Evening

Smooth jams

Porose

Flow

klaar vine

Feelgood 2

Nakamarra ft. Q-Tip

Taktiks ft JR - My Story (Get Free Riddim)

third track from "fragile"

release date 9/16/13

buy on juno: https://secure.juno.co.uk/products/505861-01.htm
redeye: http://www.redeyerecords.co.uk/asp/view_product.asp?id=47160

Drowning in you

#OFFTHETOPMUSIC THE BARS for the fans Bm2 coming dec 19th

Download

Yung Simmie - THE BARZ FREESTYLE

Prod Fwdslxsh & MD$ (@mdsxxx).
Mastered by abtMusic. 
Artwork by Taurean Roye.

Part of the LoveTheFree Mixtape https://soundcloud.com/kittycash/kitty-cash-love-the-free

fwdslxsh & MD$ - Got Me Saying

Buy on Bandcamp

Clockwork [Out on Bandcamp]

Elemental [Out on Bandcamp]

UTS Remix by my man @SevnthWonder
Follow @SevnthWonder

Juan Cristobal - Under The Sheets (SevnthWonder Remix)

Multi 6-channel field recording of a Jacobs ladder also known as the (high voltage traveling arc) which is a device for producing a continuous train of large electrical sparks that rise upwards. The spark gap is formed by two wires, approximately vertical in position but gradually diverging from each other towards the top in a narrow V Shape. When high voltage is applied to the gap, a spark forms across the bottom of the wires where they are nearest each other, rapidly changing to an electric arc. The sparks can burn through thin paper and plastic and start fires, and contact with the exposed high voltage conductors can be lethal. For this recording I used a Sound Devices 744T/Mixpre-D with the Neumann RSM-191A/S kit microphone recording at the base of the transformer channels 1/2, then two DPA 4060 lav microphones channels 3/4 placed at far left and right positions beside the wire rods to capture a nice wide stereo image between the electrical arcs. The third stereo signal was from the Zoom H6 placed at the source of the the electrical sparks near the bottom of the wire rods. All files recorded at 24-bit-96khz. Free Download

Multi-Channel Field Recording of a Jacobs Ladder aka (high voltage traveling arc)

Download: http://www.xlr8r.com/mp3/2014/03/oasis-edmondson-6am-version

Alpines - Oasis (Edmondson 6am Version)

Download: http://www.xlr8r.com/mp3/2014/04/malindi

TÂCHES - Malindi

Download: http://www.xlr8r.com/mp3/2014/04/selene

David Douglas - Selene

Download: http://www.xlr8r.com/mp3/2014/04/talento-matema-tico

Carisma - Talento Matemático

Taken from the album 'Votive Zero' released as LP and Download

Thought Broadcast 'Runaway Signal' (eMEGO 182)

Taken from the compilation album 'Traces Three' released as LP.
Recorded in 1975

Janez Matičič 'Hypnos (extrait de Trois Visions)' (REGRM 012)

Preview edit of Studies 7" Series (Pathway008)

Studies (co-released by FET Press and Desire Path Recordings), which aims to highlight the importance of collaboration and community, is a series of five 7-inch records wherein Cody Yantis, Nathan McLaughlin, Josh Mason, and Joe Houpert open this sonic dialog up to additional musicians: Olli Aarni, Norm Chambers, Anne Guthrie, Mary Lattimore, Brad Rose, and illustrator Chris Koelle. The end result is an exciting and varied survey of purposeful sound.

Studies 7" Series(Preview Edit)

i've spent so much of the month of april away from the studio. two weeks on an amazing trip to japan, one week, upon my return back, pretty much kept out of the studio by construction happening on the deck outside of it. mastering with table saws and boom boxes blaring out the door doesn't work so well. after that, my good friend corey (one half of the band illuha) came to visit for a few days and we were able to immerse ourselves in a, finally, quiet studio to work on some music. perhaps i should have uploaded some of our sounds and tracks during those todays… but today makes up for it.

during our recording sessions we found this particular bell that i have, not really a bell, more of a tube… sounded wonderful when bowed with a viola bow. we used it in one of our recordings.

tonight i brought the tube and bow back out and simply fed it into a looper i created (using vSigX a while back) on the eventide h7600.

this sound is the real-time creation of that loop from start to finish with the bowed tube.

