a track made in 2007 for the wonderful label slaapwel-records

wouter van veldhoven - stukke rust

whenever we meet
it’s raining
green walnuts

Tanaka Hiroaki (1959–2004) was a Japanese poet from Osaka. A student of Hatano Sōha, he published many of his works in the journal Ao 青 (“Blue”), of which he became editor in 1979. In 2000, he founded his own journal, Yū ゆう.

Haiku by Tanaka Hiroaki (Italian)

Picture by Kevin Wang

The Naviar haiku music challenge invites artists to make music in response to a weekly assigned haiku poem. Participation is free and there are no limitations in the songs’ length or genre. To find out more and participate, visit https://www.naviarrecords.com/haiku-music-challenge/

SONG 124 - NaviarHaiku616 - Green Walnuts

LONELY LIGHTHOUSE SILHOUETTES OF A PAST LIFE

hyperbeatz vol. 1

hyperbeatz vol.1

ⱴŁηə3

A single 20 minute piece made from fragments of love letters. 
Special thanks to: Tanya Serisier, Lucille Calmel, Kjersti Andvig, Jurgen Ots, Nicola Carr, Jeanette Rhenstrom, Jimmie Peggie, Sarah Lamble, Maud OK, Paula Garcia Stone, James Webb, Marcos Filipe de Neves Ferreira, Malfada, Carolina Cunha e Silva, Flavio Derbekannt
This piece also contains an excerpt from Salomé Voegelin's Text score for writing a love letter.
This work is a longer version of a piece first made for BBC show The Verb, for their episode on loneliness.
Mastered by Simon Scott at SPS Mastering.

Where To Begin (excerpt) - Kate Carr - out April 28

Guest mix for faitiche's radio show on LYL - Temple of Faitiche, Nº20, 27 March 2020 

https://lyl.live/episode/temple-of-faitiche-20/

Hanno Leichtmann – Selbstbespiegelung
Else Marie Pade – Syv Cirkler
Andrés Lewin-Richter – Study No. 1
Fracture Mechanics – Pendentive
Katrine Ring – Den Politiske Håndvask 1
Boris Hegenbart – Wasser Studie
Marja Ahti – Chora
Hideki Umezawa – Still | Steel
Marcus Schmickler – Wabi Sabi (Part 4)
Boris Hegenbart – Wasser Studie
Nicola Ratti – Bn2
Daniel Majer – Tu Lip
Jan Jelinek – Framework 10 (Remix)
Mads Emil Nielsen – Buchla Sketch
Riviera Tape Stash – Strong Arm Baby
Ahnnu – Dovetail
Boris Hegenbart with Stephan Mathieu – S Anode M
David Moss – Terrain 3
James Sey / James Webb – Book Of Imaginary Wavelengths: Book 5
Mads Emil Nielsen – Framework 3 – 3
Andrew Pekler – Tuanahe

https://faitiche.de/blog/2020/03/25/temple-of-faitiche-march-2020

Temple of Faitiche 20 - guest mix

vertikal

Vinyl version: https://comphol.bandcamp.com/album/worn-2

~'Worn' was written in the summer of 2019 and was recorded using a Yamaha MT3X multitrack cassette recorder.
The cassette tape itself was an old cassette tape which I used to record voice memos on when I was little.

The recording process involved the recording of several sketches, which I then revisited and overdubbed every week over the course of 2019's summer.

Worn

Wading

Mastered By exm
Artwork & Design by Grid Pattern (www.gridpattern.co.uk)
Photo by Matthew Hampshire (www.matthewhampshire.com)
Music By Keiss

TR606 
released August 14, 2020
(c) Touched Revolutions

Buy Vinyl, CD, Digital

More Effects

Water Mirror

In The Pool

Jeremy Young recently released Filaments on Eliane Tapes, Moving Furniture's sporadic series of work inspired by the remarkable French composer Éliane Radigue. The series was inaugurated with a release by Kassel Jaeger back in early 2018, and after a long silence two new tapes have just been released. To mark this occasion, we invited Young to produce a mix. Like me, Young is an American living in Montréal, Canada, so it was also nice to discover some connections between us. Young works primarily with reel-to-reel tape and contact miked objects and has worked on a wide variety of projects including sound-poetry and audio-visual scoring. We at ACL have long been fans of Jeremy's solo work as szilárd, and especially his trio Sontag Shogun and their predecessor (The) Slowest Runner (In All The World). And so it is our great pleasure to present Je Suis Mon Absence.

More at: https://acloserlisten.com/2020/12/01/jeremy-young-presents-je-suis-mon-absence-mix/


TRACKLIST

00:00    ~          Pan Sonic - “Ahdin”

02:14    ~          Maggi Payne - “Apparent Horizon”

12:57    ~          John Butcher - “Willow Shiver”

15:53    ~          Lucy Railton - “Third Lament”

20:09    ~          Kaffe Matthews, Andrea Neumann, Sachiko M - “III.”

24:15    ~          Theresa Wong & Ellen Fullman - “Harbors Part 3” [excerpt]

30:59    ~          Vincent Gallo - “Sixteen Seconds Happy”

32:10    ~          Toru Takemitsu - “Twill By Twilight” [excerpt]

37:05    ~          Else Marie Pade - “Lyd & Lys 1960”

41:42    ~          Anestis Logothetis - “Fantasmata 1960” [excerpt]

43:43    ~          Cécile Cloutier (lu par Catherine Métayer) - “Solitude (1960)”

44:45    ~          Skin Tone - “An Absence / An Abundance Of”

53:16    ~          Mecha Fixes Clocks - “Give My Regards to Time”

56:43    ~          Godspeed You! Black Emperor - “Strung Like Lights At Thee Printemps Erable”

62:35    ~          Christof Migone - “( )”

64:10    ~          Sarah Davachi - “A Garden, An Orchard”

70:30    ~          Jean Schwarz - “Suite N” [excerpt]

78:43    ~          Pierre-Yves Macé - “Qui-Vive” [excerpt]

83:52    ~          Eyvind Kang - “Visible Breath”

Jeremy Young presents 'Je Suis Mon Absence.' [mix]

With over 100 physical releases since its inception by Taylor Deupree in 1997, New York-based music label 12k has decisively defined and developed the concept of minimalism in the realms of electronic music for more than a decade. Fusing elements from Ambient and Electro-Acoustic Composition with carefully arranged digital textures and associative micro-noises, the label's aesthetics revolve around a precisely-outlined, yet deeply emotional concoction of the technological and the organic. Eschewing the typical marketing mechanisms of the commercial music industry, Deupree has sculpted a platform whose influence today extends well beyond the confinements of the experimental community. 12k's integral approach, in which the label's instantly recognizable, elegantly spartan artwork enters into an inseparable symbiosis with the music, has created a timeless audiovisual language respected and appreciated all over the world.

In The Pool

12k

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