New times, new music, new mixes!
I've been known everywhere as a musical nut n' well, yes, i am indeed: i started  my DJ/producer hint as this Beastie Boy type Baile Funk enthusiast with releases on that monster of a label, Berlin's own Man recordings but ever since i've been here, there n' everywhere, from neo-rave to fidget, to tech house, to minimal, to pop... you name it! My new obsession is the infamous n' current electrostep madness so, goodbye old mixes, hello new shit!
Enjoy (or not, haha)!

we love music. 

website and events coming soon. 



Bootyshaking , deep, dark left of centre house &amp; techno in all shapes &amp; sizes, fun for the whole family.

introducing Pow! Pow!... 2 cats originating from that little slice of paradise known as Australia, dedicated to low slung house jams and techno treats for those that know whats up.

Support from a host of top cats including Jamie Jones, Claude VonStroke, Jet Project, Deepchild, Riva Starr, Mowgli, Russ Yallop, Walker & Royce,  Little Fritter, Zombie Disco Squad, Chris Duckenfield, Tom Flynn and more. Featured on labels such as Blotter, Domino, Sound Pellegrino, Extended Play, Sweat It Out and more. 

It’s heads down bums up [or something like that...] as the boys keep busy in the studio writing records, &amp; popping out for the odd show alongside the likes of Claude VonStroke, Damain Lazarus, Zombie Disco Squad and more. 

Just as comfortable turning out a 100bpm bubbler as they are a rolling techno romper this duo confine themselves to no musical parameters &amp; the unpredictable yet always forward thinking ethos of Pow! Pow! is what makes them pretty great chaps... xo

FACEBOOK:
www.facebook.com/powpowyo
TWITTER:
www.twitter.com/powpowyo
BEATPORT:
http://bit.ly/ofJRzW
&amp;
CONTACT:
powpowyo@gmail.com

Flavours of the month come and go but when you've been in the game for nearly 30 years you know a thing or two about how to make people dance.

Nacho Lovers is Andrew Ross and Scott Seewhale. Two producers, DJs and friends who bonded over a flat black plastic obsession. They make house music, or what can loosely be described as such. Really, it's the end result of countless hours spent devouring their shared record collections, learning all those 12" secrets inside and out: techno, hip hop, funk, disco, house and more. Yet however proudly the duo may flaunt their influences, their original music is far greater than a sum of inspirations.

It's music made for 4am speaker stacks and mid-day bedroom headphones alike, where atmosphere is everything. The end result simply creates a lasting connection and a sense of timelessness. It's the low-ceiling, red-light vibe they cultivate in their own tracks, their remixes for a highly selective, diverse handful of artists (ranging from Alexander Robotnick to CFCF to Jacques Greene), and DJ sets that make you feel like you could be at any great club or party of the past 30 years.


His nickname used to be Thommo, but during the the early nineties it didn't sound very acid house. He didn't like it, he never liked it this boy from OZ. The name tormented him, it undermined his dance party status and his emerging sexuality he thought. At art school the media students teased him and the sculpture students used to steal his mo wax lunchbox and mix clay into his peanut butter sandwiches. He ate them anyway. Art was going to kill him... he needed to fight back... he needed to become an art killer.
After burning his whiteboard markers, his teaching jacket and other assorted art college paraphanalia, his soul surrended. Giggling, the now defunct COFA Lecturer flipped some switches, twiddled knobs and took any excess clay he found to his new spinning wheels. The abject lump of clay soon became a fragmented mess of dried up mud, dust and spilt candy glazes. It wasn't an idealized form, there was shit everywhere but he loved it. Thommo had become a disco Jockey...Thommo had become Ajax.

Ajax made friends fast, although the dancefloor still wasn't sure of his technique. So he and his few new friends created their own studio...The BANG GANG (Modular). Soon the shit noise that they had created spawned a new poetry and it was recorded (Ministry of Sound Mashed 1 2002, Ministry of Sound Mashed 2 Bang Gang Djs 2005, Tiga/Ajax In the Mix 2005 (both cds nominated for DMA Best mixed cd 2006), Ajax Presents Spin City 2006, Light Sound Dance Bang Gang Djs 2007 (Modular), Sweat It Out 2008 (Sweat It Out), One Love with Bart B more, Billion Dollar Hose PArty with Deekline,Dance Till Dawn, Damnation, I'm With Bang Gang, Bang Gang K-Lassics and Bang Gang Art Killers 1).

Technics In The Mix No.1 Australian Dj 2007 and 2006, Allen &amp; Heath DMA Best Australian DJ and Best Mixed CD 2006, 3d World Dj of the Year 2002, 2004, 2005, his Art Killing had hit new heights. Busy Ps Best Dj of 2007 (XLR8R), Digitalism's best dj of 2007 (BIGSHOT) and Justice's One to Watch in 2008 (DJ MAGAZINE). He is also One half of production outfit Jaxon Pixoff!

He has brought his one man party stop toRome, Ballarat, Paris, Coffs Harbour, Vienna, Newcastle,Berlin, Bendigo, Tokyo, Townsville, Dublin, Glasgow LondonMadridBarcelonaNIceAucklandAmsterdamNewYork etcand he didnt even have to borrow mums money . Thommo's ego spiralled out of control and bent his pop making. People laughed, some cried... His naked ambition had made him a peep show. Soon the dollar coins started to pile, he climbed them and to his surprise all he could see was clay, dust and spilt candy glazes in every direction. He was speaking in tongues, a green foam frothed soon from his nostrils and he perspired..... from his damp brow SWEAT IT OUT Music was formed (www.myspace.com/sweatitoutmusic). 

Launchingin Feburary 2008 as a small record label representing such artists as Gameboy Gamegirl, Edu K, Act Yo Age, Harris Robotis, Yolanda Be Cool, Oh Snap and Killaqueenz, D CUP, and his elusive self. Nearly two years later and after much fluffing about the label now has its own artist management sector with the label hitting its international stride.

As head honcho at Sweat it out, Bang Gang founding member, acclaimed Dj - mix tape whizz kid, World tourer, Club proprietor (The Mercat, Melbourne), former gay pin up, life has served up a big slice.Combined with his one stop party shop antics have made him a ageless brat to reckon with.

With subscriptions to Modern Painters and Frieze now long expired, the battle for dominance between Ajax and Art continues. With the field wider and the arsenal larger, we expect an explosive and intriguing era ahead.
THE THIRD PERSON

Mexican-American bad-boy Victor ‘Harvard Bass’ has always brought together the raw appeal of American booty with the style and function of European Ass. His sound has earned him in-crew-sion in Seth Troxler’s Tuskegee posse, Green Velvet’s Relief Records, and of course Tiga's Turbo. With years of releases under his belt, he’s maintained an impressively consistent voice. 
​
It all comes down to the fact that he is a bonafide sex addict who managed to turn a problem into a career by combining his obsession with thickness and his prowess for production. His Releases can be heard as Harvard Bass’ confession, his plea of insanity set to the sound of a perfectly functioning Ibiza super-club, complete with sexy paid dancers, industrial smoke cannons, and the kind of mass communal ego death that comes from 10+ straight hours of tech-house.
 
With the Launch of his very own Bump City Records, Harvard has vowed to put his famous raw ghetto sexiness on the map. Boom-time, ladies and gentlemen.

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Those Dancing Days is following