A spacious opening with Rhodes chords and soft bass, like a slow inhale before the drift begins.

North African Jazzy Laid-back Drift

Abydos

A Lebanese-born singer with a voice that transcends borders, MALADONNA grew up immersed in the rich cultural tapestry of England, Morocco, Turkey, and the United States. Classically trained, she bridges the worlds of Western classical music and Arabic heritage, creating a sound that is as unique as her journey. Her artistry reflects a profound connection to her roots while embracing global influences, seamlessly blending classical elegance with Arabic melodies and touches of American acoustic traditions. A storyteller at heart, she captivates listeners with her delicate yet powerful voice, weaving narratives of love, loss, and beauty.

Maya Guzmania, alias Ghost Of Maya, est une artiste belge dont le parcours oscille entre l’ombre et la lumière. Avant de devenir autrice-compositrice-interprète, elle a longtemps œuvré dans la production musicale, sculptant les sonorités des autres sans jamais oser imposer sa propre voix.
À six ans, elle enregistrait déjà des bribes de mélodies sur de vieux magnétophones, convaincue que la musique était un langage secret. Adolescente, elle passait ses nuits dans les clubs underground de Bruxelles, absorbant les rythmes du breakbeat, du dubstep et de l’électro, en quête d’une alchimie sonore qui lui échappait encore. À vingt ans, elle plongeait dans l’industrie musicale en tant que productrice, affinant son art dans l’ombre des studios. Pendant des années, elle façonnait des morceaux pour d’autres artistes, effleurant l’idée d’écrire pour elle-même, sans jamais franchir le pas.
Puis, un soir, au détour d’un morceau inachevé, elle a compris que sa place n’était plus derrière la console, mais au cœur du son. La voix qu’elle modelait pour les autres devait désormais être la sienne. C’est ainsi que Ghost Of Maya est née, fruit d’un vertige et d’un besoin urgent de rattraper le temps perdu.
Aujourd’hui, elle prépare son premier album, une œuvre immersive où les spectres du passé rencontrent les pulsations du futur. Et demain ? Si le futur appartient aux âmes qui osent, Ghost Of Maya pourrait bien devenir l’un de ces mystères musicaux qui traversent les époques, insaisissables et hypnotiques.

Maya Guzmania, known as Ghost Of Maya, is a Belgian artist whose journey sways between shadow and light. Before becoming a singer-songwriter, she spent years behind the scenes as a music producer, shaping the sound of others while keeping her own voice in silence.
At six, she was already recording fragments of melodies on old cassette players, believing that music was a secret language. As a teenager, she wandered through Brussels’ underground clubs, absorbing the pulse of breakbeat, dubstep, and electro, searching for a sonic formula that remained just out of reach. By twenty, she had dived into the music industry as a producer, perfecting her craft in the shadows of recording studios. For years, she created for others, brushing against the idea of writing for herself but never taking the leap.
Then, one night, amidst an unfinished track, she realized her place was no longer behind the console but within the music itself. The voice she had shaped for others had to become her own. And so, Ghost Of Maya was born—from that moment of vertigo, from the urgency of reclaiming lost time.
Now, she is preparing her debut album, a hypnotic journey where echoes of the past merge with the rhythms of the future. And what lies ahead? If the future belongs to those who dare, Ghost Of Maya may soon become one of those musical enigmas elusive, timeless, unforgettable.

Born in Marseille and now based in Paris, Anisa Boualem is a 31-year-old French-Algerian singer who turns emotions into melodies like secrets whispered to the sky. With a voice both fragile and fearless, she navigates genres like chanson, soul, electro-folk, and modern French touch. Her music walks a line between dream and confession, southern sun and northern twilight. Anisa doesn’t sing to be heard she sings to make silence resonate.


Née à Marseille, bercée par les vagues et les voix du sud, Anisa Boualem est une chanteuse française d’origine algérienne, installée aujourd’hui à Paris. À 31 ans, elle compose des chansons comme on raconte des secrets à la lune. Anisa jongle avec les genres chanson française, soul, jazz, électro organique et sa voix tantôt douce, tantôt rugueuse, évoque les silences pleins, les souvenirs qui dansent, et les émotions à fleur de peau. Son art est une passerelle entre les rives : entre Alger et Pigalle, entre l’intime et le cosmos.

