https://soundcloud.com/noodletwister/bassline-collab-disquiet0636
More on the 637th weekly Disquiet Junto project, Right (2 of 3) — The Assignment: Record the second third of an eventual trio — at https://disquiet.com/0637/

BND (Duet with Noodle Twister).disquiet0637

This track was created for the Naviar Haiku group.
532
https://www.naviarrecords.com/naviarhaiku532-wordless/

2024-03-14

Wordless (Naviarhaiku 532)

The Assignment: Record the second third of an eventual trio.

These instructions are fairly lengthy. Please read carefully.

While this is the second part of a three-part project, you can participate in one, two, or all three of the parts, which will occur over the course of three consecutive weeks, starting last week. 

Step 1: This week’s Disquiet Junto project is the second in a sequence intended to encourage and reward asynchronous collaboration. This week you’ll be adding music to a pre-existing track, which you will source from the previous week’s Junto project (disquiet.com/0636). Note that you aren’t creating a duet — you’re creating the second third of what will eventually be a trio. Important: Leave space for what is yet to come.

Step 2: The plan is for you to record a short and original piece of music, on any instrumentation of your choice, as a complement to a pre-existing track. First, however, you must select the piece of music to which you will be adding your own music. There are tracks by numerous musicians to choose from (47 as of last count). All but one are in this playlist:

Is still on the line (duet with Andreas Kitzmann) - disquiet0637

I added some beats and bass to the ethereal drone by @blaaroed (@tt16tt). There should be enough space for someone to add to it. 70 bpm, C minor.

More on the 637th weekly Disquiet Junto project, Right (2 of 3) — The Assignment: Record the second third of an eventual trio — at https://disquiet.com/0637/

Part 2 - Disquiet0637

Original posted for #disquiet0637 by John Wright 
https://soundcloud.com/thgirwnhoj 
https://soundcloud.com/thgirwnhoj/dissolve-left-no-right-feat-torpid-scorpion-disquiet0637

This in turn used an original posted for #disquiet0636 by Torpid Scorpion 
https://soundcloud.com/torpidscorpion 
https://soundcloud.com/torpidscorpion/dissolve-left-disquiet0636

Dubbed & mixed 23 Mar 2024 by Jim Lemanowicz at Blissville Electro-Magnetic Laboratories of Massapequa. 

For my (center) part here, I used my voice, Ableton Live 12, iZotope Nectar 3, Ableton effects - Delay, Filter Delay, Color Limiter, Pedal, Corpus, Redux, Echo & Limiter

Music distributed under CC BY-NC-SA 3.0 DEED

Artwork: Edit and additions to disquiet’s original using Adobe Photoshop 2024 and Q’MIC-Qt.

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This original version of "The Dissolved Embrace" was submitted as part of Disquiet Junto Project 0638: Center (3 of 3). The Assignment: Complete a trio begun by two other musicians.

More on the Disquiet Junto at: http://disquiet.com/junto/

Subscribe to project announcements here: http://tinyletter.com/disquiet-junto

More on the 638th weekly Disquiet Junto project at https://disquiet.com/2024/03/21/disquiet-junto-project-0638-right-3-of-3/

The Dissolved Embrace  (disquiet0638) by Torpid Scorpion, John Wright & Jimmy Lem

sound art for disquiet0638

This is the third phase of a three-phase sequence over the course of as many weeks during which, consecutively and asynchronously, musicians build trios together.

Image credits:
sky: https://soundcloud.com/user-807707609/left-and-right-mirage-disquiet0637

For more about this weeks junto challenge:
llllllll.co/t/disquiet-junto-pr…0638-center-3-of-3/

metal mirage (disquiet0638) w/ blaaroed & he_nu_ri

revisited a longer recording from my modular system, made a few weeks back - and picked a ~5min segment to focus on

addition - recorded a repeating loop with some granular processing from my modular system to sit in the background (low end)

arranged in ableton live - some automation (mainly filter cutoff)

added a stereo pair of field recordings (referenced in title)

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More on the 641st weekly Disquiet Junto project, Re-re-re-re-revise — The Assignment: Take an old track and make it better — at https://disquiet.com/0641/

disquiet0641 - cais do sodré

My interpretation of this week's Disquiet Junto was an invitation to consider the concerto: its form, its constraints, its traditions; and to create our own composition based on these traits. I read up, listened, read some more, and made my list of rules and constraints. Then I set to it.

I knew that I wanted the solo/virtuoso instrument to be the ARP2600 that I sampled in the Melbourne Electronic Sound Studio (MESS) a couple of years ago. I improvised some chord movement with a generic pad and got the thin, flute-like ARP lead kind of dancing around on it in a single take. The overall feel reminded me of "Deckard's Blues" from the Blade Runner soundtrack, so I ran with that.

Turns out I had also sampled a Deckard's Dream analog synth at MESS, so that became my pad bed. I added some more support with a Streichfett analog string synth and  bass with a Moog Minitaur. The entire composition is 4 tracks of analog synths (and what should be an illegal quantity of reverb).

"The Voight-Kampff Concerto" is best enjoyed with good headphones, like the ones you got at that little shop under the glittering c-beams near the Tannhauser Gate.

Recorded at NO SIGNAL Multimedia Labs, The Shambles, Chicago USA.

More on Disquiet Junto: https://disquiet.com/0649

Disquiet Junto

The Voight-Kampff Concerto (disquiet0649)

Never Be Forgotten

ever heard of a talking flower?

gracias por la confianza, por vulnerarte conmigo, contarme tu historia y sobre todo, por la espera. I hope you like it <3

Is still on the line (duet with Andreas Kitzmann) - disquiet0637

33per