Hailing from Lower Hutt, New Zealand, Matt Adam is a dynamic force with a musical journey that spans continents and countless genres, captivating crowds with an arsenal of sounds from the freshest beats to those timeless anthems. 

While his sonic explorations are vast, Matt is particularly celebrated as one of the most influential hard house DJs to emerge from New Zealand in recent years, consistently delivering electrifying energy to dance floors.

From renowned NZ events like AUM NYE (showcasing his broader electronic palette), London Hardhouse Reunion, Fevah/Fahrenheit, and Meltdown to high-octane performances across the globe at events like Xstatic (Ibiza), Twist, Redliners (London), Bounce Factory, Shine (Birmingham), Rehab (Rarotonga), Beatwave, Melbourne HH Collective, Amped (Australia), and the unique vibes of Encoded and Filthface at Unity In The Sun (Greece), Matt's versatility and power behind the decks are undeniable.

Beyond his captivating performances, Matt is deeply embedded in dance music culture as a dedicated resident and co-promoter for influential brands such as the Vinyl Warriors OZ/NZ tour, Crank, Disturbed Nation, Meltdown Records, and online platforms like Twitch DJs, Atomic, TTLF, and Lockdown Legends.

Adding another significant layer to his artistry, Matt is also a dedicated producer with a self-produced album forthcoming in 2025, further expanding his impact on the electronic music landscape and adding to an impressive catalogue of releases already under his belt.

Music and more info here: www.linktr.ee/mattadamnz

Dilicious is a master of multi-genre musicality, bringing electrifying energy to every set. Renowned for her distinctive sound, she showcases a dynamic style that spans house grooves, deep tech, dark melodic techno, hard house, and tech house dance-floor fillers.

Dilicious has performed internationally and also regularly crosses the ditch for gigs in Australia. She has taken the stage at major events in New Zealand including AUM NYE Festival and Wine & Vibes on Waiheke Island.

In Auckland, Dilicious co-founded Lucid Underground, a leading house and techno event series that expanded to other regions in New Zealand and Melbourne in 2024.

With two decades of DJing experience, Dilicious has begun making waves in music production and her high-energy hard house tracks have consistently claimed top spots on Toolbox Digital charts.

Tom Finn / Brothers Ruin
Record Labels:
Atjazz Records, Flashmob Records, Cubism, Freakin 909/303, Disclosure UK, ZULU, Balance Music, Daylight Robbery, Nasty Funk, Sundaybest Recordings, Dark Rhythms, Mi7 Records, Build It Records, Westway Records, Switch Traxx, Ounce Records, Itch Records, Blacklist, Bulletproofsonics.  

Description

Tom Finn as an artist has taken in off in the last couple of years with tracks Signed to various labels Across the UK, Europe and USA, working with artists such as: 

Marshall Jefferson, Jungle Brothers, Duran Duran, D'banj, Lunacy Sound Division, Bedford Falls Players, Eraze The Dub Pistols, Dantiez Saunderson, Barber, Fancy Inc, Daff, Nina Schatz, Norris Da Boss Windross, Groove Addix, Scientific Funk, House of Virus, Scientific Funk, Alok, Elijah Collins, Nina Shatz Joe Le Groove, Alcatraz Harry, Ali Scott, MIke Frear (Slamboree) The Slacksons ,Gud Stuff

◾️ DJ & Producer 
◾️ Worldwide: bookings@yorkartists.com
◾️ Management: christo@brumanati.com

Concord Dawn -
New Zealand dude Matt Harvey is the man behind Uprising Records and Concord Dawn.
Matt also runs Uprising Records, which has released artists including Trei, Camo and Krooked, Psidream, State of Mind, Axiom, Pendulum,the Upbeats, Dose, Prolix and many more..... 


Once transmitted through speakers and into the airwaves, music belongs to the people. The audience ascribes meaning and significance to songs and ultimately absorbs them for life.

By the same token, SIX60 belong to listeners. The history-making award-winning New Zealand quintet—Matiu Walters [vocals, guitar], Marlon Gerbes [keyboard], Ji Fraser [lead guitar], Chris Mac [bass], and Eli Paewai [drums]—stir rock, reggae, funk, and pop together with a twist of kiwi roots music and Maori instrumentation. Invoking this spirit and Kiwi roots, their latest music and next evolution showcases traditional Maori instruments such as Pūtātara and Pūkāe (stone and long trumpets), Bone Kōauao (Bone Flute), and Karanga Weka (Stone Flute). “We want to take our Maori culture and put it into a mainstream radio world,” exclaims Matiu. “There are only a handful of people in the world who can play these instruments, and we felt getting them into a mainstream album could give them a chance to stay alive.”
Over a decade before breaking records and selling out stadiums back home or signing to Epic Records stateside, the boys then welcomed the world into their musical ecosystem and set a career precedent in 2008 while still students.

“At University of Otago, we shared a flat at 660 Castle Street in Dunedin, New Zealand,” recalls Matiu. “We originally didn’t name the band. Instead, our first college fans gave the band the name by calling us the ‘SIX60 Boys,’ which evolved into SIX60. We adopted this philosophy into our albums. The fans add the final touches and have naming rights over things we do. The songs aren’t done until the audience has them. So, the album doesn’t really have a spirit or a name until the crowd consumes it.”

As such, SIX60 engender a rare level of devotion from fans, bordering on downright phenomenal. The group’s 2011 full-length, SIX60 (I. The Gold Album), bowed at #1 on the charts in New Zealand and eventually went septuple-platinum. SIX60 (II. The Colours Album). saw them reclaim the top spot on the charts in 2015 and go quintuple-platinum. To date, New Zealand single sales exceed 1 million as global streams surpass 200 million and counting. At the 2018 NZ Music Awards, they garnered “Best Group” in addition to five other honors.

A year later, they made history. Performing their biggest show to date, they sold out Western Springs Stadium in New Zealand and became “the first New Zealand Act to Sell 50,000 Tickets to a Show at the Stadium” (They repeated the same feat for 2020!). The gig proved to be a major milestone both professionally and musically.

Ben Green 4 is following