A metamorphosis of the forgotten, reminiscent of deeply supplanted emotions.
Almost stagnant transformations from roughly textured surfaces into silky exteriors.
Indistinct laments of discomforted creatures from strange rituals of remote civilizations.
Processed obscure chorals of nostalgia blending in with the twisting rhythms of animal life.
Fragrance of ancestral swamps, layers of mist bedimming the twilight, 
A nondestructive examination of jjjacob's vision.

composition by @jjjacob
artwork by @jesperflinker
mastering by Joseph Morris

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jjjacob - Nondestructive Examination

remix by @warregovalles
original track by @m1ssjay
mastering by @wimdehaen
artwork by Ver instagram.com/_nismo95

Nocturnal

BANDCAMP

MISS JAY - BLOOD MOON (WARREGO VALLES REMIX)

@ivvvs first EP is a melancholic balance between whispers of darkness and glimmers of light, infused with shady melodies and influenced by UK Drill, Grime and Trance.

Based in China, born in Russia, the young producer grew up with a music teacher mom and started his journey to electronic music into the abyss of the internet as a teenager before he eventually mastered the art of djing. During summer 2021 IVVVS and his friends started together to run their own parties - called Liminal - at ALL club in Shanghai.

IVVVS - Faith

PREMIERE : Gwia Ekim & indigoblue - Content Corruption (SNKLS Remix)

A year after TINNITVS, our double anniversary compilation, we’re happy to present TINNITVS : RELAPSE, an extension of the original edition with remixes by members of the Global URL Nation.

The full release will be out on December 1st! Meanwhile, discover SNKLS take on Content Corruption. In this one, SNKLS flips the original composition of Gwia Ekim & indigoblue with heavy glitches and broken rhythms, recreating a whole ethereal dreamscape of its own. If computers could dream, this would probably be close to this gem.

++ CREDITS ++

Visual by /pulsr_, 11611 & migu
https://www.instagram.com/pulsrsounds/
https://www.instagram.com/intothywoods/
https://www.instagram.com/migu.exe/

Mastering by Lorenzo Targhetta

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Gwia Ekim & indigoblue - Content Corruption (SNKLS Remix)

VA - Astraltopia
APR128 | Out Now

Available here: https://astralplanerecordings.bandcamp.com/album/astraltopia

Astraltopia is the third and final compilation in the Topia series, as well as the terminal release in the Astral Plane Recordings catalog. Made up of contributions from longtime APR artists and friends, Astraltopia traverses outgrowths of past label releases, novel sonic formulations and the infra-zones between and underneath extant club sounds. Accompanied by artwork from Sam Meier and mastering by Will Mitchell, the compilation follows 2012’s Heterotopia and 2015’s Psychotropia, both of which preceded the formal inauguration of Astral Plane Recordings. Contributions include material from Alis, Amazondotcom, CHANTS, Dane Law, LOFT, Maral, MICHAELBRAILEY (with Iceboy Violet), nunu and SHALT. Astraltopia is out now as a free and/or pay-what-you-want download.1. CHANTS - Seven Billion Spheres
2. Maral - lita
3. SHALT - Face Like A Wet Sun
4. LOFT - an safe heavenn
5. Alis - Catra
6. Amazondotcom - Pico Blvd
7. nunu - ransom
8. MICHAELBRAILEY - dead space (prod. MICHAELBRAILEY, Iceboy Violet)
9. Dane Law - Summer's End (Lift Me Up)

Astraltopia

SHALT - Face Like A Wet Sun

Generosity Error

Le Violon la Basse et la Maritza

Nondestructive Examination

jjjacob - Nutrient Cycle

jjjacob - On My Feet, Both Eyes Closed

jjjacob - Chromogenic

jjjacob - Fragmentation of Habitat

jjjacob - Cestoda

@basilemusicsounds "No Extra Territory" EP

Out now : basile3.bandcamp.com/album/no-extra-territory-ep

Written and produced by @basilemusicsounds
Mastered by Tom Waltz
Artwork by Camille Soulat

PRDX009 - www.paradoxeclub.fr

No Extra Territory

Basile3 - Thousand Ways To Live

Buenos Aires media artist, producer and radio host Maja presents his upcoming EP "Contraluz" on independent netlabel & DIY Argentinian club project Rebote.

