This song will be one of my favorites. Never knew it existed until years after. 18+ 4evr

18+ / Trunks

Iney - oqbqbo

Koyaanisqatsi

BONDAID#7 FIESTA!
2015.11.22 sun before Holiday 
START : 23:30 at WWW Tokyo
ADV ¥3,000 | DOOR ¥3,500 | UNDER 23* ¥2,500

液状化するダンス、レイヴ、アートの融点。ダブの霧に身を潜めるミステリアスなロンドンの才女 Inga Copeland と“点描トランス”と称されるミラノの革新派 Lorenzo Senni を迎えた新感覚の屋内レイヴが開催！

Co La (Software)、Andrew Pekler (Entr’acte)、D/P/I (Leaving)、TCF (Ekster)、M.E.S.H. (PAN)といった世界各地の先鋭的な電子音楽作家を招聘してきた〈melting bot〉プロデュースの越境地下電子イベント〔BONDAID〕が第7回目のラッキー・セブンを迎えて送る祝祭“FIESTA!”を今年で５周年記念を迎える渋谷WWWにて開催。ゲスト・アクトはHype Willimas (Hyperdub)での来日パフォーマンスが大絶賛だったロンドンの女流電子作家Inga Copelandの日本初のソロ・ライブとミラノのサウンド・アートティストLorenzo Senniの〔Sonar〕でも評判となった“点描トランス”と称されるレイザーを使った、こちらも日本初となるインスタレーション“Oracle (神託)”。本公演は今年の6月に東京のLIQUIDROOMと大阪のCONPASSで行われたベルリンの実験／電子レーベル〈PAN〉をフィーチャーしたイベント〔PAN JAPAN SHOWCASE〕に続く、現在のイメージ化するジャンルと抽象化するダンス・ミュージックの坩堝を体現したコンテンポラリーな屋内レイヴ・ナイト。音楽、ダンス、アート、ファッションの先鋭がシーンを超えて集まった全14アクトでかつてない夜をお届けします。

LIVE :

Inga Copeland [ex Hype Williams  / from London]
Lorenzo Senni “Oracle Set” [Editions MEGO / Bookman Editions / Presto!? / from Milan]
Kyoka [raster-noton]
Metome
Renick Bell [Quantum Natives / the3rd2nd]
Koppi Mizrahi [Qween Beat / House of Mizrahi] 
& yumeka [OSFC] “Vogue Showcase”

VJ : Ukishita [20TN! / Nice Air Production]

DJ :

Toby Feltwell [C.E]
Sapphire Slows [Not Not Fun / Big Love]
Yusuke Tatewaki [meditations]
HiBiKi MaMeShiBa [Gorge In]
Hibi Bliss [BBC AZN Network]
Pootee
SlyAngle [melting bot]

#LEFTFIELD #ELECTRONIC #RAVE 
#TRANCE #DANCEHALL #VOGUE 
#TECHNO #GLITCH #GORGE #NEWAGE
#CONTEMPORARY #DANCE #ART

ADV TICKET OUTLET : 10.15 ON SALE

e＋ / WWW / RA / Clubberia
disk union (Club / Dance Online, Shibuya Club, Shinjuku Club / Honkan, Shimokitazawa Club, Kichijoji)

*23歳以下のお客様は当日料金より1000円割引になります。ご入場の際に生年月日が記載された身分証明書をご提示下さい。Under 23 get 1000 yen discount off door charge with Photo ID.

※20歳未満の方のご入場はお断り致します。年齢確認のため顔写真付きの身分証明書をご持参下さい。Over 20’s only. Photo ID required.

Info : WWW 03-5458-7685
B1F Rise Bldg, 13-17 Udagawacho, Shibuya-ku, 150-0042, Tokyo

主催 : BONDAID | http://bondaid.jp
制作 / PR : melting bot | http://meltingbot.net
協力 : Inpartmaint / p*dis | http://www.inpartmaint.com
会場 : WWW | http://www-shibuya.jp

Inga Copeland - Advice To Young Girls (w/Actress)

Jellisy

original: https://www.youtube.com/watch?v=E935Od_J4fw

Physically Sick

My Sorrow Is Luminous

Taken from 'Delete Beach', Mica Levi’s original soundtrack to an animé by acclaimed artist and Turner prize nominee Phil Collins, released on Demdike Stare’s DDS label. 

