The Flying Eyes – Bad blood

From the <a href="http://www.pub.gaga.com.au">Gaga Pub</a> catalogue. If you want to know more, check out <a href="http://www.gaga.com.au">our site</a>, <a href="http://eepurl.com/Vtm-">join our mailing list</a> or just <a href="mailto:info@gaga.com.au">drop us a line</a> and say hello.

Bill Callahan: Baby's Breath

always my fav Eno and Byrne track given a little treatment to invite your listen
when i heard this song way back, I remember where i was, what time it was, my life (in the bush of ghosts) changed forever, and i bought a synth........listened to the world....

Eno and Byrne - Regiment-Now downloadable-sorry didnt realise it wasnt!

La fin de la visite

David Sylvian - A Fire in the Forest (Meow-Meow Attack Remix)

"Buena" by Morphine, written by Mark Sandman and Morphine.
Performed by Cure For Pain

Buena

OUT NOW: http://found.ee/RB_PLANETS_PERSONA

A former core member of Porcupine Tree, Richard Barbieri played keyboards on all the band’s albums since 1993 as well as releasing two striking solo albums: Things Buried and Stranger Inside. Prior to this, it was in the new-wave pioneers Japan that he originally came to prominence, helping to create the ground-breaking synthesiser sound that defined the band and influenced the likes of The Human League, Duran Duran, Gary Numan, Talk Talk and a whole raft of artists to follow. Together, the band record five studio albums culminating in the groundbreaking Tin Drum, which stayed in the UK Albums Chart for a year.

His ear for composing unique soundscapes and synth textures recently led to collaborations with other talented composers, such as Steve Hogarth (Marillion) Steve Jansen & Mick Karn (Japan) and Steven Wilson (Porcupine Tree).

In 2017, Barbieri releases his most sonically expansive work to date. "Planets & Persona" is his third solo album, but the first to feature such a wide pallet of instrumentation. Vintage analogue synthesisers combine with acoustic performances and jazz elements, including some stark and memorable improvisations from a personally hand-picked group of musicians. Twisted voices are always present, though not in a language we can recognise.

Recorded across Europe in studios in London, Italy and Sweden, Barbieri has succeeded in creating his most ambitious solo release with a central theme of duality that runs through the album.

Dead Can Dance - The Fatal Impact

3.1416t