Very nice instrumental, love it, relaxing indeed

Lost In My Own Thoughts

Slurp

How Strange Are Bodies? by Teresa Winter from the tape 'Oh Tina No Tina' on Reckno

Teresa Winter -  How Strange Are Bodies

Kassett - U - 05 - Nations Cup

Taken from I Am Just A Pupil "12 Hours FULL RELAXATION", out on cassette and digitally 11 September 2015.

Buy Tape: 1080pcollection.bandcamp.com/album/12-h…relaxation

Press: 1080pcollection.net/iamjustapupil.html

www.facebook.com/1080pcollection

12 Hours FULL RELAXATION

I Am Just A Pupil - Apothecary

Abby 2.0

follow s. lyre:
@s_lyre
facebook.com/sdotlyre

https://nightowlcollective.bandcamp.com/album/s-lyre-air

video:
www.facebook.com/nightowlcollectiveofficial/videos/1057795220979123/

I am sure you all remember our lovely release by the Superb Lyres? well, as you may or may not know, Superb Lyres is a duo, comprised of the members s. lyre and l. lyre.
today we have a treat for all of you, by the one and only, s. lyre himself!
this track is definitely a unique one, it is unlike any of our other releases. the vocals, lyrics, and production, were all created by s. lyre, and he executed it beautifully. this is one of those ones that will get stuck in your head.
the vibe is similar to his track Teacup Talks. if you haven't heard that, or any of the tracks from his Teacup Talks album, I certainly suggest you go and check it all out! 
follow him and keep up with his musical creations, we think he will go very far on his journey and he has a lot to share with the world. <3

also, thank you to all of our supporting fans! today we reached 14,000 followers! to infinity and beyond <3

Free Download

s. lyre - air

We are proud to welcome aboard a very new, but amazingly talented artist, Kori. Here is his first track "Free" for your downloading pleasure.

Soundcloud: https://soundcloud.com/korisound

Kori - Free

download here :)

Luna (w/ mello)

my interlude from A Trip To Soda Island Album!

Spotify: open.spotify.com/album/03c4rPqrzrqgdubLu8Jo3z
iTunes: itunes.apple.com/…/album/a-trip-to-soda-island/id1134152385…
Bandcamp: sodaisland.bandcamp.com

A Trip To Soda Island

Empty Skies

Buy from LuckyMe • http://smarturl.it/lm045lm
Spotify • http://smarturl.it/lm045S1Dspt
Apple Music • http://smarturl.it/lm045apple

‘Remote Sympathy’ LP
Released February 24 2017 on CD, Vinyl & Digital
© LuckyMe Records 2017

Press: Seb@worldwidefriendlysociety.com
Mgmt: mgmt@luckyme.net

Remote Sympathy 

Journey to E (Remote Sympathy LP out Feb 24th)

Ian William Craig - "Durbē" ltd. CD - out July 27th, 2017
www.recitalprogram.com/durbe
www.recitalprogram.com/purchase

Ian William Craig - "Requiem for Al Purdy" excerpt from Durbē (R36)

http://www.jjfunhouse.com/catalogue/jj013

All music composed by Gust De Meyer on a Casio VL Tone 1 synthesizer,
recorded (each track in one take) and mixed on a porta-sound Fostex 250 in 1983
Mastered by Kris Delacourt
Published by Jj funhouse, October 2017
Previously released by Ding Dong Records on tape in 1983 and reissued by Waving Hands records in 2015

Gust De Meyer - Casiowork 1.2.2 (JJ013)(Releasedate: 18.10.2017)

See here for more info: http://wp.me/pwcbn-k7v

Silk To Dry The Tears

Maria Minerva, ‘Losing You’ (2018). Courtesy the artist + 100% Silk, Los Angeles.

22 summer storms, 22 celebrations of music from today. 

Posh Isolation turns 10 this year. 
We celebrated in Copenhagen for three days and three nights - Port Out, Starboard Home. Some people could not 
be there, some forms change — we honour them by celebrating again, digitally. 

Make the day come alive again. 

'Summer Storms' wades through the heat, never quite settling, yet taking in every surrounding. Gather everyone 
together, celebrate a shared motif. 

Come stream with us. 

Clear skies. A raving harbour. The best storms cancel plans. 

Make the day come alive again, 

today. 

