Name: Carthage by 12.3 Khz
Duration: 3 min 1 s
Description: Moody and reflective, built on slow bass walks and lingering sax phrases.

Atay In Space

"Oran Will Remember" closes Anissa Boualem’s 1994 with quiet strength. Inspired by the timeless lament of Wahran Wahran, this ballad flips the farewell now it's the city that remembers. A song for every exile who still dreams in their mother tongue, and for the cities that never forget.

It’s not just nostalgia, it’s memory made music.

Oran Will Remember

aZzma delivers one of her most uncompromising songs. The track is built on raw blues-rock grit where silence itself becomes the crime. Her raspy voice cuts through heavy riffs to remind us that indifference can be louder than bombs. This is aZzma at her sharpest: fearless, furious, and unafraid to wound.

Lyrics : 
Intro
History writes with blood not ink,
The world looked away, didn’t even blink.

Couplet 1
Bombs fell down, streets turned red,
Children cried where the living fled.
No bread, no water, nights too long,
While the world kept dancing, kept singing songs.

Pont
A boy with one leg, counting the dead,
Hunger’s a knife that cuts through his head.

Refrain
Once in the century, truth won’t deny,
The world stood against the smallest sky.
A strip of earth, Gaza its name,
Killed by the silence, buried in shame.

Couplet 2
Mothers with pictures, holding the ground,
Fathers with shovels, no words, no sound.
The screen showed fire, the plates showed feast,
Justice slept, while pain increased.

Pont
Some pulled the trigger, the rest just stared,
The crime was shared, the whole world dared.

Refrain
Once in the century, truth won’t deny,
The world stood against the smallest sky.
A strip of earth, Gaza its name,
Killed by the silence, buried in shame.

Couplet 3
History’s ink will burn with disgrace,
Humanity sold for a safer place.
Freedom was locked, justice was blind,
The future will curse what we left behind.

Outro
But still may the children laugh in the sun,
Run on the shore, no longer on the run.
Let them be voices, let them be free,
As every child of this world should be.

Lyricist : aZzma

The Silence Was the Weapon

A playful groove, with wandering lines of Rhodes and guitar dancing in dialogue.

North African Jazzy Laid-back Drift

Sabratha

Moody and reflective, built on slow bass walks and lingering sax phrases.

Carthage

Bright keys and brushed drums create a light swing, intimate and spontaneous.

Cherchell

The climax: all energy condensed into one last hypnotic strike.

man on acid.

the final round.

From the spacecraft window, Earth appears distant and fragile. Dark Earl turns this vision into sound, weaving acid techno, dub echoes and Moroccan shadows into a cosmic drift, heavy yet intimate.

Earth Outside My Window

Dive into the soulful depths of "The Unsung Blues," a captivating blend of smooth jazz and blues. This track features a mesmerizing electric guitar melody, backed by a groovy bass and tight drums, creating a perfect atmosphere for relaxation, focus, or travel. Its laid-back yet expressive vibe is ideal for content creators seeking high-quality, No Copyright Music to enhance their videos. Let the smooth rhythms elevate your projects.


🎵 Download: https://freevibevault.com/track/siz9ga1riaxug49ttc546dtd
🔥 Discover More: freevibevault.com
❓ Questions? freevibevault.com/faq
🎧 Stream FreeVibeVault: Spotify, Apple Music, SoundCloud (soundcloud.com/freevibevault)
📧 Reach Out: hello@freevibevault.com
🌟 Join Us: @FreeVibeVault on Instagram/TikTok/YoTube
📜 Copyright-Free: Monetize or edit freely. Credit: "Music by FreeVibeVault via FreeVibeVault". Tag & subscribe for weekly tracks! 🔔

#FreeVibeVault #NoCopyrightMusic #RoyaltyFree #ContentCreator #Music #BackgroundMusic #YouTubeMusic #Podcast #Gaming #Vlog

Free Download

The Unsung Blues

Inspelad den 17 juli 1964 under den eviga midnattssolen vid kyrkportarna i Jukkasjärvi, är denna platta omgiven av mer myter än musik. Nordic Soul Syndicate Black Division samlade för första (och sista) gången hela sin mest experimentella sättning:

Tage Funkström – Trummor & Percussion (”ritualiska blastbeats”)

Ragnar ”Gravbas” Holmström – Bas (”tre strängar, oändligt mörker”)

Fader Knivsson – Synt & körer (”gregoriansk kaos”)

Annika V. Dahl – Saxofon (”den skrikande stormen”)

Gästsångare – Growl på svenska (namnlös, okänd, försvann efteråt)

Musiken

En apokalyptisk fusion av samba, fri jazz, black metal och avantgardistisk improvisation. Blastbeats blandas med dissonant jazzpiano, saxofonskrik skär genom luften, och Gravbas mullrande basgångar sägs ha fått kyrkklockorna i Jukkasjärvi att ringa av sig själva.

Mitt i konserten kommer den ökända 15 sekunders RAVE-slingan, en galen övergång där opera, gregoriansk sång, dödsmetal och jazz smälter samman innan bandet återvänder till fullständigt kaos.

Mytologin

Enligt rykten slog norrskenet ovanför scenen i takt med musiken.

Publiken splittrades – hälften flydde, hälften stod kvar i trance.

En präst svimmade under Satanic Samba in the Snow.

Inspelningen gjordes på en billig rullbandare, hittad i en lada 20 år senare.

Varför förbjuden?

Efter konserten beslutade både kyrkan och kommunen att inspelningen aldrig fick spelas offentligt. Men bootleg-kassetter spreds i hemlighet, och idag är The Forbidden Concert 1964 en kultklassiker i mörka musikarkiv världen över.

Satanic Samba in the Snow I

Jazz10

12.3 kHz is an electronic label connecting ten projects in one shared universe from cyberpunk trap and acid techno to darkwave and kawaii glitchcore. Strong concepts, bold visuals, and high-impact production. Each release is its own world.

Carthage

12.3 Khz

Recent comments

Jamie Rhind

Related tracks