thank you truly ive been waiting for this one

p*dis sampler 2017.02

Second track from an album Music For Quiet Mornings, artist Endless Melancholy, release date 12/03/2012 (on 24/06/2012 released as a limited to 100 copies edition CDr on Preserved Sound label).
Also used as a soundtrack to a short film "Still Here", directed by Yeah Yeah Creative (2013, USA), trailer here - http://vimeo.com/61143278

Silent Dawn, Grey Twilight

Suspended Silence

Ethereal Journey

A liminal and haunting journey into a world where the last wish lingers in the shadows..
stream/buy: https://fanlink.tv/lastwish
follow me:
instagram: www.instagram.com/inlirium/
spotify: open.spotify.com/artist/066MLijKpVu3cOFCn0H4Ib
apple music: music.apple.com/artist/1792832539
youtube: www.youtube.com/@inlirium
soundcloud: @inlirium

last wish

stream/buy

'Creatures were born in the ocean'

This track is quoted from EP 'cmyk' released to celebrate the 6th anniversary of element perspective's establishment.

Free downloading EP is from a link below.
https://elementperspective05.bandcamp.com/album/cmyk

Written, mixed, mastered by Hidekazu Imashige
Cover photo by Hidekazu Imashige
Artwrok by ono

Free download EP

In the Lens, Solo Andata’s fourth full-length album, was born from recordings found in the interstices of decades-old hard drives, lost email threads from disused accounts, and forgotten samples recorded on cassette dictaphones. These fragments were combined and re-worked with newer elements to create an album very much in the spirit of the band’s debut Fyris Swan (Hefty Records, 2006), an album touched by both folk and jazz and swathed in a dusty, narcotic haze.
Solo Andata’s Kane Ikin and Paul Fiocco have always pushed aside the digital studio in favor of a more haphazard and hands-on workshop vibe to their productions. They prefer near-broken acoustic instruments, cheap microphones and, as can be witnessed by their live performances, tend to turn anything they can get their hands on into a beautiful sound-making object.

While there is a raw and guileless nature to the duo’s sound it is precisely this that makes their music so powerful amidst the over-produced cliches of much modern music. The beauty of their work is how simple instruments and objects can be physically manipulated into creating such rich, layered sound. Dark, swaying, almost-looped melodies from piano, woodwinds and horns wrap themselves in smoky obscurity around remnants of percussion and warm beds of noise and the world around us.

In The Lens is very much a late-night record, reflected in the rain-soaked cover imagery, dripping with half-forgotten memories. Jittery yet calming, rhythmic, yet unhurried, it leads you down its dark corridors to a soft resting space. Ikin and Fiocco have created a new story around the chemistry of their creations that were taking place during the early days of their musical explorations.

In The Lens

Leaden Sky

This track is quoted from the album "
the same old story".
Listening to all tracks of EP and purchasing are available on a link below.

https://gallerysix.bandcamp.com/album/the-same-old-story

written, mixed, mastered by Hidekazu Imashige 
cover photo, design by Hidekazu Imashige

Buy CD

Lazy Morning

from the album 'cinderland' available 3/10

Cinderland

high plains 'cinderland'

Pre-order 'Eternal Something' on Vinyl, CD from our store: http://www.erasedtapes.com/store/releasetracks/153/ERATP094
And digitally here: http://phonofile.link/eternal-something

"I started recording 'Kale Me' at my home studio while our washing machine was going wild in the bathroom. It sounded like a huge rave break. I instantly set up a microphone, recorded a full cycle and implemented it into the song. The washing machine stopped working right after the recording and never made any sound again. I was pretty lucky." – Daniel Brandt

Daniel Brandt, co-founder of Germany’s electroacoustic ensemble Brandt Brauer Frick, joins the Erased Tapes family with his solo debut album Eternal Something – released worldwide on March 24th 2017. 

What started off as a more simplistic idea soon evolved into something a lot more complex as the London and Berlin based music producer travelled across the world, experimenting with various other artists and different instruments. From his father’s cabin based in the German countryside with access to nothing but cymbals, to being surrounded by guitars in Joshua Tree, his unexpected journey soon progressed into what became his first solo album. 

Daniel played nearly all instruments himself with the only exception being fellow musicians Florian Juncker on trombone, Manu Delago on hang drum and Andreas Voss on cello. Using his Berlin studio as his main base for recording, Brandt created an album that encapsulates the idea that despite setting out with a particular creative vision, external influences and environments will always shift the process, and create an Eternal Something.

Words from Daniel, January 2017:

“The initial idea was to make a cymbal album. I wanted to surround myself with all types of cymbals. I locked myself into my father’s cabin in the woods for three days. That was the moment I realised it was not possible for me to make an album just with cymbals because other ideas and instruments imposed themselves on me. I had a clear sense of what I wanted to do now. The intention was to let the songs evolve by themselves and not edit too much, keep it raw and have an explosion-like energy to them. I wanted to create a different sound, songs that build up like dance tunes but don't feel like club music at all. Travelling around in California for two months gave me the possibility to deeply get into this concept outside my normal environment. Robert Raths, who served as a great motivator throughout the whole process (I guess he had listened to the record more than I ever had) came up with the perfect order for the songs. This record is about failing to make the original plan happen, but then the discovery of something I couldn't even think of before.”