Lo-Feelers is a soulful, lo-fi collective born in the golden in-betweens of jazz, R&B, indie groove, and analog nostalgia. Their name echoes their essence: they feel deeply, but never loudly.
Formed between Paris, Oran, and nowhere in particular, the band brings together a blend of poetic melancholy and rhythmic subtlety. Feeling Café, their debut album, is a musical café without walls a place where memory, melody, and silence come to sip together.

🎤 Members:
* Anissa Boualem – vocals A velvet voice that carries both grief and irony, singing like she's writing a letter she’ll never send.
* Nabil C – vocals, guitar Minimalist crooner, guitar poet. Brings cinematic textures and late-night confessions to every track.
* Midi14 – bass Silent anchor of the group. His grooves walk between shadows and daylight.
* TT Williams – keys / synth The sound alchemist. From dusty Rhodes to dreamy synths, he paints air with harmony.
* Agogosax – drums, saxophone, experimental textures Jazz rebel. One-man brass section. His playing bends time, like a loop that never settles.

Lo-Feelers don’t perform they whisper. 
Their music doesn’t push it invites. 
It doesn’t shout it lingers.
Their debut Feeling Café is not just an album, it’s a room in your memory.

12.3 kHz is an electronic label connecting ten projects in one shared universe from cyberpunk trap and acid techno to darkwave and kawaii glitchcore. Strong concepts, bold visuals, and high-impact production. Each release is its own world.

Earth-616 is a New York-based collective of three: DJs Peter Stark and D. Princess, and vocalist Nana Wayne, whose stage presence fuses club energy with performance art. Lifelong fans of the Marvel universe, they weave its mythology into their music and visuals and proudly stand by the belief that Marvel beats DC. Their dark underground techno blends minimal grooves, metallic percussion, and deep warehouse reverbs, building sonic worlds as intense as any superhero showdown.

Album release date:
9 August 2025

A hip-hop and RnB group formed by two men and one woman, originally from North Africa, now based in the Bronx, New York. Their style fuses the soulful melodies of early street poetry, the rhythmic bounce of New Jack Swing, and the raw energy of 90s old-school beats, layered with a modern touch of smooth production. Their music blends spoken verses, melodic hooks, and expressive flows, with a deep focus on themes of resilience, identity, migration, and dreams. The beats are built on classic break rhythms, jazzy basslines, and analog textures, giving a nostalgic yet forward-looking feeling. Subtle influences from North African musical traditions enrich their sound, through rhythmic patterns, vocal phrasing, and lyrical storytelling. Their artistic vibe balances street authenticity, emotional depth, and urban poetry, creating an atmosphere that's at once timeless, warm, and vibrantly alive.

Gn On Fyah is a Moroccan–Russian–Singaporean DJ trio born in Marrakech and raised on chaos. The lineup is Farid (Morocco), Vogne (Russia), and Bbang (Singapore) three minds from three worlds, colliding in one sound.

Their philosophy is simple: beats are bullets, folklore is fire, words are weapons. They do not aim to please; they aim to disrupt. Every set is a battlefield where North African trance, Russian steel, and Asian cadence clash and fuse.

On stage, they are reckless yet precise, fearless yet calculated. Their sound moves between industrial trap, cyberpunk grit, glitch-heavy textures, and dark minimal techno, but always anchored in ritual and trance. For Gn On Fyah, music isn’t entertainment it’s confrontation, initiation, and survival.

This is not a project. It’s a pact. Gn On Fyah stand for turning culture into fire and fire into rhythm.

A Man On Acid is a Finnish DJ and producer shaped by the underground rave culture of the 90s. Known for his hypnotic 140 BPM acid techno, he blends rolling basslines, piercing rave sirens, and industrial percussion into a raw and addictive sound. His sets and productions capture the atmosphere of abandoned warehouses, neon-green lasers, and the iconic acid smiley sprayed on cracked concrete walls.
While rooted in acid techno, his music reaches further: certain tracks carry the melodic touch of Russian influences, others echo the cold mysticism of Finnish folklore, or the restless energy of industrial warzones. Still, the heart of his sound is uncompromising acid, fast, heavy, and meant for sweat-drenched nights where the crowd loses itself in repetition.

Abydos

12.3 Khz