Name: Carthage by 12.3 Khz
Duration: 3 min 1 s
Description: Moody and reflective, built on slow bass walks and lingering sax phrases.

With sEx, DA-PHONK continues to defy form and function. The track, it’s an obsessive loop, drenched in repetition and dark minimalism, feeding on energy rather than melody.
The instrumental feels endless, as if it were designed to be stuck in a memoryless mind, pulsing into oblivion. Layered over this are cryptic vocal elements, slightly alien, heavily filtered, and never fully human.
Then comes the twist: a short, jolting final segment made from fragmented TV soundbites about the word “sex” reminding us how distorted, empty, and reprogrammed human intimacy has become in a media-saturated world.
This is not a love song. This is a coded message from another dimension, dressed in black and red.
Turn it up. Loop it. Lose meaning. DA-PHONK just dropped the most human track ever made by machines.

Battleworld takes its pulse from Marvel’s fractured multiverse, a realm where worlds collide, merge, and fight for survival. Earth-616 channels this chaos into dark minimal techno: metallic rhythms, echoing kicks, and hypnotic grooves that feel like stepping into a cosmic arena, where every beat is a battle and every drop a decisive strike.

Hala

Romantic but edged with absurdity, this track feels like a dream slipping between sweetness and doubt. Gentle chords and soft percussion underline a refrain that’s both lovely and bittersweet. Cute on the surface, but layered with deeper shades.

Blue

Lovely Things

A fable turned song. The black dog and white whale imagery turns into street philosophy, delivered over a deep jazzy groove. Boualem sings like a narrator. Sax solos weave in, adding to the quiet menace.

The Black Dog

Moody and reflective, built on slow bass walks and lingering sax phrases.

North African Jazzy Laid-back Drift

Carthage

Ghostly textures float above a heavy groove, folklore meets rave.

man on acid.

lakeland spirits.

Burning metal in the sand, smoke fading into the sky. An open wound in the desert, hidden yet alive.

The Crash Site

“2068: Return the Earth” emerges as a stark cinematic vision, born from the union of Earth-616 and Zubida under the banner of 12.3 Khz. The track drifts in minimal dark techno textures, where metallic pulses and spectral whispers sketch a future both fragile and immense. Voices unfold like fractured prophecies: towers against soil, machines against roots, humanity confronted with its forgotten origin. In this radio version, every beat is a signal, every silence a fracture, as if techno itself becomes the language of those who came to reclaim what was once theirs. This collaboration is not just a track but a signal of what may grow into a full shared album, expanding the cinematic horizons of both artists.

2068: Return the Earth

Love Is...

Red Cheeks

🎷 Basement Blues – Lounge Jazz Café Collection

Basement Blues sinks into the warm glow of lounge jazz and café-style blues, a soundtrack for dim corners, clinking glasses, and late-night conversations. 🕯️🍷 Smooth saxophone lines, mellow piano chords, upright bass, and brushed drums flow together to create an atmosphere that’s both intimate and timeless.

Each track feels like a smoky evening in a tucked-away jazz bar, where the music lingers in the air like perfume and stories unfold slowly. Perfect for unwinding, studying, or savoring a quiet night with good company. 🌙🎶

Silent Corners

12.3 kHz is an electronic label connecting ten projects in one shared universe from cyberpunk trap and acid techno to darkwave and kawaii glitchcore. Strong concepts, bold visuals, and high-impact production. Each release is its own world.

Carthage

12.3 Khz

Recent comments

Jamie Rhind

Related tracks