Prior to being enlisted to create the album artwork, Iranian artist Shaz Madani coincidentally had also planned a trip to Joshua Tree where she documented her own experience of Eternal Something, forming the visual counterpart to the record.

TRACK LISTING

1. Chapparal Mesa 
2. FSG 
3. The White Of The Eye
4. Turn Over  
5. Kale Me
6. Eternal Something  
7. Casa Fiesta  
8. On The Move

Eternal Something

Daniel Brandt - Kale Me

Somi

Fenne

bandcamp : https://fumin-label.bandcamp.com/album/interior
iTunes : https://itunes.apple.com/jp/album/interior/id1226878067

2017/03/16 Release.
Hiroto Kudo - Interior

illustration: misayo yonai
Binding Design: ISAMYU
mastering: Pakchee
price: 2,000yen (without tax)
label: fumin.

track list:
01: Lovers
02: Hollow
03: Meander
04: Farside Of The Moon
05: Spell
06: Forgotten Place
07: Breathe
08: Missing
09: Phantasm
10: My Night

タワレコやHMV等の全国CDショップ、amazon等のオンラインショップでの取り寄せ・予約販売の受付を開始しています。

【2017/03/16 Release】Hiroto Kudo - "Interior"

Week 4  is taken from Sounds of a New Father, the new album by Olan Mill.

After the recent album on Unknown Tone Records, Olan Mill returns to Shimmering Moods Records. There is no doubt that the birth of a child is the most incredible, wonderous, and, frankly, miraculous event to be a part of. It’s the climax of the most complex and awe-inspiring biological processes, the most radical change the human body can go through and the most utterly emotionally over-whelming event possible. No wonder everyone involved is knocked for six....“The music was recorded in the moments after baby Alma had gone to sleep. All tracks were recorded using electric guitar and effect pedals. There was no post production or revisions to the original recordings. I was very tired while thumbing out these drones.....” Alex Smalley aka Olan Mill. 

Music written and mastered by Alex Smalley 
Original paintings by Alma Kemya Smalley 

Release date: 16.11.2018
Format: CD/Cassette/Digital
Order: https://shimmeringmoodsrecords.bandcamp.com/album/sounds-of-a-new-father

Olan Mill - Week 4

~ IIKKI 008 ~

music : Aries Mond
photography : Dmitri Markov
album/book : Cut Off
duration : 37.55 mn
date : March 2019

edition : 
vinyl : limited to 300 copies hand numbered 
cd : limited to 200 cd (glass mastered) hand numbered
book : limited to 500 copies hand numbered + hand stamped

----------------------------------------------------------------

pre-order : February 18th, 2019 / official release : March 18th, 2019

----------------------------------------------------------------

Mastered by Taylor Deupree
Artwork by Dmitri Markov
Design by Sprflxgrfzm

----------------------------------------------------------------

Links :

https://www.ariesmond.com/
https://soundcloud.com/aries-mond
http://www.dcim.ru/
https://www.iikki-books.com/

----------------------------------------------------------------

℗ & © 2 0 1 9 - I I K K I - I I K K I 0 0 8

Aries Mond - Cut Off (album preview)

Originally released on 2016. Remastered version.

Written and Produced by Robert Farrugia
Remixes by SineRider and Warmth
Mastered by Ian Hawgood
Photography Alexander Kopatz
www.go70north.com
Archives60 // ArchivesCD41
Archives / 2019

Buy CD/Dig

Robert Farrugia - Relentless

My track from Past Inside the Present's Healing Sounds II compilation:
https://pitp.bandcamp.com/album/healing-sounds-ii-a-compilation-for-those-in-need

Walking Home In The Rain

from the "Music For Quiet Mornings" album.

Endless Melancholy - Simple Things

Independent label and distributor in Tokyo, Japan specializing in indie / underground music from Indie Rock / Electronica / Alternative, Ambient / Drone / Experimental,   Jazz / Crossover / Avant-grade, Techno / House / Disco, Beat / Downtempo / Dubstep.

We are here to seek new talent and inspire your music life. You can put your music in our dropBox or make contact with us via soundcloud. Any music and style is welcome and appreciated.

All music on this account is fully authorized by labels and artists. However, if you find contents infringing your copyright and the information is incorrect, please give us a notice. We'll act on your requests immediately. 



With over 100 physical releases since its inception by Taylor Deupree in 1997, New York-based music label 12k has decisively defined and developed the concept of minimalism in the realms of electronic music for more than a decade. Fusing elements from Ambient and Electro-Acoustic Composition with carefully arranged digital textures and associative micro-noises, the label's aesthetics revolve around a precisely-outlined, yet deeply emotional concoction of the technological and the organic. Eschewing the typical marketing mechanisms of the commercial music industry, Deupree has sculpted a platform whose influence today extends well beyond the confinements of the experimental community. 12k's integral approach, in which the label's instantly recognizable, elegantly spartan artwork enters into an inseparable symbiosis with the music, has created a timeless audiovisual language respected and appreciated all over the world.

Fenne

12k

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