Archiving LiL PEEP...
R.I.P Gustav Elijah Åhr (1996 - 2017)
The songs I archive will have lyrics, disclaimers (if needed), original cover art and links to the original song.
Please do not hate or fight in comments or reposts 
contact me on YouTube, SoundCloud, or Audiomack if you need to report something.

I DO NOT MAKE THIS MUSIC,
OR PRODUCE THIS MUSIC. I JUST REUPLOAD AND ARCHIVE IT. I DID NOT MAKE THE ART NOR WRITE THE LYRICS. I SIMPLY CUT OUT THE FEATURES OR ORIGNAL ARTISTS VERSE'S.


@lil_peep

https://on.soundcloud.com/mizubhdYnKZmjjCA8

Lil Peep, born Gustav Elijah Åhr, was an American singer, rapper, and producer who popularized “emo-rap” by blending emo, punk, and trap. His expressive lyrics often covered themes like mental health, substance abuse, relationships, revenge, and self-harm. He found success on Soundcloud as a teenager and signed with First Access Entertainment in 2016. 


Gustav Elijah Åhr (Swedish pronunciation: [ˈoːr]; November 1, 1996 – November 15, 2017), known professionally as Lil Peep, was an American rapper and singer-songwriter. He was a member of the emo rap collective GothBoiClique. Helping pioneer an emo revival-style of rap and rock music, Lil Peep has been credited as a leading figure of emo rap music and served as an inspiration to outcasts and youth subcultures.

SCHEMEPOSSE
GothBoiClique/GBC 


Lil Peep
American rapper and singer (1996–2017)

Lil Peep died from an overdose in November 2017. “I can’t just leave the music behind,” said Smokeasac, a collaborator who worked on the rapper and singer’s first full posthumous release.Credit...Rozette Rago for The New York Times

Starting in his teenage years, Lil Peep made music in his bedroom. His mother helped him pay for equipment, and he began to build an identity on his laptop, a boy singing and rapping his heart out into a machine. As he got older, the bedrooms changed but his habits didn’t: Almost all of his recording started and finished there.


Lil Peep died of an accidental drug overdose last November at 21. Afterward, attention turned to his computer. First, it went to London, where the files were backed up by First Access Entertainment, the company that helped guide his career.

Then it went to his mother, Liza Womack. In an interview in her cozy Long Island home, sitting on a nondescript couch that belonged to Peep and was shipped cross-country after his death, she calmly recalled walking into an Apple store, handing the laptop to a clerk, and saying: “My son died. This is him. Take this and put it on a new one.”

Sometime after that, in London, the producer George Astasio and Peep’s longtime musical collaborator Smokeasac finally set out to catalog its contents. What they found were Lil Peep’s complete recordings — some finished, some in fragments; some heard and familiar, many not.

At the time of Lil Peep’s death, he was on the cusp of something significant. Three months earlier, he’d released Come Over When You’re Sober, Pt. 1, the album that took the skeleton sound he’d developed in his bedroom — emo sentimentality, thunderous hip-hop underbelly, rock-star insouciance — and thickened it up. His albums Hellboy and Crybaby, released on SoundCloud, were on the front lines of hip-hop’s open-eared engagement with other genres, as well as documents of the ways emo and pop-punk had begun to make room for hip-hop.

R.I.P Peep



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