Apr 29, 2014 (a bowed tube)

In the Transformations series, I record something and transform it in as many diffirent ways as possible. All sounds were created and designed using only the source recording of a wired toy.

Transformations #2 - Wired Toy

- AD020

Will Ward - Chorus Memory EP Out on 12" and digital 5th May 2014

@will-ward
@audiodoughnuts

Squeak

a modular loop.. bumped and scraped as it travels along...

May 02, 2014 (fractured modular journey)

WITS

the night before i left for japan a few weeks ago i plugged a module in wrong into one of my eurorack cases. burning ensued and i sadly fried 4 modules. among them was the mungo g0, a sampling/granular module known for its rather quirky behavior and expensive price tag. not exactly the module you want to be fried, considering it had to go back to australia for repair and cost nearly half the price of the module's new price.

anyway…. i finally got it back today and was eager to put it back to use. despite it acting differently on different days of the week (i swear the designer has built this functionality into the code somewhere) it can actually be coaxed into doing very interesting things…

tonight's sound comes courtesy of an OP1 being sampled into the g0 which uses an LFO to move about within the sample. it's going into an animated intelllijel korgasmatron filter and through a bit of make noise echophon delay.

the fun, however, comes as the signal is routed through a custom modified serge resonant eq where i carefully play with a feedback network.

this was an 8 minute recording, and some great (as well as explosive) feedbacks happened throughout the time. this bit i felt was free of the most uncontrollable feedbacks… so it's this i post.

a great little combination of modules that one could get a lot out of...

May 05, 2014 (mungo g0 meets serge resonant eq)

starting where i started yesterday… the mungo g0 recording and chopping up some OP1 playing. this time i took that g0 "loop" and recorded it into two loops on a modcan cv record, one of which was going to an animated intellijel wave folder to bring out some of the grit and grime. additionally there's some pops and filter modulations.

i feel like i can get a lot of mileage out of these few modules for very animated sounds. and, depending on what i initially feed into the g0, vastly different as well.

i think i'll keep playing...

May 06, 2014 (recorded, chopped, looped twice and filtered)

… same basic patching as last couple of days. different settings… different sources.

sources: guitar/ebow, noise

processing: mungo g0, modcan cv record, filters by pittsburgh and intelliljel, intellijel uFold, lfos by bubblesound and eowave.

final processing: serge resonant EQ, eventide h7600

May 07, 2014 (guitar / modular processing)

something simple tonight… 

sine waves ….. from the verbos harmonic oscillator

with individual control inputs for 8 harmonic sine waves.. not to mention individual outputs and various spread and tilt controls..

this is just the tip of the iceberg. a very simple demonstration of some of the evolving patterns that can be created.

the verbos is being modulated by 5 LFOs.


May 08, 2014 (verbos harmonic oscillator)

Support the EP: itunes.apple.com/album/saturne-ep/id863030767

Official Video: youtu.be/K0_Hq1kC-U4

Follow the band
facebook.com/littlefreakythings
@littlefreakythings

Follow the label
facebook.com/11headsrecords

Premiered on Les Inrocks: http://www.lesinrocks.com/2014/05/16/musique/carnet-electro-59-11504546/

Following on from their acclaimed debut ‘Nightfall’ - supported by everyone from Diplo to Skream to Claude VonStroke and Groove Armada - house producer extraordinaire Donovans and vocalist Mai Lan Chapiron team up for a second scintillating round of action as Little Freaky Things. What began as a chance MySpace meeting has led to a fruitful collaborative partnership
with a very exciting future.

