Ман так нельзя долбить йо

мне нравится, звучит потрясно и как грится трипи

this is awesome love the control of the wave you have on this

Baltazar’s Adventure through the Great Machine 
In early May 2019, composers working in the city of Sheffield recorded sounds in and around the Kelham Island Industrial Museum, using these to create musical works that resonate with the space and place of Kelham Island. In much the same way as one might imagine the transformation of the spaces of heavy industry, such as Brooklyn Works becoming residential accommodation, the ten sound artists transformed the sounds of Kelham Island, giving them a new home. 
This piece imagines the huge machines as if from a child-like fantasy. It follows the journey of fiction character - Baltazar - as he travels into, and through, the greatest machine of all.  Join Baltazar as he journeys through the Great Machine in search of its beating, mechanical heart. As the machine judders and splutters into life, will he avoid the pistons and valves, cogs and bursts of steam?  Warning: contains scenes of mild peril.

For Ozzy, Zac, and Kaia. 


Adam Stanović started composing electronic music some twenty years ago. At that time, early experiments with tape machines and a four-track mini-disc recorder led him discover the potential of recorded sounds, and he quickly started using computers as a tool for music-making. Ever since, Adam has considered the fixed medium as a canvass for his works which, although mostly acousmatic, are sometimes accompanied by instruments, electronics, film, and animation. In all cases, his music explores ways in which both pitch and noise coexist within recorded sound, with musical form often delivering one from the other. Adam’s music has been heard in over 400 festivals and concerts around the world. His works are available on 12 different CDs.

7 Adam Stanovic Baltazars Adventure Through The Great Machine (Prix Russolo 2020/21)

the radio task is great
i went to the green with radio and guitar
made my own environment nice with playing guitar
then came the red radio

the red in the green(disquiet0552)

Concentricity

Bandcamp

Asperitas [Instrumental]

2022 Collaboration : 
Janjòrsteen +TRAMPELFÂD
Free Download

rec.name: "Pataphysical Gravitation Wave Sonification"
credit:
Silke Arp /Oberdeck Hanover Live-Recording  10.2022
videos:
https://www.youtube.com/watch?v=KpA7oVzEKY4
full
https://www.youtube.com/watch?v=y8Afop9LmJQ

j.thelow : korg ms10,korg ms 20,k2,fender strat,e-violin,loops
visit:
https://soundcloud.com/user-526356403

m.elzholz : curetronic,korg ms10,sp404a+x,squier thinline,doepfer A100,

Pataphysical Gravitation Wave Sonification Live by TRAMPELFÂD

Free Download

Forgotten Realms

This darkness night démo

CYCLIC LAW'S 20th ANNIVERSARY LABEL SAMPLER 2CD / DL (200th Cycle)
In celebration of our 20th year as a label, we've gathered 22 artists on 20 tracks, all graciously presenting us exclusive and unreleased material. Featuring AJNA, ASCENDING DIVERS, ASHTORETH, BECKAHESTEN, CURSE ALL KINGS, DESIDERII MARGINIS, FUNERARY CALL, KAMMARHEIT, LEILA ABDUL-RAUF, NERATERRÆ & DØDSMASKIN, NEW RISEN THRONE & CORONA BARATHRI, NORDVARGR, ØJERUM, SHEDIR, SHRINE, SOPHIA, SUTEK HEXEN, TAPHEPHOBIA, VISIONS and VORTEX. We’d like to dedicate this release to our worldwide supporters who’ve made this 20 year venture possible and to all artists involved throughout the years, whom with their unique approach to atmospheric music, have helped create the aural world that is Cyclic Law. Artwork imagery is by our close collaborator and friend Kristina Feldhammer.

Double CD Edition of 500 copies in gatefold Digisleeve with 180x120mm poster, matt lamination. 20 Tracks. Running Time; CD1 56:57, CD2 57:17

Ascending Divers - Charybdis Drain - Excerpt

This week's prompt was to compose music that listens to itself.

So glad you asked! I have been wanting to make a project like this for years as part of my interest in structured improvisation.

I'd still like to do something clever with MAX/MASP and MIDI, but for now I kept myself quite busy with using audio processing in Ableton Live.

Basically, I tried to construct effects chains that would grab short snippets of audio (from a piano improv and also from each other!), process them, and and repeat them much later in the piece (via gates, envelope followers, or LFOs mapped to the inputs of delays and pitch-shifters). I altered the musical material using pitch-shifters (Cableguys, Ableton's Shifter) or delays with very short settings to make percussive sounds.

I also really tried to prioritize changing pitches, with the idea that altering the source tonal material would be a fun nod to classical music's idea of theme and development.

Then I loosely grouped them into things that generated low pitches, medium pitches, and high pitches.

I had a *lot* of material at the end, so I ended up cutting out a few tracks completely. 

Beyond that, my editing was minimal. I managed to volume spikes, and I also cut out some parts of the piano improv, because the generative devices were making their own musical material!

I'm happy with this one - I think it could be done at about 2 minutes and 40 seconds, but I figure this is a good audience for a slightly longer version of the piece.

* * * * * *
More on this 611th weekly Disquiet Junto project, Music That Listens to Itself (The Assignment: Record a piece of music that repurposes itself as it proceeds), at: https://disquiet.com/0611/

Some of the music resulting from this project may be included in a September 29, 2023, event at the Berkeley Alembic in Berkeley, California: https://www.eventbrite.com/e/expanded-listening-music-that-listens-to-itself-tickets-712124101357

About the Disquiet Junto: https://disquiet.com/junto/

Subscribe to project announcements: https://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co: https://llllllll.co/t/disquiet-junto-project-0611-music-that-listens-to-itself/

Дорогами Нічними

Маркіян В.

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