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[PDF]   The Ultimate Epitaph Book of Creative Eternal Last Words: A Parody of Messages and Sayings on Your Tombstone to Your Friends, Family, Enemies, In-laws, Ungrateful Kids, Strict Parents, Nosy Neighbors

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Introducing  The Ultimate Epitaph Book of Creative Eternal Last Words ! This uproarious book is the perfect gift for anyone with a twisted sense of humor and a love of wordplay.Inside, you'll find a collection of clever and irreverent epitaphs that will have you laughing out loud. From the grave marker that reads  I told you I was sick  to the headstone that says  Driving on Route 6 Feet Under,  these mock epitaphs will hav

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Spinning Out (another music podcast) We talk to artists about their favorite albums and go on wild tangents.

This week on the pod I'm joined by my sometimes co-host Sarah Blumenthal. We're talking about H2O's second album "Thicker Than Water." 

We also chat about Positive Mental Attitudes, hardcore, its intersection with pop-punk and a whole lot more. 

Sarah has a new solo EP under the name Typey. If you're listening to this on the day it drops, then wait one day and you can hear the whole thing. 

https://selfawarerecords.bandcamp.com/album/typey

Subscribe to our Patreon here: www.patreon.com/spinningoutpod
Follow us on social media -- twitter and instagram (@Spinningoutpod)

Episode 180 THICKER THAN WATER by H2O with Sarah Blumenthal

In memoriam Daniel C. Dennett (1942-2024)
"In Walt Disney's classic animated film Dumbo, about the little elephant who learns to spread his giant ears and fly, there is a pivotal scene in which a dubious—indeed terrified—Dumbo is being cajoled by his friends, the crows, to leap offa cliff into the air, proving to himself that he can fly. One of the crows has a bright idea. When Dumbo isn't looking he plucks a tail feather from one of his kind and then ceremonially hands it to Dumbo, announcing that it is a magic feather: So long as Dumbo clutches it in his trunk, he can fly! The scene is presented with masterful economy. No explanation is provided, since even small children get the point without being told: The feather isn't really magic; it's a prosthetic device, a belief-crutch of sorts that will get Dumbo off the ground by the power of positive thinking. Now imagine a variation on that scene. Imagine that one of the other crows, a 
village skeptic who is smart enough to see what trick is being played but not smart enough to see its virtue, starts trying to inform Dumbo of the truth as he perches on the cliff edge, feather held tightly. "Stop that crow!" the children would shriek. Stifle that smarty-pants, quick, before he ruins it for Dumbo!
 
In the eyes of some, I am that crow."
(Daniel C. Dennett, Freedom Evolves, 2003)

Artwork by Bea www.beapalatinus.com/

Connecticut - I am that crow

PDF Charlemagne and Rome: Alcuin and the Epitaph of Pope Hadrian I (Medieval History and Archaeology)

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Charlemagne and Rome is a wide-ranging exploration of cultural politics in the age of Charlemagne. It focuses on a remarkable inscription commemorating Pope Hadrian I who died in Rome at Christmas 795. Commissioned by Charlemagne, composed by Alcuin of York, and cut from black stone quarried close to the king's new capital at Aachen in the heart of the Frankish kingdom, it was carried to Rome and set over the tomb of the pope in the south transept of St
Peter's basilica not long before Charlemagne's imperial coronation in the basilica on Christmas Day 800. A masterpiece of Carolingian art, Hadrian's epitaph was also a manifesto of empire demanding perpetual commemoration for the king amid St Peter's cult. In script, stone, and verse, it proclaimed Frankish
mastery of the art and power of the written word, and claimed the cultural inheritance of imperial and papal Rome, recast for a contemporary, early medieval audience. Pope Hadrian's epitaph was treasured through time and was one of only a few decorative objects translated from the late antique basilica of St Peter's into the new structure, the construction of which dominated and defined the early modern Renaissance. Understood then as precious evidence of the antiquity of imperial affection for
the papacy, Charlemagne's epitaph for Pope Hadrian I was preserved as the old basilica was destroyed and carefully redisplayed in the portico of the new church, where it can be seen today.
Using a very wide range of sources and methods, from art history, epigraphy, palaeography, geology, archaeology, and architectural history, as well as close reading of contemporary texts in prose and verse, this book presents a detailed 'object biography', contextualising Hadrian's epitaph in its historical and physical setting at St Peter's over eight hundred years, from its creation in the late eighth century during the Carolingian Renaissance through to the early modern Renaissance of
Bramante, Michelangelo, and Maderno.    Read more

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Read Book : jordengeorich-free.blogspot.com/?free=0773408479 | Epitaph Culture in the West Variations on a Theme in Cultural History | This book examines a number of facets of Western epitaph culture since antiquity with particular emphasis on postmedieval developments in the major European countries as well as in North America Various epitaphic subcultures are analyzed among them the timehonored custom of composing ones own tomb inscription as well a

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Written for solo Piano, interpreted and played beautifully by Bill Risby.

WINSONG (for Winsome Shaw - Dawson RIP)

This is Spinning Out, a podcast where we talk to artists about their favorite albums.

Weekly chats with your host Josh Robbins.

New tracks tagged #epitaph