Further Information: bleep.com/features/bleep-mix-215-mmm

"A mix of tracks we think have a connection to our album 'On The Edge' because they share its spacious and restrained atmosphere. Some had a strong influence on us. Burials voice processing was a reference while working on 'So Nigh'. So was the ghost voice in Shriekback's 'Evaporation' for our track 'When Does Ghosting End'. The Wailers Band's 'Higher Field Marshall Dub' highlights the influence of reggae on some of the album tracks. We love the distorted sound and masterful minimalism of this track." - @mmm-berlin

Bleep Mix #215 - MMM

Robert Bergman - HEAT rave 19/03

Neptunian Influence, Fifty-Five | Featuring @Ryote

Since co-founding @Kajunga, Minneapolis’ only skate-punk boy band/record label, Ryote has carved out a niche with his trademark squiggly brand of high-tempo slammers. Also a resident deejay of Intellephunk, this B-52’s historian with the most bounce per ounce knows how to lay it on thick while keeping things totally sleemin.

SUPPORT: http://www.kajungarecords.com/

| Tracklist |
Israel Vines - Nosedive (Ectomorph Remix)
Francois Dillinger X The Droid - Ill Logic
Hymns - Out Of The Head Into The Body
Morphology - Wages of Sin
Reptant - Shermanic Ritual
Huan Huan - One Big Bug
Sansibar - Absence Of Being
Zenker Brothers - Shaketown
Objekt - The Stitch-Up
Vardae - Layer 2
Stefan Vincent - You Taught Me How To Hate
Marcal - Manta Ray
Rayme - Netrunner
Marcal - Seroto
Realmz - Source Unknown
Sync 24 - Drunk On Delays
Synth Alien - Computer Slavery feat. Rawtary
Robodrum - Moja Córka Jest Robotem
Manao - Caña
Leshutler - Sabotage
Volruptus - Juggernaut Cosmonaut
All Trades - Heated
Greenwald - Terror Tool
DJ Karawai - Rtek
DJ GIRL - Untitled
WAVESENSE - AQUEOUS SOLUTION
WACHITA CHINA - TALKING SHIT G1RL
Yarn Init - Don’t Bother
Sketchy - Hit 'em With The Low Cut

Meet you in the Great Dark Spot <3

NI55 | Ryote

https://www.nts.live/shows/silent-servant/episodes/silent-servant-14th-december-2022

Optimistic Decay w/ Silent Servant 131222

Serge @ EDO8 Tribute live from @_studio_508_ Friday 20-01-2023 www.intergalactic.fm/channels/508

A mix up of old, new and unreleased Edo8 tracks by Serge.

Serge, Edo8 Tribute 20-01-2023 @ Channel508 IFM

Listen to Lena Willikens' set at Mutual Dreaming back in May + read a Q&A with resident Aurora Halal below.

How would you describe your music policy?

Mutual Dreaming has always been about obsessions of mine, the weirder music, and outlier artists. Its been all over the place from PPU boogie parties, DJ Stingray's NYC debut, Dr Rubinstein, etc, always with a similar spirit of playfulness. I'm never wanting anything standard or genre-abiding.  I saw the fliers and artist choices as a bat signal for people open to that.  Besides the guests, one of its goals has been giving local artists a proper stage, proper sound, and seeing that talent really flex & develop.

What makes a great party? 

A great party is a very elusive thing, only possible when all the details come together and form a collective unconscious that's bigger than any one element.  You can just feel it in the air, everything's churning deeper and feels unstoppable, and that's when personal transformation is possible. You can't always predict when it will happen. As an organizer I think you can help get it there by setting some things in motion, but after that it just unfolds on its own.

What does your party stand for, and how do you express that? 

I have a few half-joking mottos. 'Strictly for the freaks' is something my friend Max D said years ago. Coming from a very conformist city, DC, that has meant the music lovers & friends that you really had to work to find. In my dream world it would be full of people in crazy outfits, but to me freak means something more like a believer in underground culture, and that doesn't necessarily look cool.  The other motto is 'DIY the only way to fly.' Meaning: no sponsorship, nobody else producing it, no need for commercial success, all my projects are meant as a transmission from my imagination. This is really important to me.

 What’s the greatest problem facing club culture in your city? 

Dancing is technically illegal except for a few commercial clubs, so the nightlife I've been interested in has mostly been underground  in lofts and random spaces. There's always a risk of getting shut down, losing tons of money, and the safety and exits can be sketchy.  In recent years especially since the Oakland fire, I have been extra cautious and turned to more legal places, but I'm going back to the underground spots again.  Has to be that way if your tying to catch that feeling of a special space for one night only. Another problem is bros and finance people ruining the vibe, groping girls, etc. Occasionally I'll get discouraged, worrying it will never be the same, but you just have to keep pushing further into your zone and outrunning them.

