Name: 101 Apparel Presents Kenny Dope - Anything Goes - 12 min sampler by 101 Apparel
Duration: 12 min

OMG🔥i want the name of the track please

Stripped down the original Talib track into it's parts and did a quickie reimagination. Enjoy!

Talib Kweli x Johnny Guitar Watson - Hot Thing (TREW edit)

Download "Smell The Da.I.S.Y." at www.wearedelasoul.com.

Da Inner Soul of Yancy! Dilla forever!

Donations for Dilla goo.gl/WYDusX

De La Soul "Smell The Da.I.S.Y." Mixtape (Produced by J Dilla)*Seamless Mix*

In the closing months of 2012 BBE label artist Chris Read was enlisted by classic Los Angeles imprint Delicious Vinyl to produce a mixtape for Wax Poetics magazine celebrating the 20th Anniversary of the release of The Pharcyde's seminal debut LP 'Bizarre Ride'. The resulting mix was a runaway success clocking tens of thousands of plays online and kickstarted a relationship with the label that would go on to see Chris remix two of the group's best loved tracks, 'Runnin' and 'Passin Me By'.

Those tracks are now available for the first time on this limited edition BBE x Delicious Vinyl double vinyl 7inch release. Treating the familiar original with respect, Chris has called upon the vocal talents of long time collaborators Lizzy Parks (Tru Thoughts) and guitarist Giles Barratt (Breakin Bread) to rework passages from 'Runnin' to create a 2014 update on the themes of the much loved Jay Dee produced classic. 'Passin Me By' meanwhile gets a '90s throwback rework utilising sample material from the original to great effect to create a track which bears all the hallmarks of the golden era.
Mastered and cut by Walter Coelho who cut Jay Dee's 'Welcome to Detroit' back in 2001, the circle is complete!

In stores May 12th 2014. Pre-order from Juno now: www.juno.co.uk/products/chris-re…runnin/525891-01/



The Pharcyde - Runnin' (Chris Read Rap Renaissance Mix) (BBE Records 7inch Release)

Gizzum

Kenny “DOPE” Gonzalez is one of the most prolific artists of the modern music age. The four time Gram- my nominated musical genius has been entertaining and astounding the masses alike with his fusions of house, hip-hop, Latin, jazz, funk & soul, reggae, alternative pop and broken beats for 20 years. Known as a living encyclopedia of beats and tagged with the nickname “DEBO” by his closest friends, Kenny is a purveyor of sonic masterpieces.

“Im really happy to collaborate with a brand that is just as passionate about music as I am. It’s dope to be able to share a mix with you that showcases all the sounds that I work with and love. I appreciate 101 Apparel including me in their line, its great to bring you an exclusive mix and the Limited Edition Tee. Go get it 101 Apparel. Peace” - KENNY DOPE

101 Apparel Presents Kenny Dope - Anything Goes - 12 min sampler

Using Maschine and two turntables, DJ and producer BK-One (Brother Ali, Rhymesayers, Bones & Beeker, Wax Poetics) breaks down the famous b-boy breakbeats with some classic hip-hop in this ten-minute mini-mix.

http://records.waxpoetics.com/artists/bones-beeker/

BK-One's "B-Boy Break Maschine Mini-Mix"

Devil's Jam (D'Angelo Vs. ATCQ)/ Paulie's Blend

Mos Def - Ms Fat Booty DJ Spinna Remix

Excerpts From The SP1200 - Vol. 1.5 (2017)
Produced by Dj Rhettmatic for Beat Junkie Sound

1. Intro
2. Dirty Piano Slap
3. Choppin Heads
4. Soul Build
5. Snap N Chop
6. In Search Of
7. Outro

Artwork by Maricel Sison


It's practically 4:08am, Wednesday morning.  It is officially my birthday.  I've been up all night burning the midnight oil to finish this particular project so I can keep the tradition of releasing new or unreleased music for free on my birthday.  I have been doing this for the last few years.  Some of you might know some of the projects I released: My Stevie Wonder mix (Wonderland), the Aloe Blacc/Rhettmatic unreleased album, just to name a few.  One of the other projects I released for free was the Excerpts From The SP1200 Beat Compilation. it's some of my unreleased SP1200 beats that I made between the years of 1994-1998.

Fast forward during towards the last days of April 2017, for whatever reason, I just had the urge to make a beat on the EMU SP1200 Drum Machine Sampler.  It is my first ever Recording Equipment that I ever made beat with.  I purchased the SP1200 for $2500 back in 1991 & made beats for the Kozmonautz album, the first 2 Visionaries album, & a few Underground Indy Hip Hop records during the early & mid 90's. Turning on the machine & hearing old beats, got me inspired to see if I can make beats with it again.  Man…..I forgot how difficult it was use in terms of really sampling and chopping up music & programming.  And here's the real kicker, compare to the MPC 60 & other machines that were out at the time, you only had 10 seconds on the SP1200 to be really creative & make a beat. With only such a real limited time to create a beat, you really had to learn how to be creative & learn how to do techniques.  And man…..I almost had a meltdown because I I totally forgot how to use the SP, shah!  

Once I figure out how to chop, sample, program the machine, it was on & cracking.  To tell you the truth, these beats are probably not my best, but I had so much fun reconnecting with the SP.  It was very therapeutic for me making beats on the SP1200 again with all the crazy madness going on. I only labeled this project "Volume 1.5" just because it's a continuation from the first volume, up to date, but it's also marks the first time I made a few beats on the SP1200 since 1998.  Unfortunately, I only made a few beats because it could be time consuming plus I have my own personal schedules to meet.  This is also a prelude to my first official instrumental album that being released next Friday (May 19th) on Street Corner Music (Shoutouts to my brother Houseshoes).  Anyways, I hope you like my little beats back into time making 16 bit dirty classic Boom Bap Hip Hop, even though I might be pushing it to the red on the system.

