DEUTSCHER TEXT FOLGT

Acousmatic composition, February 2024

Gesang der Sterne was premiered on September 7th 2024 at the Supersonique Festival in Marseille, France - with a large acousmonium with 36 loudspeakers.
Performance and interpretation: Sarah Ouazzani

Published by Musique moléculaire label on the Album "Lautgedicht", August 2024

https://musiquemoleculaire.bandcamp.com/album/lautgedicht

Program Note
Stars have had their sights set on me for quite some time. 
In 1989, I set to music the poem Crazy without you by the American poet Anne Waldman in which a whole series of stars are described in their various colours. In 2006, L1014 for percussion was created, inspired by Reginald Smith-Brindle's percussion composition Orion M42, and in 2022, the electro-acoustic work Albireo, which was inspired by the vastness of space. The piano composition Beta Lyrae (2023) and the electro-acoustic composition Jezero (2024) - named after a Martian crater - both received their astral titles in retrospect. And now Gesang der Sterne (Song of the Stars)! 
Since 2020, a NASA team has been working on making space tangible with the help of music. In what is known as data sonification, elements of an image are assigned pitches and volumes. Whether this process does accurately reflect the actual sound of the Milky Way can only be guessed. In space, there is nothing that can carry sound. There is absolute silence there.
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Akusmatische Komposition, Februar 2024

Gesang der Sterne wurde am 7. September 2024 beim Supersonique Festival in Marseille uraufgeführt - mit einem grossen Akusmonium mit 36 Lautsprechern
Aufführung und Interpretation: Sarah Ouazzani

Veröffentlicht vom Label Musique moléculaire auf der Album "Lautgedicht", August 2024

https://musiquemoleculaire.bandcamp.com/album/lautgedicht

Programmnotiz
Sterne haben es schon seit längerem auf mich abgesehen. 
1989 vertonte ich das Gedicht Crazy without you der amerikanischen Poetin Anne Waldman, in dem eine ganze Reihe von Sternen in ihren vielfältigen Farben geschildert werden. 2006 entstand L1014 für Schlagwerk, das von Reginald Smith Brindles Schlagzeugkomposition Orion M42 inspiriert ist, und 2022 das elektroakustische Werk Albireo, bei dem die Weiten des Alls als Anregung dienten. Die Klavierkomposition Beta Lyrae (2023) und die elektroakustische Komposition Jezero (2024) - benannt nach einem Marskrater - erhielten beide ihre astralen Titel erst im Nachhinein. Und nun Gesang der Sterne! 
Ein Team der NASA arbeitet seit 2020 daran, das All mit Hilfe von Musik erfahrbar zu machen. Bei der sogenannen Datensonifikation werden Elementen eines Bildes Tonhöhen und Lautstärken zugewiesen. Ob dieses Verfahren dem tatsächlichen Klang der Milchstraße gerecht wird, lässt sich nur vermuten. Im Weltraum gibt es nichts, das den Schall tragen könnte. Dort herrscht absolute Stille.

Gesang der Sterne

Terms Look Casual

Seesaw

https://www.beatport.com/release/trl-nd-rrr-lp/2812366

TRLNDRRR

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[Verse]
In the boardroom, there’s no room to cry,
Deals are made where the weak will die.
It’s a game of sharks, cold steel eyes,
A fistful of dollars and a pack of lies.

They want blood, but they smile so sweet,
You’ll never see them when they move their feet.

[Chorus]
It’s a cutthroat game, no room for fear,
If you want the crown, better disappear.
It’s all or nothing, high stakes at play,
In the world of business, you don’t get to stay.

[Verse]
Behind those suits, there’s a predator’s grin,
Contracts written with a venomous pen.
You think it’s fair, you think you’re tough?
Step into the fire—it’s never enough.

You’ll claw your way just to get ahead,
But in this jungle, you’re already dead.

[Bridge]
The lights are bright, but the heart is cold,
Money speaks louder than the stories told.
No mercy here, no place to hide,
If you’re in the game, you’ve already lied.

[Chorus]
It’s a cutthroat game, no room for fear,
If you want the crown, better disappear.
It’s all or nothing, high stakes at play,
In the world of business, you don’t get to stay.

It’s a Cutthroat Game [Slow Burn Mix]

2024-09-24

NLS - 2024 - 09 - 24

Murmurs Behind A Mirror

2024-09-25

NLS - 2024 - 09 - 25

Artist: Davide Rovito aka Dez (Random/Noize)
Title: Unrequited Ritual Part-1
(OST from the multidisciplinary artistic project 'Divine Ritual”) 
Cat No: TCTTMANIPULA001
Release Date: Oct 03, 2025
Genre: electronic, ambient, drone, noise music, glitch, field recordings, cinematic, lo-fi, soundscapes, soundtrack

Original Soundtrack from the multidisciplinary artistic project 'Divine Ritual' by Andreana Notaro and Davide Rovito aka Dez (Random/Noize)
“...Divine Ritual is an transdisciplinary project that moves between the dimensions of performance art and live creation. The experimental landscape is primarily constituted by the relationship between performers and spectators, within a creative path aimed at generating a ritual. The spectator, with their presence, will be a founding part of the creative design of the ritual itself. The ritual, which draws on the essential elements of Greek mythology, particularly the myth of Persephone and the Eleusinian Mysteries, is the archetypal experience in which sound and body are fused together, energy and matter converge in a single language, and full immersion between the terrestrial world and the cosmos is achieved. In an experimental process, the manipulation of electronic music sound will rhythmically punctuate the various moments, reaching a peak of tension and sonic pressure, determining the foundations of the ritual action, serving as a moment of ablution and then of expressive effusion for the performers, exploring the possibility of alerting the body enveloped in an uninterrupted sonic envelope and exposed to a collective vibration in which it is impossible to perceive a separation between performers and spectators. From listening to this inspiration, and guided by intuition and perception, the performers will linger in an empirical area with the sole support of three dramaturgical keys: DESCENT, SEARCH, ASCENT (as in the diachronic sequence of the Eleusinian Mysteries). This dramaturgical fabric serves as a generative principle: the architecture of the event will be articulated in an open itinerary of meta-spatio-temporal experiment...”

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