What’s your favorite memory of the night?

After 7 years its difficult to pick a favorite but I guess I can think of a turning point. 2013, before Sustain-Release started, I had stepped back after a few unsuccessful nights and wondered the way forward if I would continue. I found an incredible loft with lots of strange rooms, and organized a party with new label at the time, White Material vs Vereker. The owner of the space was a weirdo, but as the hours got closer, it became apparent that he was never going to turn on the electricity. I googled him and realized he was an actual scam artist. The truck showed up with the soundsystem and it was now or never, so I called my old space 285 Kent which had ended its 4 year run the night before, so it was open and available for one last party. We roll up to find the toilets had exploded, and there's disgusting chunky brown water covering the entire floor.. we're mopping, and frantically setting up a huge parachute installation on the ceiling, and then the fog machine breaks. But after all that chaos, the result was absolutely pulsing with life force energy. It looked and sounded the best it ever had so far, the music felt new, and I glimpsed the power and potential of our scene, and since then the parties seemed more potent, focused and magic.

TASCAM DR-05

RA / Mutual Dreaming, New York: Lena Willikens (live 19.5.17)

Ron Morelli mxing live from La Station, Paris October 2017.
This originally aired on Intergalactic FM last month. Respect to the IFM crew.

Ron Morelli at La Station Paris Oct. 2017

Recording of an all nighter set for Rhythm Section at Corsica Studios 02.12.2017

Intergalactic Gary for Rhythm Section - Corsica Studios 02.12.2017

For the next episode we present an acidic journey through the familiar, yet unfamiliar realms of the uncanny. A special 2 hour and 42 minute presentation of psychedelia that recalls the dark corners of warehouse parties of a forgotten era, while at the same time, striking to the current core of modern jakbeat aesthetics. Further mind altering experiences are provoked and amplified by a delay pedal that runs its course from beginning to end, while making no apologies for its audible presence. And without further adieu, we present "Demented - Fluids of Acid Adrenaline, Uncontrolled with Endless Effects", a sound painting by, Traxx.

Traxx - Demented - Fluids of Acid Adrenaline, Uncontrolled with Endless Effects

L.I.E.S. boss Ron Morelli steps up with a dusty selection of synth funk, cold wave and grotty noise.

For more info head here: https://www.factmag.com/2018/12/18/ron-morelli-lies-fact-mix/

FACT Mixes

FACT mix 685 - Ron Morelli (Dec '18)

For Mozhgan's inaugural set at No Way Back, we used her magic energy to bridge the power of the Patrick Russell wild and heady wormhole experience with the undefinable freeform sleaze of Scott Zacharias, who began the Outer Space room. Her vibe is deep and mysterious, playing the music at a slightly slower tempo than others which just adds to the mesmerizing nature of her grooves, and highlights a profound emotional connection to the music. A perfect addition to the sound.  — BMG

video: https://youtu.be/6UUh79-ZBmA


No Way Back: Streaming From Beyond

A 36+ hour take on No Way Back, with 24 hours of the No Way Back room residents and 12+ hours of the Outer Space room immediately following. An excess of the mindmelting wormhole dance experience followed by many hours of floating in space and beyond. When we considered podcasting some sets, we decided to just release them all, one week at a time, in an order different than their original broadcast, with the concept of bringing further ideas with the continuum to light.

For us the toughest moment of the pandemic shut down was the thought that we could not gather on Memorial Day weekend for our annual rite of No Way Back. We need our community now more than ever, to connect and to feel free, in a world of shifting real and unreal realities, sequestered in isolation, how can we get together? Time feels different now, we have more patience for everything, so we applied that space for exploration to the sets at No Way Back, extending them to 3 hours so the DJs can fully explore their ideas.

The Electrifyin' Mojo would say "if you reach the end of your rope, just tie a knot and don’t let go" and this stream and podcasts are our knot. This was the first ever NWB without a defined space, without the transformational art of Amber Gillen and crew, let's hope we can get together in the future safely. Grab a little bit of netting or a parachute, turn on some red lights, move into another dimension. Please stay safe and live to dance another day.

Interdimensional Transmissions Podcast

Podcast

IT.podcast.s09e04: Mozhgan at No Way Back Streaming From Beyond 2020

Championing the new wave of electronic art.

FACT mix 685 - Ron Morelli (Dec '18)

180.Fact

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