Tari Topeng Bali Kusuma Budaya

tabuh ratu ayu

Tabuh Topeng Bali

Gamelan Topeng Keras (Gianyar Ver.) Media Budaya

08 jauk manis

Jauk Keras

39 Topeng Dalem Arsa Wijaya

Topeng Djimat 
Udud, Agung Rai Musuem of Art | Date: 2011-08-03 | Tascam DR-100
Made Djimat Is one of the renowned dancers and actors of the great classical Balinese dance masters born in 1948 in Batuan Village. In his newly choreographed dance drama Kan Cing Wie, Djimat, who has long and solid experience of dancing behind him, re-interprets ancient legend into Topeng Mask theatre and in a very selective manner expresses its beauty in secular theme so that they may be better appreciated. 

Story KAN CING WIE 

Act 1. Topeng Tua (The Old Mask Dance) presents an old character without dialog. 

Act 2. Two comic servants, Penasar wearing a half mask and Wijil appear onstage. After brief dancing, they eventually pay a gesture to their master, the King Jayapangus, presented by Topeng Area Wijaya. Jayapangus intends to survey the world outside with his servants. 

Act 3. The Topeng Keras violent character presenting the Prime Minister appears on the stage. He receives special privileges to temporarily safeguard the royal court while the king is away. 

Act 4. Four performers wearing master resembling the villagers appear on the stage expressing their daily routines through dance and pantomime. 

Act 5. Two Legong Dedart performers appear on the Uie stage representing two spouses of King Jayapangus, Dewi Danu, and Kan Cing Wie. The two spouses are permanently in a state of warfare over Jayapangus. The unsettled quarrel ensues into an endless duel fight. 

Act 6. A performer wearing a mask of Topeng Sidakarya resembling Dewi Dami's mother, Bhatari Batur, comes forward in fury intervening with them. Under Bhatari Batur's spell, Jayapangus and Kan Cing Wie immediately lum their appearances into Jero Gede and Jero Luh, the male and female giant puppets named Barong Landung. 

Act 7. The Barong Landung. the transformations of Jayapangus and his Chinese mistress Kan Cing We, though previously being punished are bestowed with magic power and required to guard and protect villages and villagers from demonic influences and thus they are honored as magical sacred effigies.

Topeng Djimat – Balinesischer Maskentanz

Tabuh topeng tua,topeng keras dan tabuh sidakarya.mp3

TABUH JAUK MANIS-JAUK KERAS-Dan Tari PUSPITA SARI.mp3

Topeng_tua_versi_baru-dance.mp3

Jauk Keras

17 054 IDA WIDHYATMIKA