‘Saturne’ is a slice of delicately crafted electronic pop that recalls the likes of Au Revoir Simone and Annie on the vocal front, and Hudson Mohawke at his more chilled in its sonic textures. Syrupy, heavily phasered lead lines glide atop booming 808 bass and warm, airy pads in sublime synergy, making for a classy slice of radio-friendly electronica.

Eero Johannes’ version slows the tempo down and injects a flurry of woozy, colorful synths to create a bonafide summer stereo slammer,

____________________________

Tout juste un an après leur 1er EP soutenu par la presse (Billboard, Les Inrocks, Mixmag, Elle..) et par leurs pairs (Gonzales, Yuksek, The Magician…), LITTLE FREAKY THINGS est de retour. La collaboration entre MAÏ LAN et Nicolas Nekmouche aka DONOVANS continue, cette fois-ci sous la forme d’un single : SATURNE.

Derrière ce titre spatial, se cache une balade « Cloud-Pop » qui nous embarque dans un trip halluciné, une ode à la légèreté empreinte de torpeur. Les arpeggios mystérieux élèvent l’esprit tandis que les boomers de 808 rappellent à l’ordre le corps avec son groove nonchalant.

Côté remixes, Nicolas fondateur de 11HEADS RECORDS maison mère de LFT, s’est entouré de la fine fleur de la musique électronique européenne et nous offre un instantané de ce qui ce fait de mieux sur le vieux continent, en la matière:

EERO JOHANNES, originaire de Finlande, il est la tête de proue du mouvement Skweee, qui mélange synthés chiptune et rythmique R’n’B. Découverte scandinave de la 1ère compile Sound Pellegrino, il ouvre les festivités avec sa funk venu du froid, qui donne à Saturne des allures de hit Pop futuriste.
___________________

ARTWORK by VIRGILE REBOUL

Published by UNIVERSAL MUSIC PUBLISHING & BMG RIGHTS MANAGEMENT

(p) & (c) 11Heads Records 2014

ITUNES

Little Freaky Things - Saturne (Eero Johannes Rmx)

tonight's sound is definitely a process-driven affair. i had an idea in my head and wanted to see it out, regardless of the outcome. it wasn't terribly complex but something i've been meaning to try.

this is another modular sound and the patching goes something like this:

verbos harmonic oscillator
pitch being sequenced by a turing machine that's being clocked from a bubblesound uLFO
4 individual sine waves out to the 4 inputs of an intellijel planar
eowave lfo modulating x and y axes of planar to crossfade between the 4 sine waves
mix out of planar going into a make noise phonogene, being looped
dry and loop output going into an intellijel uVCF bandpass filter being modulated by an e355 LFO which in turn is having it's speed being modulated by a sine wave following the clock rate.
everything is going through an ALM SBG which feeds an eventide H9 reverb.

some interesting things i think. it's sounding too harsh for me. i wonder what it would be like with some intellijel sine waves, from a dixie or a rubicon (neither of which i have, yet) which are really beautiful. i find the verbos sines to be a bit aggressive sometimes. i haven't fully explored why or a way around it.

May 30, 2014 (Pale Sinewaves)

Joe Garston
https://soundcloud.com/joegarston
https://www.facebook.com/joegarston
https://twitter.com/joegarston

Sheepy on Spotify
http://bit.ly/MrSuicideSheepSpotify

Download for free.

Joe Garston - Shylo

vote on HYPEM: http://hypem.com/track/24wcd/LP+-+Into+The+Wild+(Glastrophobie+Remix)+(Radio+Edit)+%7C
FACEBOOK: www.facebook.com/glastrophobie

Original: LP - Into The Wild


I do not own the rights for this picture.
All rights go to "Amy Rose Photography"
www.flickr.com/photos/amyrosephotography


FREE DOWNLOAD

LP - Into The Wild (Glastrophobie Remix) [Radio Edit] | FREE DL

After its release 12 years ago, 12k is very happy to welcome Shuttle358's beautiful Understanding Wildlife album to the catalog as a download-only re-release.

