Alec Chizhik was raised by a family of musicians, and their collective talent was imbued in his mind, body and soul by both nature and nurture. There was no escaping the music for this young talent.
His musical education proper began at the age of 5. He began 
his fascination with electronic music around 1994, when he started to join the dots between his love of Michael Jackson, stripped-down hip-hop, Detroit techno and progressive house 
music. 
He began producing his own music aged 15, pooling these disparate influences and uniting 
them through tribal rhythms, leftfield experimentalism, funk-driven basslines and atmospheric 
textures. Indeed, these are all key elements of his sound to this day – a heady, ethereal 
and soulful vibe running through his myriad productions. Back to the story though, and soon 
Chizhik is meeting like-minded music freaks and playing live keyboards in clubs alongside 
other machines and musicians as well as developing a taste for DJing.
Fast-forward to 2003 and Chizhik was applying his keyboard skills to the techno productions 
of fellow Munich inhabitants, and it wasn’t long before featuring on releases as a co-producer. 
In 2005 he graduated from the University of Munich with an impressive Honours degree, with 
producing now his raison d’être. 
Alongside his day job - working first for Universal and later Sony - the last few years have 
seen him produce official remixes for Kool & The Gang, Amy Winehouse and Jean Claude 
Ades, and release on some of Europe’s biggest tech labels like Great Stuff Recordings, Kling 
Klong and Electronic Petz. As his DJ career began to blossom in tandem, he landed gigs at all 
of his hometown’s best-loved clubs – including Harry Klein – and has made his international 
debut in New York too.
His sound is one rich in melody and atmosphere, fusing the age-old principles of machine 
techno and human soul, with an intelligence running through his productions that elevates 
them above the dreary, brainless glut of releases that fill the download stores of today. There’s 
a real sense of the genre’s history in his music, eschewing uber-modern over-technical 
showboating for a humanistic, warm and organic feel. Intelligent techno at its best.

Hi, my name is Mandragora, I am a time traveller from 1354, while I was looking for weeds in the forest I fell into a wormhole, I traveled through infinite alternate realities for like a year, after I got bored of all that cosmic stuff I decided to camp on year 2012, then I found this weird music making box and I knew something big was coming.


Bookings:
ianoche@usn-agency.com

Mandragora prefers to keep his name out of the light and go by the name of
“Neto”, hence the username @holasoyneto on most of his social networks.
Apparently born in the desert city of Chihuahua, located in the north of
Mexico, it was in this place where he decided to fully go into music,
enrolling at the local Conservatory but quickly dropped out to pursue a career
in music production.
While still studying in the Conservatory of Chihuahua he had access to a
computer lab which had GarageBand installed, he rapidly realised the
possibilities of digital versus paper. One day one of his classmates listened
to one of his compositions and said, “Hey, Neto, that sounds like Goa music,
you should play it at the local raves.”
Not long after being introduced to the local rave scene, he started promoting
different kinds of events for different kinds of audience, this served to
create a local community to introduce the “Mandragora” project to the world,
inspired by the local rave scene and the hip-hop ethos.
Having this school of thought led him to create “#futureprog” a sub-genre of
Goa trance based on the idea of ever evolving music, of trying to predict the
future, right now #futureprog is produced and played by many artists big and
small throughout the entire world.
This creation led him to move to Brazil for 6 years to join forces with Alien
Records, releasing several albums and successful singles, performing at
legendary festivals, inspiring a whole new scene of producers and partygoers
worldwide.
At the moment Neto is based in the south of France locked in the studio
creating hundreds of tracks, just released a new mini album and is back on the
road, always on tour, always getting those new tracks mastered and ready to be introduced to the world.

Contacts
 
For Management Enquiries:
Aude Malhere
aude@nowadaysrecords.com

For Booking Enquiries : 
Vincent Cron
vincent@bleucitron.net

Bio 
Fakear's electronic collages are inspired by influences as divergent but inspiring as the post-dubstep scene in London, and the films of Miyazaki. 
Having established a fervent fanbase in his native France, Fakear has gifted his globally-tuned dance music to an even larger audience after dates supporting Bonobo and ODESZA across the US and Canada. He’s made waves in the UK as well, garnering deserved notice from a consistently attention-catching figure herself—M.I.A.— who tapped the young phenom to produce tracks on her latest record and asked him to perform at her Meltdown Festival in London. His last record "Talisman" sees him tap in his old influences, but with the experience and techniques of his 10ish years experience in music producing.

Cura Con La Voz - Cantante Curativo.

Dirige círculos de canto y recepciones de Shabat, actuaciones y meditaciones, visualización guiada de las amazonas y círculos de fortalecimiento del corazón.
 Actuaciones y talleres de cantos de sanación del disco en proceso de formación en grabaciones y talleres de cantos y sonidos de sanación del Amazonas.

 Para consultas y pedidos: 011-972-52-600-4858

 Saludos y medicina 🙌

Zohar Dov (Bear) Moshe (Moses) Gafni

Zohar Gafni - Israel
‎מרפא בקול - זמר רפואה.
‎מנחה מעגלי שירה וקבלות שבת, הופעות ומדיטציות, דימיון מודרך אל האמאזונאס ומעגלי התחזקות הלב
‎הופעות וסדנאות שירים מרפאים מתוך האלבום בתהליך התהוות בהקלטות וסדנאות שירים מרפאים וצלילים מהאמאזונאס.

‎לשאלות והזמנות : 052-600-4858

‎ברכות ורפואות 🙌

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