Basic Soul Unit - You Knew (Deep Mix)- Dolly 21

Basic Soul Unit - You Knew (Deep Mix)- Dolly 021

Sleep deprivation

Magnetica

A. Kat Race
B. Alarms Cyclone

Overview
Jeff Mills’ “The Bells” is one of the most iconic tracks in techno history, often called the genre’s anthem. Known for its hypnotic bell melody, driving kick, and euphoric build, it became a staple in DJ sets worldwide. The track was first played live by Mills in 1995 (e.g., at Liquid Room in Tokyo), but it wasn’t officially released until 1997 as part of the Kat Moda EP on his Purpose Maker label. This EP is the original record pressing you’re asking about—no standalone “The Bells” single exists from that era. It has since been repressed multiple times due to massive demand (over 500,000 copies sold across versions).


Original Pressing Details
* Release Year: 1997 (though the track dates to 1995 performances and test pressings)
* Format: 12” vinyl EP, 33 ⅓ RPM
* Label: Purpose Maker
* Catalog Number: PM-002
* Country: US
* Pressing Notes: First pressing on standard black vinyl. Matrix runouts indicate a repress or variant: A side - PM 002-A (RE I) NSC; B side - PM 002-B (RE I) NSC (etched, with NSC circled). The mastering has been criticized as “shit” by some collectors for its raw, unpolished sound—typical of ’90s techno but quieter than modern represses, often requiring gain boosts in DJ sets. Sold out quickly at shops like Cisco in Tokyo upon release.

Tracklist
Side	Track	Duration
A1	The Bells	4:46
A2	Kat Race	4:22
B1	Alarms (aka “Masterplan” in later compilations)	5:32
B2	Cyclone	4:48


* 	•	Production Credits: Written, produced, and edited by Jeff Mills. Published by Millsart/BMG-Ariola.
* Why Buried on an EP? Mills reportedly avoided hype-sticker promotion to let the track’s organic popularity (from crowd reactions) drive sales. Purpose Maker was for floor-focused material, contrasting his experimental Axis label.

How to Identify an Original Pressing
* Visual Cues: Gold-on-black label design. No “10th Anniversary” or remix mentions. Check for wear from heavy club play—originals often show it.
* Sound Cues: Raw, dynamic mix with prominent kick and bells; lower loudness (not -5 LUFS like some digital remasters). Test pressings exist but are rare and unnumbered.
* Value (as of Oct 2025): $20–$50 USD for VG+ condition on Discogs/Reverb; mint originals can hit $100+ due to collector demand. Recent sales: Median $30–$40.

Later Versions and Represses
The track exploded in popularity, leading to reissues. Key ones:
* 1999 Repress: Same EP format (PM-002), minor matrix tweaks. Often mistaken for original.
* 2006 (10th Anniversary): Standalone 12” on Purpose Maker (PM-020). Includes reworked B-sides (“Gift of the Hills,” “Circus”). Louder mastering; promo versions exist. ~$15–$30.
* 2006 DVD Edition: Axis (AXDV-002). Enhanced with visuals from 1997–98 footage; limited audio/video hybrid.
* 2019 Remaster: On Sight, Sound & Space compilation (Axis). Cleaner, higher fidelity; first vinyl appearance of orchestral “Blue Potential” version.
* 2025 Remaster: Digital-only (e.g., SoundCloud edits); no new vinyl confirmed.

If you’re hunting for an original, check Discogs for verified sellers—avoid fakes by matching matrix numbers. For audio, stream the 1997 version on Beatport or Spotify. Got a specific copy or need value check? Share details! 🔔

Recording 14-10-25, 11.40.33 am

Out now on vinyl-only:
Juno - http://bit.ly/_RSPX01
Decks - http://bit.ly/RSP_X01

Rekids introduces a new vinyl only series titled Rekids Special Projects. A more techno orientated division of the label that will feature appearances from the likes of John Hester, Markus Suckut, and DJ Deep amongst others.

First up is Ohio-based producer FBK, real name Kevin M. Kennedy, who has a career spanning three decades and after a seminal release on Frictional Recordings back in the 90's recent releases have seen him appear on labels such as Marcel Dettmann Records, Barba Records and diametric.