From the bottom of my heart, thank you for even taking the time to listen to these beats.  And thank you to the homes Pete Rock & Madlib for the SP1200 inspiration.  It's now 4:41am & I am running on fumes.  Hopefully I made sense writing this down because I starting to doze off….hahaha!  Happy birthday to my fellow Tauruses.  Rest In Peace to Uncle Leo & Big Black.

Rhettmatic
Beat Junkies
May 10, 2017
4:43am.

PS. Be on the look out for "Rhett Got Beats" on Street Corner Music, available May 19, 2017 on digital format & limited edition cassette tape.  http://streetcornerscm.com/pre-order-dj-rhettmatic-rhett-got-beats/

EXCERPTS FROM THE SP1200  VOL. 1.5

EXCERPTS FROM THE SP1200 VOL. 1.5 (2017)

Gang Starr Classics Party Break... "Code of the Streets," Just to Get A Rep," "Now You're Mine," "Manifest," and "DWYCK." All in the span of 3 minutes!

Created as part of the R.I.P. RAP monthly event in Chicago, IL presented by Ground Lift Media & Ms. Chicago. Join us on April 3rd @ SubT Lounge for the Guru / Gang Starr Edition.

EVENT INFO HERE || http://t.co/1SccpJcEcz

Gang Starr - Classics Party Break (TREW edit)

Spoiler alert: MC Lyte’s debut single, “I Cram to Understand U”, tells the tale of a relationship falling apart due to crack addiction. The original was quite sparse musically but this blend adds a dose of head nodding funk courtesy of Breakestra’s “Posed To Be”. We felt the hypnotic groove could *potentially* distract from Lyte’s intricate storytelling; hence the spoiler. Enjoy!

Source Material:

MC Lyte “I Cram to Understand U (Sam)” (I Cram to Understand U 12” | 1987 | First Priority Music)

Breakestra “Posed To Be (Instrumental)” (Joyful Noise EP | 2009 | Strut)

Like our remixes? Get updates by:

Joining our Facebook page: http://www.facebook.com/steelychan
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MC Lyte & Breakestra - Posed to Understand (Steely Chan's Blender Mash)

101 Apparel was created by designer Eric Crandell in 2006 as a way to seamlessly bridge the gap between art, music, and fashion. As Ubiquity Records Art Director for many years he applied his skills in designing album covers, silk screens and was the chief creative force for Ubiquity’s lucrative apparel line.

Now, 101 Apparel is the next paradigm shift in aesthetic innovation, authenticity and imagination in fashion design.

When 101 Apparel began in 2005 the response was overwhelming and continues unabated to this day; select premium retailers from all over the globe from New York, Paris, Berlin, London, Amsterdam, Tokyo and Madrid stock 101 Apparel designs.101 Apparel’s success is due to the unparalleled work ethic, taste making intuition, and ear to the ground methods that have become the hallmark of the 101 Apparel brand.

101 Apparel takes inspiration from all the musical styles across the globe; from afro beat to disco, Brazilian samba, bossa nova, and Tropicalia, to the vast encyclopedia of electronic music, hip-hop, funk, soul, reggae and jazz, and everything else that falls in between. If fashion could be music 101 Apparel is that music. A quick view of the 101 Apparel portfolio confirms for veterans and novices alike that the knowledge displayed when it comes to music, culture, and design is both vast and deep. Never afraid to take calculated risks to keep the apparel line moving forward, we never rest on our achievements.

101 Apparel takes inspiration from various genres and cultures, showing influences from classic designers such as the work of Alexander Girard, Milton Glaser, Reid Miles and Ray Eames. Music and design has a long history of cross referencing conceptual ideas into artistic forms and 101 Apparel applies that design history every step of the way. 101 Apparel is where sound and vision converge into one seamless package. After years of absorbing the music and design aesthetic in anything from an old dusty latin funk 45, to a European soundtrack, to an early 12’ inch dance classic, all these influences create something, vital, unique and enduring.  

Now, 101 Apparel has been working with the cream of the crop DJ’s, artists and producers to fuse the music and the designs into a unique artistic document. We are currently undertaking doing a limited edition “101 Apparel Artists Series” where we collaborate with our favorite artists and ask them to do a mix CD of exclusive material for 101 Apparel. These are one of a kind mixes that come with a specially designed shirt that expresses the artists’style while keeping the 101 legacy intact. Cur- rently the collaborations include an exclusive mix by producer-artist-DJ, Nightmares on Wax (funk, soul, hip hop breaks). A collaboration with Wax Poetics that brought us world renowned DJ and collect ors Kon and Amir ( this mix focuses on rare disco and Latin). An exclusive mix by Dj-producer Lono (Chicago/NYC) entitled a “Disco Unusual Social Club Mix”. A mix and shirt with producer, DJ, and artist, Quantic (Tru-Thoughts). An exclusive mix and shirt with the modern funk ambassador Dam Funk (Stones Throw). A design collaboration with the legendary latin label Fania Records. A shirt paying tribute to Tony Allen ( Fela Kuti’s drummer) with an exclusive mix of unreleased Tony Allen tracks by DJ Rich Medina. Next in line is a shirt and DJ mix by up and coming producer and musician Chico Mann (Wax Poetics Records) and a special collaboration shirt and DJ mix by Jeedo (Waajeed, Bling 47). Stay tuned for much more to come!

101 Apparel Presents Kenny Dope - Anything Goes - 12 min sampler

101 Apparel

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