"What really makes Dan Abrams special is the sounds he uses and his approach which separates him from the school of clinical reduction and makes him reflect true human emotion in his music. An excellent follow up to 'Frame'. Gorgeous." - Boomkat

"Abrams uses a particular formula because it suits him and allows him to focus on other, more important things--namely, creating emotionally resonant music out of the residue of electronic noise." - Haunted Ink

(Original Press Release, Mille Plateaux, 2002)

Dan Abrams, aka Shuttle358, has made an unforgettable mark on the American electronic music community. His highly revered releases on the legendary label 12k and his release as Dan Abrams on Mille Plateaux (EFA 08099), have established Shuttle358 as a premier standout due to his wonderful ability to create fluent, natural sounding music in a category where clinical approaches to making music has dominated much of the clicks & cuts / minimalist aesthetic out there. Earning critical acclaim and a fanbase that has not forgiven him for taking almost 2 years to release this album, Mille Plateaux is proud to give this anticipated third installment in the Shuttle358 cycle the exposure that it deserves.

Truly magnificent in all means, Shuttle358 expresses his personal experiences and musical ideals about objects and forms that have carried through his whole life. Understanding Wildlife finds deeper meaning and attempts to contemplate the alienating way many perceive the world and act to it as strangers. The sounds of harps, bells, strings and synths give the listener the ability to relate more to the natural affirmation that strikes through Understanding Wildlife. Shuttle358’s makes melodies move and twist amongst unpretentious beats, relaxing and moving the listener in its emotional swell. Captivating.

Understanding Wildlife

Models Of My Life

BUY ALBUM NOW

today's sound started as an experiment in using the make noise wogglebug as a sample rate reducer... a trick of the module, which generally isn't known for doing that... where you can sample an incoming single based on the rate of a 2nd signal going in.

in this case i plugged the qubit nebulae into the wogglebug and sampled it with a waveform from the e350 oscillator. the pitch of the oscillator effectively becomes the same rate of the incoming sound, in this case, the nebulae.

the nebulae is in freeze mode and the make noise rene sequencer is sequencing the start/scan point of the frozen sample.

the whole thing goes into an intellijel korgasmatron filter to filter out some, but not all, of the harsher sample-rate-reduction effect. the signal is also being fed into a serge resonant EQ and a make noise erbe verb.

i play a bit with the pitch of the e350 to make those sweeping and bending sounds, which is basically turning the sample rate of the nebulae sample down and up.

the patch started as a simple experiment to try this use of the wogglebug out but i ended up being able to work out a nice looping sound by the end.

thank you to the excellent tutorial on this process by collin russell music on youtube, which is where i learned to do it:

https://www.youtube.com/watch?v=Pws9rY9kUhw

July 22, 2014 (deep travel (wogglebug as sample reducer)

Gas - Untitled #5

Listen to more 2CELLOS and get new tracks and live performances at www.youtube.com/2CELLOSlive

Listen to 2CELLOS on Spotify http://open.spotify.com/artist/6Fi8CHfO8WGtu3yO8c2Mc4

www.facebook.com/2CELLOS
www.twitter.com/stjepanhauser
www.twitter.com/lukasulic

Smooth Criminal

Granular

With over 100 physical releases since its inception by Taylor Deupree in 1997, New York-based music label 12k has decisively defined and developed the concept of minimalism in the realms of electronic music for more than a decade. Fusing elements from Ambient and Electro-Acoustic Composition with carefully arranged digital textures and associative micro-noises, the label's aesthetics revolve around a precisely-outlined, yet deeply emotional concoction of the technological and the organic. Eschewing the typical marketing mechanisms of the commercial music industry, Deupree has sculpted a platform whose influence today extends well beyond the confinements of the experimental community. 12k's integral approach, in which the label's instantly recognizable, elegantly spartan artwork enters into an inseparable symbiosis with the music, has created a timeless audiovisual language respected and appreciated all over the world.