Following on from the maverick pop auteur and film composer’s European Film Award-winning score to 'Under The Skin', and her 'Jackie' soundtrack, this is Mica’s first musical accompaniment for animation, by revered designer Marisuke Eguchi, animated by STUDIO4ºC.

Delete Beach

Mica Levi - Interlude 2

For this compilation, original recordings and stems of “The Idealist”, a song on Soho Rezanejad’s recent full-length album Six Archetypes, were sent to friends and collaborators. What resulted are 25 wildly variant remixes by a community of artists.

The Idealist Compilation:
https://siliconerecords.bandcamp.com/album/the-idealist-compilation

The Idealist music video:
https://youtu.be/A8bn3zPrzrs

“The Idealist Compilation” by Various Artists was mastered by Miccel Mohr and released on Silicone Records, 2018.

The Idealist Compilation

SKY H1 & Soho Rezanejad - The Idealist

Eartheater — IRISIRI 
Format: LP/CD/Digital
Cat.No: PAN 86
Release Date: 08 June 2018
Purchase: http://p-a-n.org/product/eartheater-irisiri-pan-86/
BC: https://alexdrewchin.bandcamp.com/album/irisiri

Eartheater (aka Queens based artist Alexandra Drewchin) distills foley-filled digital production, a three-octave vocal range, and classical composition into works suspended between obsessively detailed sonic tapestries and almost recklessly romantic and gestural electronica. A body of viscerally emotive live performance stands alongside her recorded output, realized by her fearless physical investment and gut-wrenching vocal sincerity.

IRISIRI, Eartheater's third full-length record, lays out a shifting network of abstract song craft, laced with sudden structural upheavals and collisions of mutated tropes from numerous sonic vocabularies. Modular synth staccato plucks hammer out in arrhythmic spirals over a carefully muzzled grid of pumping kicks - unleashed in unpredictable disruptions.  Technoid stabs mingle with crushed black metal. An icy OS reads poetry against a bed of granular synth swells.  Drewchin's sirening whistle-tone vocals drape over relentless harp arpeggios. Eartheater confounds expectations of structure and resolution before deciding to thread in a sugary melody that snaps us back into some conception, however hazy, of pop songwriting. Guest spots on  IRISIRI charge Drewchin's ideas with concordant energies, from the stark imagist poetry of Odwalla1221 on Inhale Baby, to the sheer lacerating force of Moor Mother's unflinching verse on MMXXX.

Drewchin's lyrics, strewn with flourishes of wordplay and symbolism, explore themes of her autodidactic experience - playing with the tutelage of the ‘pupil’ within the ‘iris' mirrored in the palindrome  IRISIRI. One motif appears as a song name,  C.L.I.T., which Drewchin breaks down into "Curiosity Liberates Infinite Truth." The acronym stands as a microcosm of the Eartheater project in its holistic combination of idiosyncratic spirituality and cheekiness, presented with an earnest confidence that some could consider confrontational. In spite of this lexicon’s maximal effect, it comes from a very personal place as she states, “curiosity has had to be the currency of my education". On OS In Vitro, she reminds us that "These tits are just a side-effect," and "You can't compute her," as if to acknowledge the clouding effect of sexuality and technology in the face of a higher self-significance. In the record’s accompanying video piece, Claustra,  she slides between "the owning of my loneliness" and "the end of the loaning of my onliness”, encapsulating images of self-purifying 
isolation and the rejection of artistic exploitation with the flip of two syllables. The transmuting landscape of IRISIRI is riddled with evocative poetry and evidence of Drewchin’s development as an artist since her debut in 2015.

Drewchin performs and collaborates with art duo and close friends FLUCT. In February 2017, she starred in Raul de Nieves and Colin Self’s opera The Fool at the Kitchen. In April 2017, featured on two tracks from Show Me The Body’s  Corpus I mixtape alongside  Denzel Curry  and Moor Mother. She’s currently composing work for the contemporary chamber orchestra,  Alarm Will Sound, that will debut in May 2018. Her new live set sees her accompanied by the concert harpist Marilu Donivan.

The release is mastered by Rashad Becker at D&M, featuring photography by Elise Gallant.

@alex-drewchin
http://www.eartheater.solar/
http://www.p-a-n.org/

18+ / Trunks

eighteenpl.us

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