The Black-Lavender Vogue-Pop-Being 🖤🐈‍⬛💜

I make ballroom/pop fused tracks like Like, Really Cunt, Sniffles (The Bump Dub) and way more! Get into my sound. I'm a Louisiana native born and raised (and I love to travel) and share my sound DJing, producing for myself or writing for others. 

My first album BMA was put out years ago while I was living in Houston Texas and it's an ode to my pop/ballroom sounds while also talking about mental health, but still keeping it cunt!

I do collabration tracks with Icon Sinia Alaia like the song "Love the Girls" and way more! I love the music we make together and the music I make with my other friends (like JoJo ClubKid!)

Mental health plays a big part in my music as well, so for those who need it listen to my tracks like "Breathe" and "Racing" off of my latest album Ms. Bei ! I hope you like what you hear! I produce, mix, record and write everything myself. I'm a girl who loves what she does!

Experimental Electronic, Modern Classic, Soundscapes, Neo-Futurism

Mazzy Star are a duo from Los Angeles renowned for their slow, psychedelic, narcotic music. They're best known for their breakout single, "Fade into You," which became an unlikely crossover hit in1994. Spurred by the interest in "Fade into You," their second album, 1993's So Tonight That I Might See eventually chalked up platinum status in the USA; unheard of territory for a melancholy, shadowy act notorious for shunning interviews and publicity.

Technological fatigue. Narcissism anxiety. A galaxy of isolation. These are the new norms keeping Weyes Blood (aka Natalie Mering) up at night and the themes at the heart of her latest release, And in the Darkness, Hearts Aglow (Sub Pop Records). 

The album is her follow-up to the acclaimed Titanic Rising. (Pitchfork, NPR, The Guardian admiringly named it one of 2019’s best.)  Where Titanic was an observation of doom to come, And in the Darkness, Hearts Aglow is about being in the thick of it: a search for an escape hatch to liberate us from algorithms and ideological chaos. “We’re in a fully functional shit show,” Mering says. “My heart is a glow stick that’s been cracked, lighting up my chest in an explosion of earnestness.”

And in the Darkness, Hearts Aglow opens with the wistful, winsome “It's Not Just Me, It's Everybody” — about the interconnectivity of all beings, but also the fraying of society around us. “I was asking a lot of questions while writing these songs. Hyper isolation kept coming up,” Mering says. “Our culture relies less and less on people. Something is off, and even though the feeling appears differently for each individual, it is universal.”

Other tracks follow in kind. The lullaby-like “Grapevine” chronicles the splintering of a human connection. The otherworldly dirge “God Turn Me into a Flower” serves as an allegory about our collective hubris. “The Worst Is Done” is an ominous warning, set against a deceivingly breezy pop melody. 

“Chaos is natural. But so is negentropy, or the tendency for things to fall into order,” she says. “These songs may not be manifestos or solutions, but I know they shed light on the meaning of our contemporary disillusionment.”

CONTACTS:
Sacred Bones records for North America-  irene@sacredbonesrecords.com
Bella Union records for the rest of the world- mark@bellaunion.com

For publishing, contact madison@terrorbird.com and josh@terrorbird.com

For concerts outside of North America, contact Steven -Steven@toutpartout.com

For concerts in North America, contact chris@anniversarygroup.com

For a press contact in North America, contact  patrick@pitchperfectpr.com
For a press contact for the rest of the world, contact  duncan@bellaunion.com

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