Intricate drums and jagged synths initiate ‘You Are Not Fixed’ whilst a looped sample recurs throughout the mix. ‘Dynamonium’ then enters deeper territories as echoing stabs join a low slung meandering groove before ‘Set It Free’ ups the energy with rumbling kicks, distorted vocal murmurs and tantalizing melodies. ‘The Final Escape’ then closes the release with a syncopated drum arrangement, mesmerising chords and ethereal atmospherics.

TRACK LISTING
 
A1. FBK - You Are Not Fixed
A2. FBK - Dynamonium
B1. FBK - Set It Free
B2. FBK - The Final Escape

Buy Now

A1. FBK - You Are Not Fixed

READ > inverted-audio.com/premiere-hakan-lidbo-sustain-omar-santis-remix

Fledgling label @envelope-audio are only two releases deep yet already seem to be working on an interesting conceit. The double header isn't a brand new concept by any stretch, with this release seeing fellow compatriots Omar Santis and the ever reliable veteran Håkan Lidbo on the billing.

Sustain EP

Håkan Lidbo - Sustain (Omar Santis Remix) [Envelope Audio]

‘Paul’s Horizon’ – @Ryan-Elliott’s first EP in six years – falls musically between Berlin and Detroit, between house and techno and between hypnotic repetition and unpredictability, revealing a subtle ear for groove and composition.

It’s the DJ’s perspective that has informed the Berghain / Panorama Bar resident's own analogue productions, with ‘Paul’s Horizon’ turning its focus toward deep and slick percussion. This is apparent from the get-go, with the title track’s triangle/clap interplay, funky 5-6 kicks per bar, and bleary-eyed atmosphere. From there “Martinsville Morning” slows down into an understated sunrise groover, led by bassline, strings and pads. EP closer “Grafton Road” turns up the pace again with gasps for hats, aggressive punctuating snares, and a modulating synth bubbling-up throughout.

Paul's Horizon

Grafton Road

Buy 12"

Ryan Elliott | Grafton Road

OUT NOW DIGITALLY: http://lnk.to/jameswelshPH95

James Welsh continues his run of exemplary club singles on Phantasy with another powerful and uncompromising two-track release, Sitting/Rubber Dog. The record follows D974, which earned support from DJs including Laurent Garnier, Charlotte de Witte and Luke Slater.

Sitting enforces precision rhythm with a rolling, dystopian bass line alongside a hypnotic and memorable vocal sample. As the tension increases, the track’s clinical feel is unexpectedly flipped on its own head, blossoming into an intoxicating and emotive synth melody.

Meanwhile, Rubber Dog stays true to its absurdist title, as Welsh dials his analogue assistance to a head-spinning maximum, pulping out an unwieldy jam that blends industrial and electro influences to riveting and darkly psychedelic effect.

Sitting/Rubber Dog

Rubber Dog

Taken from his 'Big Mouth' EP. Buy/Stream: https://17steps.lnk.to/BigMouth

Big Mouth

Buy/Stream

Joris Biesmans - Big Mouth

Buy/Stream: https://17Steps.lnk.to/OneOneOne

Jolt

Out now on Rekids: lnk.to/REKIDS173

Spencer Parker returns to Radio Slave’s Rekids with ‘The Theme’ EP, the DJ/Producer’s most distinctive single to date.
Comprising three originals and a remix from Pink Concrete, ‘The Theme’ EP sees the Berlin-based Brit known for blending house, disco and techno delve further into his ‘80s new wave influences hinted at in his recent ‘The Love And Sex’ EP for HE.SHE.THEY.
First track ‘Theme’ is Parker at his most musical. With simple piano licks, digital strings and soaring choral swells, this is an anthemic piece that oozes class. ‘Radio Waves (After Dark)’ sees staccato synth leads play off a pulsing bass while the titular vocal sample and aesthetic recall some of Parker’s work under his lauded It’s Not Over pseudonym. Closing the originals is the arpeggio driven ‘The Work Out’, an undulating late-night cut displaying Parker’s penchant for high energy arrangements.
Prague’s Pink Concrete rounds out the EP with a driven but melodic techno interpretation of ‘Theme’.

Spencer Parker

The Work Out

Spencer Parker - The Work Out

Record label founded by Dusky 2014

https://17stepsrecordings.com/

Demos: https://17steps.ffm.to/demos

Jolt

17 Steps