A Colour For Autumn is the second in a series of editions from Australian sound artist Lawrence English that trace the experience of seasonal transit. Following on from For Varying Degrees of Winter (published by Baskaru), A Colour For Autumn reflects on and explores the transitory nature of Autumn - counterpointing the uniformity of the ‘term’ with the varied qualities expressed by landscapes in different countries.

Like all environmental phenomena, seasonal variation is highly localised, and expressed not only visually through vegetation etc, but also sonically as insect life, leaves under foot and fauna all change in response to the climatic shifts. Northern and southern hemisphere experiences of Autumn are strikingly different and it’s also this contrast which rests at the very centre of A Colour For Autumn.

Recorded between 2007-2009, this series of pieces acts almost as small auditory portraits of given spaces in the often gentle throes of Autumn - ‘Droplet’ for example features field recordings gathered in Notre-Dame De La Garde in Marseilles, capturing the infamous ‘Mistral’ wind as it blows the first cooler breezes of Autumn into the city in 2007. By contrast ‘Watching It Unfold’ measures a more Australian experience of Autumn - a series of open static phrases, shifting ever so slightly - a reflection of the slow changes of the season around English’s home of Brisbane.

Working with a range of analog approaches, A Colour For Autumn is a tonally rich affair, sourcing much of it’s sounds from a mixture of instruments, field recordings and assorted electronics. A Colour For Autumn also features contributions from New Zealand’s Dean Roberts (whose vocals adorn the opening moments of the album) and Viennese musician Christian Fennesz, who offers intricate clusters of electronics in ‘The Surface Of Everything’.

This is an album of subtle variation, graded hues and tonal warmth, all of which act as an invitation for the listener to consider their own localised transition of Autumn.

A Colour For Autumn

Watching It Unfold

Scars

Dropsonde

Dissolving Clouds

Argentinian musician Federico Durand returns with his 2nd full length album on 12k following 2016’s A Través Del Espejo (12k1085). Taking his already minimalist composition style Federico challenged himself by using only one synthesizer for this beautiful album of sparse, hypnotic dustiness. His talent for creating works of so much emotion out of so little attest to his concentration when working and his passion for the craft. La Niña Junco is a handwoven gem. Music with a humble origin and a deep resonating soul.  Famed Argentinian artist Lola Goldstein graciously illustrated the album cover, caputuring the idea of memory and object that is so infused with Federico’s work.

“Immersed in the beauty of the very moment, the songs for La Niña Junco were recorded in one take during two days, in a rush of inspiration. I used a small sound palette: one instrument, a Crumar Performer synthesizer along with two looping pedals and Roland Space Echo RE-201. The Crumar was my first synthesizer. I bought it many years ago and then gave it to a friend, who later lent it to my brother. After a very long time, I got it back when we moved to La Cumbre, a small town in the central mountain area of Argentina. As this instrument has a very limited but beautiful oscilator, it was rewarding to make small melodies using only its almost magical sound. I was enchanted to have the chance to play with my Crumar again: in many ways this album feels like returning to an early home. The electric noises of my old, broken keyboard, were an unexpected and musical gift and a humble proof of the passing of time.”

– Federico Durand, La Cumbre, 2017

La Niña Junco

Lluvia de estrellas

After a few hours of absorbing the calm of the lake, you're welcomed back to shore by the sound of rustling leaves echoing along the shoreline as you make your way to the canopy covered campground. The mid-day sun periodically shimmers through the treetops lighting up the forest trail inviting you to go and discover. Find the perfect place to lose yourself along the thousands of miles of pristine Michigan trails. https://www.michigan.org/hiking

ABOUT WINDY & CARL: As composers of Forest Trails, Windy Weber and Carl Hultgren began writing music together in 1993. They have since released numerous LPs and singles with labels such as Kranky Records. Windy & Carl create imaginary film scores – music for the movies in your mind. These days, their time is split working on new music, walking their dogs and running Stormy Records – their 20 year old record store in Dearborn, Michigan. http://www.stormyrecords.com/

More Info: https://www.michigan.org/puresounds 
Spotify: https://open.spotify.com/album/4IraxSJiP3P7561LUlNTrY 
Apple Music: https://itunes.apple.com/us/album/forest-trails-single/1459913776 
Amazon Music: https://music.amazon.com/albums/B07QLNYBP9?ref=dm_sh_e998-0bff-dmcp-c905-1aa13&musicTerritory=US&marketplaceId=ATVPDKIKX0DER 
Google Play: https://play.google.com/store/music/album?id=Bwusinmexbpbemdrztikabx3g5i&tid=song-Tydfow3rnkt2foqspszgqgs4xdy 

Executive Produced and Mixed by Blair French. Mastered by Eddie Logix.

Pure Sounds of Michigan

Forest Trails

Official Website

Windy & Carl - Forest Trails

Tomorrow Was the Golden Age

Warble

With over 100 physical releases since its inception by Taylor Deupree in 1997, New York-based music label 12k has decisively defined and developed the concept of minimalism in the realms of electronic music for more than a decade. Fusing elements from Ambient and Electro-Acoustic Composition with carefully arranged digital textures and associative micro-noises, the label's aesthetics revolve around a precisely-outlined, yet deeply emotional concoction of the technological and the organic. Eschewing the typical marketing mechanisms of the commercial music industry, Deupree has sculpted a platform whose influence today extends well beyond the confinements of the experimental community. 12k's integral approach, in which the label's instantly recognizable, elegantly spartan artwork enters into an inseparable symbiosis with the music, has created a timeless audiovisual language respected and appreciated all over the world.