Read more on CxC: https://couvrexchefs.com/en/maja-rebote-contraluz-otro-remix

Article

[PREMIERE] Maja – Contraluz (Otro Remix) [Rebote]

After self-releasing a 2 track single in 2020, Barcelona based producer SLTR starts off the year with a four track EP on Aizkora. 

More: https://ins-rt.net/audio/sltr-sw-3

Premiere: SLTR - SW.3

Artist: Gressive (@shalt / @lloydfears)
Catalogue Number: IM088
Album: Gressive
Release Date: April 30th, 2021
Format: Digital

Having recently released a collaboration between Endgame & DÆMON (London and Oakland, respectively) and a wealth of cross-continental remixes, Infinite Machine has always championed the internet as a place that can foster unlikely musical alliances online. This is more true than ever with their newest signee, Gressive, who met via Twitter. The duo, comprised of vocalist lloydfears and avant-club producer SHALT, quickly found common ground in a desire to create texturally rich music that’s full of physicality. Both could see the potency of the human voice and it’s unique ability to create organic feedback within digital compositions. The initial fruits of their collaborative project is a self-titled EP that’ll grab you by the throat.

Gressive EP vehemently announces it’s arrival with the Insufficient Funds. SHALT weaves intense bass snarls and crescendos of mallet hits in the refrain, contrasted with an arpeggiated, grime-inflected B part. lloydfears’ vocals are urgent and enraged as he delivers lyrical nods to the late Mark Fisher, (“I can feel the future falling in”). It’s not hard to read lloyd’s lyrics on a more macroeconomic level than simple denial of nightclub admission; “Insufficient funds no way are you getting in. Card just declined no way are you getting in.” SHALT’s approach to interdependent sound design is on full display here, as lloydfears’ vocals seems to directly affect the instrumental, slicing through the beat’s outro like an electric saw.

Isolation OCD follows up next, a marriage between SHALT’s creeping 100bpm beat and lloydfears’ lyrics of pandemic paranoia. Part of lloyd’s strength as a writer is his ability to keep his metaphors ambiguous whilst still full of feeling. “Wanna come around me, what’s your status?” could relate as much social media clout as it could to our shared viral histories. The twin reference to DJ Slugo's Where The Rats and HP Lovecraft's The Rats in The Walls also deserves a tip of the cap.

Slowing things down further, the beat on Sever Ties ends up sounding almost like a cyberpunk, Do Androids Dream… dancehall. More confident here than the anger and fear heard on previous lyrics, lloydfears boasts of finding a subversive existence outside of the established system; “Money is a game we’re forced to play. Can't blame me when I found some ways round it.” The EP is rounded out with Snek, the audible equivalent to sundown in an industrial city. lloyd paints a dark portrait of undefined angst and violent outbursts (“Machine put a hole in the boy like ozone, it's a cold zone”).

With Gressive EP, SHALT and lloydfears have brilliantly encapsulated the anxiety of the modern condition and our collective attempt to, as lloyd puts it, “grasp at unknowable spiritual knowledge while having 24/7 headlines fed into an Instagram feed”.

Gressive

Gressive - Insufficient Funds (IM088)

-منصة صوتية بتكشف عن المزيكا إللي حولين إطار وهوامش الفن المعاصر-

-a sonic platform exploring the fringes of sound and art within contemporary music-

-curators- https://soundcloud.com/mangbg https://soundcloud.com/1127music

-contact-   anba5lyf@gmail.com

jjjacob - Cestoda

ANBA

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