A round up of music from every Noisey office in the world.

United Kingdom: The Square- Pengaleng
United States:  Yo Gotti feat Lil Wayne and Ludacris- Errrbody remix
Australia:  Exhaustion- Lonely Cars
France:  Gradur- Sheguey
Sweden:  Little Children- Hey Hey
Canada:  Daniel Caesar- We'll Always Have Paris (feat. Sean Leon)
Denmark:  MØ - Walk This Way (Slowolf Remix)
Mexico:  O Tortuga- Cool
Brazil:  Bego- Bang Bang
Spain:  Cuchillo de Fuego- Forforcio
Germany:  NGHT DRPS- Such Wavy
Netherlands:  Nouveau Velo- Turning Away
China:  Howie Lee- Vol. 1 Sinka
Japan:  ZAZEN BOYS- Asobi

NOISEY UNITED

Taken from The Formula released 25th August

The Square - Pengaleng

Little Children - "Hey Hey"

Daniel Caesar, Praise Break

Written by Daniel Caesar

Produced by Jordan Evans & Matthew Burnett

Music by Daniel Caesar, Matthew Burnett, Jordan Evans, Sean Leon, Ben Foran, Shannon Dooks, J'vell Boyce, Jordon Manswell, Brandon Horniachek & James Vincent McMorrow

Recorded & Mixed by Jordan Evans in Riverdale Park, Toronto

Artwork by Liam MacRae & Marco Lee

Follow @danielcaesar
facebook.com/dannyixxi
twitter.com/dannyixxi
instagram.com/dannyixxi

We'll Always Have Paris (ft. Sean Leon)

EXHAUSTION - Lonely Cars
Biker LP
AARGHT031
Release Date: 10 November 2014

Biker picks up where Exhaustion’s debut long player Future Eaters left off, unleashing seven more slabs of freeform guitar, rhythmic thud, and world-weary malaise. While the basic template remains the same – blistering guitar ascension and the occasional laconic vocal over a foundation of pummeling locked grooves – Biker finds the band both further refining their sound and mapping its outer limits. Tracks like ‘Pure Duty’ find the trio funneling their energies into something almost approaching the prosaic pop moves of classic NZ underground groups like the Clean or the Puddle, albeit filtered through No Wave atonality and a giant, churning bass sound that threatens to obscure all melodic intentions. The epic ‘Twin Lights’, on the other hand, is a slice of fried free improvisation that takes off from 60s spiritual free jazz and the wide open landscapes of the Ikuro Takahashi-era Fushitsusha recordings, layering multiple takes of tumbling drums and reverberated string sizzle into a dense, foggy stew. ‘Hard Left’ adds piano to the mix for a long piece that channels the summer twilight ambiance of Future Days-era Can but imbues it with a sinister undertone, spinning an ever wandering web of melody over subtly shifting motorik drums.

Even on the record’s heaviest moments (like opener ‘Blunt Eyes’) which look back to the bass-heavy Oz thug rock of Feedtime and Venom P. Stinger, the rhythm section of bassist Jensen Tjhung and drummer Per Byström displays a mantra-minded devotion to repetition that points beyond rock genre moves into zones of pure intensity. Byström is particularly impressive in this regard, anchoring the band’s blown-out epics with elegant and inventive performances that take off from Jaki Liebezeit and Mani Neumaier while always thundering straight ahead. Duncan Blachford’s guitar playing provides the band’s wild-card element: seldom playing anything approaching a riff, he dispenses riotous, freely improvised counterpoint to the rhythm section’s metronomic riffing in a style that synthesizes classic post-Hendrix psych moves with the ecstatic, reverb/delay clouds of the Mizutani/Haino tradition and the amplified-plank-of-wood rawness of Bruce Russell, while his semi-submerged, somnambulant vocals bring down the mood with the occasional slice of quotidian automatic poetry.

Recorded in gristly no-frills fidelity at the band’s own studio next to a Hells Angels clubhouse, Biker is a high intensity emission from the deepest reaches of the Melbourne underground.

– Francis Plagne

EXHAUSTION - Lonely Cars (Biker LP)

Yo Gotti feat. Lil Wayne and Ludacris - "Errrbody" (Remix)

Music by VICE. Follow us at @noiseymusic http://www.noisey.com