Name: may 29, 2015 (pianet, acoustic guitar & feedback) by 12k
Duration: 5 min 48 s
Description: here's a pretty lovely set of interacting loops.. made with a pianet and acoustic guitar. the looper is an eventide h7600 and the series of loops is going into a lexicon PCM81 reverb. i'm then creating a feedback loop between the lexicon and the eventide, feeding each one into the other and those slower sine wave sounds and pitched harmonics in the background are a result of that.

Wow. This is so lovely! Do you use any form of quantization when you do these loops?

Shades of "Failing Light" by Eno and Budd here... Only better.

LAWRENCE ENGLISH, Observation of Breath, LP

Release date - Sept 10th 2021
Catalogue nr. - HG2103
Format - Vinyl / digital
Hallow Ground

hallowground.bandcamp.com

Tracklist:
1) A Torso (10:01)
2) A Binding (06:05)
3) And A Twist (02:42)
4) Observation Of Breath (20:44)

Credits:
All organ recorded at The Old Museum, Brisbane July-November 2020,
except A Torso’s centre section which was recorded in 2016 on the same organ.
Performed and Produced by Lawrence English
Picture by Juan Valverde de Amusco, 1560
Design by Ruth Stofer and Greenpointless

///
Do you remember the last time you were breathing consciously? Either way, you are likely doing it now. On his new album »Observation of Breath« for the Swiss-based Hallow Ground label, Lawrence English worked exclusively with an organ for four compositions that are exercises in »maximal minimalism,« as their creator himself notes in a nod to Charlemagne Palestine, who coined this term. While it seems somewhat fitting that those four pieces based on a steady flow of air were conceived and recorded in a situation of accelerated standstill caused by a respiratory disease, the Room40 founder is not so much concerned with capturing the zeitgeist than rather incorporating the spirit of time itself. »It is a record about presence and patience,« he explains. Exploring the unique sonic affordances of a singular instrument, »Observation of Breath« is not only devoted to the durability of sound but also to its density. That it marks his debut on Hallow Ground after having shaped its sound by mastering most of the label’s releases in recent years is just as fitting then as its release following albums by Kali Malone and FUJI|||||||||||TA, whose innovative work with organ instruments have facilitated a rediscovery of their possibilities. 

English’s compositions however are neither directly indebted nor responding to these musicians. His exploration of the organ’s many facets started a decade ago when the composer was given access to an instrument built in 1889 that is presently housed at The Old Museum in Brisbane. After it had already played a crucial role on his seminal albums »Wilderness Of Mirrors« and »Cruel Optimism,« last year’s self-released »Lassitude« was the first record that English entirely composed and recorded with that instrument. »During the soft lockdowns, I spent many days playing to an empty concert hall, recording the pieces that became ›Lassitude‹ and then, this album,« says English in regards to an unfortunate situation that fortunately provided him with time and space—two major themes but also key qualities of the four new compositions. In this sense, he goes on, »Observation of Breath« resolves a number of the questions originally raised by »Lassitude.«

»The organ is an exercise in the observation of breath,« English explains the album’s title. »It is a physical breath, one that manifests both audible and inaudible waves of vibrations. The sheer scale of the instrument, its weight and the physical length of the pipes involved in producing the sounds we experience is nothing short of mind-boggling.« More importantly, the sound artist is fascinated by the organ’s ability to produce frequencies that exist at the sensory limits of human awareness—it’s at the edges of these limits that fascination can be found, he argues. »The particular organ that I work with comprises four manuals and 45 speaking stops and it has a tubular-pneumatic action,« he explains. »It’s the stops that are the focus of my interest. They are very specific and when manipulated in certain ways and in certain combinations, create a unique set of unsteady timbres that make it a remarkably intoxicating instrument to collaborate with.«

LAWRENCE ENGLISH - A Binding (HG2103)

Maps and Diagrams - Occupying Space

Pre-order now available: https://handstitched.bandcamp.com/album/upward-eyes-kindred

Handstitched* is thrilled to announce the next installment of the split-artist series, Ian Hawgood and Fields We Found feature alongside each other for an outing of outstanding musical composure and tranquility. 

Ian's music needs little introduction, with many releases and collaborations under his belt on numerous well-known labels - to say he's prolific is pretty close to the mark. Ian also curates the wonderful Home Normal label, here in the UK. "upward eyes" is seriene, slow-moving and hauntingly subtle, prolonged space fills the moments we frequently overlook and leaves time for reflection during a quiet time spent in an open space. We are honoured to have his debut EP "upward eyes" featuring on Handstitched*. 

Fields We Found has just released his outstanding album "Distance" on the lovely Seil Records, which has been on constant rotation here at Handstitched* over the past month - and the new EP "kindred" is equally as moving, graceful and bewitching. The equilibrium and expression within "kindred" is harmonious - and at the same time, quietly sonorous.

Fields We Found and Ian Hawgood are both welcomed to Handstitched* with many thanks and admiration for their respective musical works as part of the split-artist series, it's great to have them visiting Handstitched* for this special release.

Limited to 50 copies. Released on mini CD-r and sage green cassette with hand-made packaging, tape O-cards and unique designs for each CD package. [HS45/45T]. 

Released August 12.

Ian Hawgood / Fields We Found - upward eyes/kindred [HS45/T S4mpl3r]

https://rimetrails.bandcamp.com/album/ephemera

Ephemera

Their Shadows Went Before Them

Davachi/Smith - Live at the Omnimax Theatre, Science World
Vancouver, BC, Canada

New Forms Festival 14
18 September 2014

Sarah Davachi - Buchla 300, Roland Jupiter-8, effects
Richard Smith - Buchla 300, Roland TR-808

https://soundcloud.com/ava76

Davachi/Smith - Collaboration with Richard Smith - Live 9/18/14  - NFF14

here's a pretty lovely set of interacting loops.. made with a pianet and acoustic guitar. the looper is an eventide h7600 and the series of loops is going into a lexicon PCM81 reverb. i'm then creating a feedback loop between the lexicon and the eventide, feeding each one into the other and those slower sine wave sounds and pitched harmonics in the background are a result of that. 

may 29, 2015 (pianet, acoustic guitar & feedback)

Quitratue

Terrace dweller

snf09 : mark templeton "ocean front property" part 1

https://soundcloud.com/muzaneditions

https://muzaneditions.bandcamp.com/album/the-sound-of-mountains

Dream on the Retina - yolabmi (from The Sound of Mountains)

Souvenirs cachés / Innermost

Souvenirs cachés

With over 100 physical releases since its inception by Taylor Deupree in 1997, New York-based music label 12k has decisively defined and developed the concept of minimalism in the realms of electronic music for more than a decade. Fusing elements from Ambient and Electro-Acoustic Composition with carefully arranged digital textures and associative micro-noises, the label's aesthetics revolve around a precisely-outlined, yet deeply emotional concoction of the technological and the organic. Eschewing the typical marketing mechanisms of the commercial music industry, Deupree has sculpted a platform whose influence today extends well beyond the confinements of the experimental community. 12k's integral approach, in which the label's instantly recognizable, elegantly spartan artwork enters into an inseparable symbiosis with the music, has created a timeless audiovisual language respected and appreciated all over the world.

may 29, 2015 (pianet, acoustic guitar & feedback)

12k

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