogram and was even more blown away by how they sounded. This file was outputted from the Anabat software application which takes the bat calls and converts them to wave files. The Anabat software application also converted the calls to a audible human hearing range (20hz-20khz) as most of the bats calls went up into the 150khz range. 

http://www.titley-scientific.com/us/index.php/sd2-bat-detector

Link to the Sonogram here: http://www.facebook.com/photo.php?fbid=10151218179915358&set=a.132078960357.137137.708680357&type=1&theater

Bat Recordings - with the Anabat SD2 - Ultrasonic Echolocation Detector

我愛上又濕又冷的地社 feat Meuko Meuko

José Veiga AKA ZZY is a musician and electronic producer. He started to make music in 2013, exploring a more experimental side, abstract and minimalist of electronic music, he uses electronic music and experimentalism to create his compositions, which oscillate between the opalescence of the ambient and the effervescence of electronics approaches.

Releases on:

@abstraktreflections
@billegalbeats
@dark-paradise-records
@detroitunderground
@geometric-corruption
@rottenfresh

Other projects:
@ERR0music

Alien Cactus

ZZY

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