Piano (2)

دشتِ‌سپیدِ‌رویاها

Another raucous start this week from Super Paradise, before some finely-crafted pop from Harlan leads us into the latest reggae tune from The Skints. A bit of a rarity here follows, with the Hip-Hop of Noname, before we get to the dance section. There's a middle eastern flavour to the tunes by Zomby, Gitkin, and Zenobia. Then it's back to R&B from the silky voice of Amber Mark, before we Cableboy takes us back out on the floor en route to the ambient/classical closer from Jakob Lindhagen. Pick of the week is Harlan' "Anyways", although it was a very close run thing with Noname, Zenobia and Super Paradise.

Apr 05 - Apr 11 2019

A selection of ambient, modern classical, and electroacoustic works for Spring 2019 (closed May 27)

Image by Robert Katzki 
Source: https://unsplash.com/photos/yKWuzGyVsBM

Field Journal | Spring 2019

Lunes 15 de abril 2019

NEW CALMN

'INSIDE LIFE' CD & Digital available > https://ampl.ink/vPY63
Cello: Julián Kancepolski
Analog Mastered by Ian Hawgood · Tokio
Artwork & layout CD by Andy Ruggia · Buenos Aires
"Inside Life immerses the listener into magnificently expressive modern classical realms, tranquilly minimal, yet exquisitely nuanced, abundantly poignant and delicately filigree, where stirringly pensive sadness is masterfully counterpointed with hauntingly embracing stillness, while intensely evocative ambient subtleties are deliberately permeated by yearning haze. A truly fabulous bravura performance by Bruno Sanfilippo and his guests!"  
Bruno is an Argentinian classically trained musician, producer, and composer based in Barcelona who writes for strings, piano, and electronics.  In 1998 he started as a producer for ad21, a personal platform and label. His Piano Textures series, started in 2007, is one of Sanfilippo’s most representative set of recordings, but he has also gained wider recognition in modern music – one of his piano compositions formed the basis for Canadian rapper Drake’s seminal hit, ‘Started From The Bottom’.
www.bruno-sanfilippo.com

Inside Life

Tea Leaves At The Botton Of A Cup

Select your platform

a winged victory for the sullen 'steep hills of vicodin tears'

Buy Now!

Behind

Ελένη Καραΐνδρου - Eternity and a Day - Theo Angelopoulos

Listen on Spotify

Touch // Rebirth

Emptiness

Second Touch // Royalty-Download Free

Listen / Purchase: https://lnk.to/dcad

Film composer and multi-instrumentalist William Ryan Fritch's long-anticipated double album, ‘Deceptive Cadence: Music For Film Volume I & II’ out now on Lost Tribe Sound.

It’d be a laborious task to run through all of Fritch’s many accolades, since 2009 he has released over 20 albums and composed music for over 30 feature films and more than a hundred short films. Lost Tribe Sound has been by his side since the beginning, releasing a few of his finest stand alone scores, including the critically acclaimed, ‘The Waiting Room’, ‘Eagle Hunters in a New World’, and ‘The Old Believers.’ Of course, LTS could boast for days about what a musical genius we believe he is. Yet, having written so many of these press rants for Fritch in our time, we’ll try to curb ourselves at the risk of preaching to the choir or sounding disingenuous.

That isn’t to say, Fritch isn’t well deserving of mountains of praise. We are honestly amazed that his film music hasn’t attracted the attention of more major motion picture studios. To date, Fritch has penned imaginative and impressive scores for narrative and documentary productions that run the gamut of most every imaginable genre and aesthetic. From raw and emotional films that uncover startling humanitarian and ecological crises, such as 2016’s Oscar-nominated short film ‘4.1 Miles,’ and National Geographic’s sweeping ’Into The Canyon,’ to eccentric and nuanced biopics and documentaries on figures such as Ursula K LeGuinn, Bill Nye and Johnny Cash. Fritch has found unique and artful voices for these wide ranging stories.

Most of those familiar with Fritch, know only of his albums as a singer songwriter or genre-elusive multi-instrumentalist, which truly represent a small fraction of the depth and range of his work. ‘Deceptive Cadence…’ gathers the most remarkable and memorable pieces from Fritch’s vast catalog of film compositions. Rather than filling up two volumes with half assembled film cues and fragmented themes, Fritch has gone to great lengths with ‘Deceptive Cadence…’ to make sure both volumes tell a story, build theme, and create a satisfying full album experience as good as any movie they may have come from. While this music once graced a particular film, show, or commercial, it has all been reimagined, reworked and made whole in post-production to complete the epic narrative of ‘Deceptive Cadence…’

Cover Image by Joe Borreson (http://www.dustclouddesign.com)

Deceptive Cadence - Music For Film Vol. I & II

Gut Level

Buy Album/Series

William Ryan Fritch - Gut Level (from Deceptive Cadence: Music For Film Vol. I & II)

From Glasgow-based composer and producer Richard Luke's LP 'Glass Island' out now.

