Juliana Kaiser's debut EP through Puddle is an ode to the 'Río de La Plata' with all of its sociopolitical & environmental contradictions. On it, field recordings from the river and its surrounding areas intertwine with subtle and minimalistic synth lines creating a gentle narrative where the listener is free to navigate the space and complete the landscape with what is suggested but not said.

Buy on Bandcamp!

Ancho es el mundo

This album unfolds as a sonic journey that blends electronic landscapes with experimental and atmospheric nuances, offering an immersive experience that moves between contemplation and rhythmic energy. Each track functions as an independent chapter, yet together they build a coherent narrative that reflects an emotional passage: from dawn to night, from stillness to expansion, from the intimate to the expansive.

The opening piece, **“Solitary Sequence,”** opens the door to an introspective world. Its minimalist and repetitive structure conveys the sensation of a pattern unfolding slowly, like a thought repeating in the mind until it becomes a landscape. It is a track that invites solitary reflection, where time seems to stretch and the sonic texture becomes almost tangible.

In contrast, **“Twilight Mosaic”** proposes a tapestry of richer and more colorful sounds, evoking the hues of twilight. The melodic layers overlap like pieces of a mosaic that shimmer differently depending on perspective. There is a play of light and shadow that adds dynamism while maintaining a meditative air.

With **“Winding Harmony,”** the album flows toward a more organic exploration. Its progressions recall winding paths that are never linear, generating a sense of continuous, shifting movement. The harmony twists and unfolds in new directions, reinforcing the idea of a journey in constant evolution.

**“Resonant Dawn”** offers a luminous respite, as if the listener awakens to a newly lit horizon. The resonance of the title is reflected in the spaciousness of the sound, which seems to vibrate in an open, hopeful space. It is a piece that balances delicacy with expansion, transmitting renewal and clarity.

Finally, **“Rising Syncopation”** introduces a stronger and more rhythmic pulse, closing the album with energy and vitality. The syncopation creates a constant tension that pushes forward, like a heart beating powerfully after an emotional journey. This piece elevates the ending, offering a vibrant and dynamic conclusion.

Taken as a whole, the album is an exploration of moods and soundscapes that shift between the intimate and the expansive. It flows seamlessly between meditative calm and rhythmic drive, constructing a narrative arc that reflects both introspection and vital impulse. Its richness lies in the ability of each track to stand on its own while simultaneously contributing to a greater story. In essence, it is a work that invites both attentive listening and full sensory immersion.



Chaos Doubt

August 2025 . The residency has just finished, heading home soon to start work on developing a couple of long format works from all the sound captures. 
These are the 3rd batch of 3 short sketches using field recordings captured around Montegiovi, Tuscany. With these little works I am experimenting freely with what can be produced from each days sounds - manipulating them and stitching them back together with the aim of producing a long format work at the end of the residency. I have done maybe 20 or so  since the beginning of August. The idea is to have them done by the end of the day (or night) then move on to something fresh the next day.
I am truly thankful for this opportunity that has been provided for me by the Salamanca Arts Centre in Tasmania and Cultivate Projects/La Baldi residency in Italy and The USA.
And of course the wonderful people of Montegiovi !

Tuscany Experiments - Final batch for now : )

Desire was made in dialogue with African, European and pop artists from around the world for Norient Sounds exhibition «Seismographic Sounds – Visions of a New World». The exhibition was hosted by museums and festivals in Germany, Switzerland and the UK (ZKM Karlsruhe, CTM Berlin among other places)

VIMEO: https://vimeo.com/137019344

DESIRE

Taken from the album 's/t' released as 2LP and Download

Jaap Vink 'En Dehors' (excerpt) (REGRM 018EXT)

'Tones mor' is taken from FWD24 - Rune Clausen 'Tones jul' 

Digipacks and digital available to purchase:
https://forwind.bandcamp.com/album/tones-jul

Forwind arrives at release number 25 with a trip to the Norwegian forests. Rune Clausen’s “Tones  jul”  leads the listener on a sinister trail through the thicket with a foreboding set of tracks that come winter ready from subzero Norway.

Tones jul  follows up the moods from his collaboration with Anders Brørby, “Mannen Faller”, a tribute to the long gone Norwegian forests, its animals and people living there in both fear and joy. Rune's Forwind debut is a darker and more anguished piece of work. Rune’s first solo album under his own name, is musically and thematically influenced by Norwegian folk music, ambient, ambient black metal, the rough and dark fates of 19th century people.

Tones jul

FWD24 - Rune Clausen - Tones mor

'Colour at Night' can be found on the compilation 'Solace' V/A on Vaagner.
https://soundcloud.com/vaagner
Available on ltd edition tape with special screen printed artwork and digital:
https://vaagner.bandcamp.com/album/solace

Colour at Night

from KR077 : die ANGEL - Utopien I . LP / DL out on april 24th 2020

Ilpo Väisänen : electronics & effects
Dirk Dresselhaus : electric guitar & effects
Oren Ambarchi : electric guitar & effects

die ANGEL -  Cargo Cult (feat. Oren Ambarchi)

A single 20 minute piece made from fragments of love letters. 
Special thanks to: Tanya Serisier, Lucille Calmel, Kjersti Andvig, Jurgen Ots, Nicola Carr, Jeanette Rhenstrom, Jimmie Peggie, Sarah Lamble, Maud OK, Paula Garcia Stone, James Webb, Marcos Filipe de Neves Ferreira, Malfada, Carolina Cunha e Silva, Flavio Derbekannt
This piece also contains an excerpt from Salomé Voegelin's Text score for writing a love letter.
This work is a longer version of a piece first made for BBC show The Verb, for their episode on loneliness.
Mastered by Simon Scott at SPS Mastering.

Where To Begin (excerpt) - Kate Carr - out April 28

From poking stove elements with pencils, to recording the ambience of a teapot, and playing balcony railings, mnk is an album which restlessly re-imagines everyday sounds. FenGi is the moniker of the Turkish sound artist Altuğ Kaptan, and mnk represents his extended examination of the vibratory and the resonant. It is an album which blurs the boundary between object and instrument, at one point Altuğ performs by simply opening and closing doors, at another he reworks recordings of the violin. Altuğ describes himself as someone who ceaselessly records sounds, seeking spontaneous moments amid the everyday. In his debut solo album mnk we discover an artist both courageous and frenetic, who sitting amid the boiling stove pots, and the sliding doors of his home finds music.

Mastered by Nima Aghiani
Art is the work Rug by Tuba Kaptan

dng - FenGi from the album mnk out July 3

from the album Borders and Ruins released on LP by Karlrecords

Mastered by Alexandr Vatagin
Vinyl cut by Rashad Becker at D&M, Berlin
Artwork by Joe Gilmore

Borders and Ruins

Exodus Mandala

Soon: Hiraeth by tarxun and Siavash Hakim out Nov 5
Latest:
Oblique by Corder & Yantis out Sept 17
Sounds of Mmabolela - Nikki Sheth - out Sept 3
The Yearning - Liz Helman
A Long Wait - Paula García Stone

Where To Begin (excerpt) - Kate Carr - out April 28

Flaming Pines

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