New release by Sounds Of Meow - Out 9th September across all platforms, Hope you like it.

Revolution

Revolution - Preview - OUT NOW

This piece opens with a gentle warmth, its harmonies flowing like a serene stream under soft light. Rooted in A-flat major, it delicately balances serenity and quiet strength, with each phrase thoughtfully shaped to evoke introspection.

The tender yet purposeful melody weaves seamlessly through a subtle accompaniment, creating moments of poignant stillness and heartfelt resolution. Embracing simplicity, the composition allows the emotional depth of each note to shine, while gentle modulations trace a narrative of reflection and quiet hope.

Co-producer: Blaž Pavšič
Mixed and mastered by @a7-recording-studio (www.a7recordingstudio.com/)

▶MORE◀
Web: www.ladatinthebox.com/
Spotify: open.spotify.com/artist/2nX96XjXTUZvCoNWTNNun3
SoundCloud: @Ladat
Apple Music: music.apple.com/ch/artist/ladat/1465006973
Amazon Music: music.amazon.com/artists/B07S5HGR98
Deezer: www.deezer.com/artist/66111552
BandZone.cz: bandzone.cz/ladat
YouTube: www.youtube.com/Ladat77
FB: www.facebook.com/77Ladat
IG: www.instagram.com/77ladat
Bandcamp: https://ladat77.bandcamp.com

Prelude in A-flat major

Get the lossless version on Bandcamp: telquelsounds.bandcamp.com/album/decaying-lull

Decaying Lull

Endless Horizons (Ambient Version)

You'd walk past it
Most do
Paint chipped like bad decisions
One leg shorter than it used to be
Still, it waits
Under that half-dead tree

Enters girl, maybe seventeen?
Big sunglasses, bigger bubble tea
and a mop of joy named Pickle
Yes, she named the dog Pickle

She sits, cross-legged, like a question mark
tells Pickle he's a star
Snaps twenty-five angles
of one floppy ear and one historic bench

Caption?
"Look who found the philosopher's throne
😊😊😂❤️
#deepbarkthoughts"

Pickle pees on the tree
Bench approves
Tree does not comment

Then: a man and a woman
The date
They bring mulled wine in a thermos
Sit sideways, legs tangled like headphones in a drawer
He says something about stars
She says something about Lady Gaga
They kiss somewhere in the middle

A busker walks by singing Wonderwall
They tip him a sandwich and a smile
Bench approves
God of music sighs

Third act: Old man
Corduroy jacket in summer
Hands folded like quiet apologies

He doesn't speak
Doesn't blink much either
Just feeds pigeons one crumb at a time
like each one is a password to another day

He might be waiting
Or forgetting
Or remembering wrong on purpose

Bench knows his name
And age
And weight
And history
Doesn't say it out loud
Not polite

Pickle runs past again
He is twice as large now
The couple, now maybe married, maybe not, walk by
With a stroller

The old man doesn't come anymore
The bench doesn't judge
It just
Is there

The Bench

Out Fishing

A 90s new man called Stan - In a 60s phone booth

Tout m'est merveille - Remix

Slow to mid tempo track, written, arranged & produced by John Hardman, performed live by Beats Working who are: John Hardman -lead vocals & lead guitar, Chris Glover - drums & percussion, Lynn John Sheppard - Bass & backing vocals, Dave Rea - rhythm guitar and backing vocals.
A Swamp Music production
(c)(p) Swamp Music (UK) & Swamp Records (UK) for all territories.
Original studio recording on Putting It About album with artwork by Tristan Greatrex.


Putting It About

Achin' Heart live

Achin' Heart live - Beats Working

Submarine

I thought I’d build a submarine to travel deep under the sea
My computer drew some custom blueprints just – for - me
It will have a viewing port below and a periscopic view above
And a captain’s chair in calfskin leather that will fit me like - a – glove

My submarine is sleek and gold a fantastic sight to behold
Passersby who saw it couldn’t help - but – gawk
I put it on my old trailer and hitched it to my new volvo
And headed out for its maiden launch from the public City dock

I’m gonna see this world like I have never seen before
I’m gonna see this world like I have never seen before

I don’t have any deep sea knowledge as I head into the blue
But I have a clever chatbot that can tell me what – to – do
My friends seem somewhat skeptical; they’re clearly jealous I can tell
that none of them has thought of such a great idea too

When I return, if you’re lucky I will tell you all the things I saw
Cuz surely I’ll have stories that will fascinate and awe
Before I go let me tell you one thing you can know
You’ll never see what’s outside if you don’t open up the door

I’m gonna see this world like I have never seen before
I’m gonna be in this world like I have never been before


Submarine

https://soundcloud.com/king-polo-lagen
“King Chaos 1 of 1” is a raw, untouchable anthem produced by CYFR 360, blending heavy-hitting 808s with a futuristic trap energy. This record captures the essence of being one-of-one—unmatched, unreplicated, and unapologetic. The production brings a cybernetic, neon grit that amplifies the commanding flow and chaotic energy, making it clear this track stands in a lane of its own. A statement piece for anyone stepping into their crown, “King Chaos 1 of 1” embodies dominance, individuality, and unstoppable momentum.

I AM WHO I AM

I Don’t Care About What You Think: A Funky Declaration of Freedom
There’s a moment in every artist’s journey when the noise gets too loud.
Opinions, algorithms, unsolicited advice—everyone’s got something to say.
But then comes the beat. And with it, a voice that cuts through the static:
“I don’t care about what you think.”
This track isn’t just a groove—it’s a manifesto. A funky House anthem that struts unapologetically through the smoke and mirrors of convention. It’s the sound of chains snapping, of expectations dissolving into basslines. It’s liberation with a kick drum.
From the first drop, the rhythm grabs you by the collar and pulls you into a dancefloor sermon. Synths shimmer like neon rebellion. Percussion punches with purpose. And beneath it all, a message pulses loud and clear: freedom isn’t granted—it’s claimed.
This isn’t defiance for defiance’s sake. It’s clarity.
It’s the artist stepping into their truth, shedding the weight of judgment and stepping into the light of self-defined rhythm.
It’s the parent, the performer, the poet saying:
“I’ve lived enough to know what matters. And it’s not your opinion.”
In a world obsessed with validation, this track is a breath of fresh, funky air. It doesn’t ask for permission.
It doesn’t wait for applause.
It simply moves—bold, brilliant, and free.
So next time you feel boxed in, press play.
Let the groove remind you:
You don’t owe anyone your conformity.
You owe yourself your truth.

I Don't  Care  ( About What You Think)

I am a music producer/composer from Sydney, Australia. Classically trained percussionist and drummer. Played in orchestras and nightclub bands for several years. I've got a diverse musical portfolio from Rockabilly tours around the world to producing House and EDM tracks, I've lived multiple musical lives with these experiences and collaborations significantly influencing my electronic compositions.
My journey from classical percussion to electronic dance music is phenomenal. With all these influences, my compositions carry a unique flavor.

I Don't Care ( About What You Think)

303GREG

Related tracks