Dedicated to Ezra 

Posh Isolation 227

Kamil Dossar - Odin

Anne Imhof - Faust
Format: 2xLP / CD / Digital
Cat.No: PAN 98
Release Date: 13 September 2019
Purchase: bit.ly/2NCegzC / bit.ly/2zo1bRY

Deriving from the acclaimed performance and exhibition—staged by Anne Imhof at the 57th International Art Exhibition of La Biennale di Venezia and awarded the Golden Lion for Best National Participation— the album Faust is part documentation and part elaboration, the sonic capture and extrapolation of the gestures, intensities, and durations of the live event.
Serving as the dramatic backbone of a several-hour long performance seen by thousands over the course of the Biennial, the soundtrack was a product of the collective and its individuals, animating and organising the performers while immersing the audience in the potent images of power and paradise. The music for Faust was written in a band-like process by Imhof and her close collaborators Billy Bultheel, Eliza Douglas, and Franziska Aigner during the months leading up to its premiere at the opening of the German Pavilion in Venice. From the chaos of the performative, the album is constructed out of live recordings and original arrangements, teasing out the most potent strands and weaving them into a new composition of brutal feeling and baroque intricacy, each track a testament to the energy that brought it into being.

Faust is anchored around three pieces—Medusa’s Song, O.W.E.N., and Queen Song—written and sung by performers Eliza Douglas and Franziska Aigner, whose sonorous and elegiac voices imbue the work as a whole with their crushing depths and dolorous moods. Between these urgent vocal interventions march and twist the winding fugues and electronic abstractions of Billy Bultheel, who has dismantled and reassembled the sonic landscapes of the pavilion, crafting new arrangements that couple the forcefulness of the physical encounter with the artifice of the studio. Throughout the album and culminating in its closing act—the brutal chorus of Douglas’ Faust’s Last Song, a pulsing canon of looped and layered voice pierced by black metal screams—the record admits the listener into the inner space of Imhof’s dramatic vision of power, complicity, and vulnerability.

Shifting hypnotically between times and spaces, between cries and calls, between polyphonic antiquity and polyrhythmic complexity, Faust is the record of a lost event and the promise of a new creation. The release of Faust illustrates the centrality of music to Imhof’s artistic practice. Her musical collaborations with Bultheel began in 2013, and this generative constellation expanded to include the contributions of Douglas and Aigner, together scoring Imhof’s Angst (2016) and recently her performance trilogy Sex (2019).

The album comes with an expansive booklet of photography by Nadine Fraczkowski, another long-standing collaborator of Imhof and a prolific photographer, whose images of the performance and portraits of its cast offer intimate views of the work far beyond documentation.

It was mixed by Nanni Johansson at Hansa Studios and Ville Haimala, mastered by Rashad Becker at Dubplates & Mastering, and designed by Zak Group featuring artwork conceived by Imhof together with Douglas and Fraczkowski. Co-published with German Pavilion 2017 and Galerie Buchholz, Berlin / Cologne / New York.

http://p-a-n.org

Faust 

Franziska Aigner, Billy Bultheel - O.W.E.N. (PAN 98)

“Terry left us the score to Song. The score indicates it is the piano part, however I have never seen any additional vocal part, and the right hand could clearly be the song melody. Terry once played this composition for me at his parents’ house in Eagle Rock on piano, alone. Since there are no words with the melodic line, I suggested to Charles Curtis that since the cello is such a song-like instrument, perhaps he could play the vocal part and Michael Schumacher could play the piano part.” – La Monte Young

Charles Curtis: Performances & Recordings 1998-2018 (SLT-005)

Saltern presents its fifth release, Charles Curtis: Performances & Recordings 1998-2018, the first comprehensive collection of recordings surveying the career of renowned, American cellist Charles Curtis. Selected by Curtis and Tashi Wada from recordings spanning the past two decades, the collection offers a broad, inclusive view of Curtis's activities across the diverse worlds of music he inhabits, containing rare, unreleased recordings, and never-before-released music by Terry Jennings, Richard Maxfield, Éliane Radigue, Alison Knowles, and Curtis. The wide-ranging scope of this release speaks not to a musical restlessness, but to a genuine spirit of inquiry, as these areas of activity for Curtis have existed concurrently in dialogue, not simply in succession, for decades. Over two hours of music by composers and artists with whom Curtis is closely associated including Éliane Radigue, Guillaume de Machaut, Tobias Hume, Silvestro di Ganassi, Terry Jennings, Morton Feldman, Anton Webern, Olivier Messiaen, Alison Knowles, Richard Maxfield, and Curtis himself. Mastered by Stephan Mathieu with liner notes by La Monte Young, Spencer Gerhardt, and Tashi Wada. Custom packaging and screen printing by Alan Sherry.

"Song" by Terry Jennings is licensed with kind permission from MELA Foundation.

Performances & Recordings 1998-2018

Terry Jennings – Song (1960)

Cassette, 12" & Digital Label

info@1080pcollection.net

I Am Just A Pupil - Apothecary

1080p

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