i love this piece, it's like Industrial Silence, whilst sitting under a waterfall and cooking bacon. the dogs in my neighbourhood are at this point going mental.

The people downstairs are now banging on their ceiling. hehehehe

I think this may have cooked me from the inside out. thank you

I envision something is raging against the noisy sine wave trying to escape it's Faraday Cage effect

I love the direction you've taken with this assignment - great stuff

Awesome process. So unexpected to me that we'd get something like this! I love it.

For this work, I failed to follow directions and I failed to meet the deadline. However, I had fun. :-) I first took both tracks provided to us (I was to have selected one of them) and combined them into one track with the first track in the left channel, and the second track in the right channel. I then threw every software plugin I’ve ever bought and paid for onto the two sides … I don’t work “in the box” very often, so this is my tiny concept of “complicating” something … over-processing it to the point that it becomes essentially noise. Once I had that process complete, I mixed it down to a mono track. I then decided to treat recording it as a field recording exercise. I played it back on my laptop computer with its tinny speakers, and utilized a contact microphone to even further decimate the audio. I processed this microphone in realtime utilizing my modular synthesizer. I created a simple audio path of the left channel patched through a high pass filter, and multed through a low pass filter (effectively creating a notch filter), and then multing the microphone again to an envelope follower which opened and closed both sides of the filters. While all of this was taking place, I concurrently played back the original recording of “Complexification0010SH” on my desktop computer and tried to focus my listening on it exclusively … all the while hooked up to my Soundmachines BI1brainterface which monitored my brainwaves and converted them into CV messages to distribute throughout my modular. I selected specific waves to manipulate the filters further, and also used them to disrupt the signal flow through my reverb and delay. I manipulated nothing in real-time with my hands other than moving the contact microphone twice; once at about 3:15 to move from recording my heavily processed track playing on the laptop to the speakers on my desktop playing “Complexification0010SH,” and again moving the microphone when that song finished to place it against my chest to record my heartbeat which can be heard closing this track. I did not use headphones or monitor recording during this performance and instead relied 100% on the source material and my brainwaves to move things forward.

More on this 188th Disquiet Junto project (“Take a provided track and make it more complex”) at:

http://disquiet.com/2015/08/06/disquiet0188-complexcomplex/

More on the Disquiet Junto at:

http://disquiet.com/junto/

Join the Disquiet Junto at:

http://soundcloud.com/groups/disquiet-junto/

Disquiet Junto general discussion takes place at:

http://disquiet.com/forums/

(NOTE: I did not utilize this image) 
Image associated with this project from the notes that accompany the album Complexification (Entr’acte), by Guy Birkin and Sun Hammer, and on which project is based.

More on Complexification:

http://entracte.co.uk/projects/guy-birkin–sun-hammer-e187/

Stranger Showcase (disquiet0188-complexcomplex)

heart-open & earth-honoring 
synthesist & field-recordist 
journalist & dreamtime walker
visualist & connector
​
The seemingly limitless manifestations that are observed during improvisational performance of electronic audiovisual materials drive me to seek collaborative interactions between compositional systems, machines, and myself. In holding space to facilitate an emergence of indeterminate phenomenon through analog synthesis, feedback systems, and field recordings, I share elements from multiple sources to celebrate shapes, patterns, and spaces.
​
I hold BAs in Art and English from Andrews University, and am currently enrolled in the Electronic Integrated Arts MFA at Alfred University. I was an artist in residency in 2017 at Signal Culture in Owego New York and in 2015 at Sachaqa Centro De ARTE, San Roque Peru. My visual works, and live electronic improvisational performances, have been featured across Peru, at The MuseumsQuartier in Vienna, and throughout the Midwest of America.
 
Note: Much of the work here is subtle in nature and I encourage you to listen via headphones or using a decent system whenever possible. Most computer speakers will not reveal the tracks fully.  Unless otherwise noted in the track description, everything is recorded direct to stereo track live and on the fly with no overdubs. Thanks for stopping by and listening!

Comments

user406417566

Sun Hammer

rupertlally

Kyle TM

KeithysDunimselfaMischief

KeithysDunimselfaMischief

KeithysDunimselfaMischief