CD/DL : https://orcd.co/glass-island
Spotify : http://bit.ly/EverythingaReason

Watch official videoclip : http://bit.ly/EaR-MusicVideo

Music by Richard Luke and Amira Bedrush-McDonald  
Mastered by Taylor Deupree at 12k Mastering  
Artwork by Mio Tsuchiya (cineca)

Glass Island

Everything a Reason

Stream/Buy (Album)

Richard Luke - Everything A Reason

Anyways

Together

The second single from Static Deviations. Full album on April 12

Bandcamp Pre-order: https://jamesonnathanjones.bandcamp.com/album/static-deviations
Spotify: http://bit.ly/fragmentpresave

Static Deviations

Fragment

Download

Played live at Esbjerg Ensembles event 'Since Brass nor Stone' in November.
The performance was livestreamed and recorded by danish national radio (DR P1). 

The tapeloop was made live on the evening and recorded when Esbjerg Ensembles string quartet played Brahms String quartet no. 1 in C-minor.
The recording was cut into a short tapeloop and played at half speed. 
I processed the loop through an mpc 1000, an A&H mixer and a tapeecho.

Hope you enjoy, and thanks a lot to Esbjerg Ensemble for the opportunity.

Hviledag - Tape opus no. 1

From my EP, "Some Place To Be".
Be sure to follow me on Facebook and Instagram to recieve the latest news and updates :)
Artwork: Masoud Hamed

Some Place To Be [Full EP on Spotify]

Lucciola

This June 7th, we're releasing Tom Adams' LP 'Particles' - a series of explorations for piano & electronics. 

▶ CD/DL pre-order + stream the lead single : https://orcd.co/tomadamsparticles

The Berlin based producer and songwriter originally did a small 'soundcloud only' self-release of the record in 2014, and we were stunned by the singular vision and voice present in each of the album's explorations. We're very pleased to be giving this record a worldwide release in CD format and on all digital platforms, with a new master by fellow Berliner / sound artist Martyn Heyne.

Particles

Particle VI

buy/stream 'Particles'

Tom Adams - Particle VI (Shadow & Light)

Illumination

Taken from the album Paces (Reworks)
https://1631recordings.bandcamp.com/album/paces-reworks

Jakob Lindhagen - In The Machinery (Aisling Brouwer Rework)

Restless Feat. Protoje

Artwork by Kyle Fabi
Mixed & Mastered by Lauren D'Elia

http://www.nonamehiding.com/

Song 32

Buy Here: https://wonderwheelrecordings.bandcamp.com/album/saint-claude-dash-chicha-nola

After introducing the world to the elusive named Gitkin last year with the release of his debut album “5 Star Motel”, Wonderwheel Recordings is back with another special 7” of two deeply funky, lo-fi globally influenced cuts from the travellin’ man himself. 

“Saint Claude Dash” with it’s 70’s disco influenced drum machine undertone brings in Middle Eastern & North African vibes on the melody, while shifting into an even funkier B section reminiscent of the Meters. 

Just a taste of the brand new album to come this year…or when the spirits will it.

Saint Claude Dash / Chicha Nola

Gitkin - Saint Claude Dash

Super Paradise
6:30

Music and lyrics by Super Paradise.

Recorded and mixed by Euan Hinshelwood.
Mastered by Pete Maher.

Cover by Francesco Roma.

Music Video: youtu.be/5rxYVUGqbfE

Full streaming: superparadise.bandcamp.com
Spotify: spoti.fi/2DdWm02
iTunes: apple.co/2GjR44Z

Released April, 2019

6:30

Islands, the new 3-track EP from Antarctic Wastelands is out now
+ Download & stream: https://echoes.blue/islands

Join Antarctic Wastelands!
+ Instagram: https://instagram.com/antarcticwastelands
+ Twitter: https://twitter.com/AntarcticWL
+ Mailing list: https://antarcticwastelands.com

Islands

Into Silence

Carried

Sparks

Cenes - Sparks

Rosary (Mrs Wilson)

Where We Were

Mind's Rest

Alight

Taken from the upcoming 2 x CD album 'The Book of Dusts' by Emmanuel Witzthum and E & I

Audio: Emmanuel Witzthum / Craig Tattersall
Poetry: Emmanuel Witzthum
Mastering: Ian Hawgood
Design: Daniel Crossley
Label: Fluid Audio

www.fluidaudio.bigcartel.com

The Book of Dusts

Emmanuel Witzthum - Book Of Shadows

A wonderful contemporary classical label.
Stephen McCauley, BBC Radio Ulster

Impeccable selections of both albums and artists.
Releases that are among the finest in the genre.
Stationary Travels 

A friend to artists and a force in the industry.
A Closer Listen

Jakob Lindhagen - In The Machinery (Aisling Brouwer Rework)

1631 Recordings