Lovely sound matching and skilfully textured layering. Nature and transistors dripping with introspection

Naviar Haiku Challenge: www.naviarrecords.com/about/naviar-haiku

To participate in the Haiku Music challenge::

- Make a song in response to the weekly assigned poem (a new poem is published every Wednesday)
- When choosing a title for your piece also include the assignment number, for example “Title of your track (naviarhaiku382)”

To submit your track:

- If you’re a Soundcloud user, upload it on Soundcloud and send me the URL via private message, or tag me in the track.
- If you upload your music on Youtube, Bandcamp or anywhere else, upload your submission and then send me the link by email at marco@naviarrecords.com or contact me on X, Facebook or Instagram
- If you don’t use any music platform, upload it to this Dropbox folder and I’ll include it in the weekly playlist. If you choose this option, make sure you include your name in the track’s title. www.dropbox.com/request/JvKyUfuCSzJ3gRNRocZz

Your track may be included in Naviar's weekly podcasts and free (pay-what-you-want) compilations. If you can, please set the track as downloadable on Soundcloud and allow others to remix/reuse it by using a Creative Commons License.

Naviar Records store: www.naviarrecords.bandcamp.com

Naviar Records Membership (access to full discography, creative meetups, workshops, and more): www.naviarrecords.com/membership-and…es/#membership

all submissions

haiku #564: Fog clears away: / the waterfall shows up / bit by bit.

Dymmelonsdag is by all right the official day of the low pass gate. Deerhorn is muffled by the Shallow Water.

Dymmelonsdag

‘I ett annat land’ is a collaborative album by the talented Swedish duo Henrik Meierkord and Knivtid. It brings together two innovative musicians whose combined artistry results in a sound that blends ambient, neoclassical and drone elements, set to a nostalgic theme.

Henrik Meierkord, originally from Helsingborg in southern Sweden, has been residing in Stockholm for the past 25 years. He began his musical journey at the age of 14, playing cello in orchestras before transitioning to creating his own music. Over the years Henrik has released works on a variety of labels including Ambientologist, Projekt Records, Shimmering Moods, Dronarivm, Ella Ruthinstitutet, Subcontinental Records, Sound Meditation, Audiobulb, Universal, and The Nerve. He has also worked with Whitelabrecs before, ‘Proscenium’ (2024), ‘Cello Improvisations’ (2023) and ‘Inseln’, a collaboration with Logic Moon (2022). His creative process is highly intuitive, often starting with the cello and layering additional strings, double bass, and violin, while drawing inspiration from a wide range of influences such as film scores, classical composers, and contemporary artists.

Daniel Andersson, who records under the name Knivtid, is currently based just outside Stockholm. His musical journey began in his teens with home computers and tracking software, later acquiring his first synthesizer with the money he’d earnt from a summer job. Daniel has released music on labels such as Purlieu Recordings, Eilean Rec, ACR, and The Ambient Zone, as well as his own self-released projects. Knivtid's music-making process often involves improvisation, recording spontaneously and building upon those foundations, with influences spanning a wide range of genres from electronic and ambient to hip hop, R&B, pop, and free jazz.

‘I ett annat land’ is characterised by a meditative, otherworldly Ambient sound, combining electronics with modern classical textures. It evokes a dreamlike state of longing for another world, encapsulating the mood of Scandinavian forests and lakes. The album's title and one of its tracks are inspired by Mare Kandre's 1984 book ‘I ett annat land’, which translates to ‘In another country’. The work captures a child's perspective on traveling, evoking the familiar sensation of sitting in the back of a car watching the landscapes pass by. For both artists, the album represents a fantasy world of sounds and tonal creations, inviting listeners to meditate and immerse themselves in the experience. Henrik and Knivtid hope that listeners will take the time to find the right mood to fully appreciate the depth of I ett annat land, an album that is not just music to be heard, but an experience to be felt and lived.

I ett annat land

wlr168 Henrik Meierkord & Knivtid - I ett annat land

The single from Ambient V Compilation on Atlantea Records

Ambient V

Lost and Found

A 'bit' conceptual this one ... You're hearing 1-bit sound at the beginning of the piece ... all the way up to 16-bits by the end ... Enjoy!

Fog clears away:
the waterfall shows up
bit by bit.
 
Undoubtedly one of the most important Japanese novelists in modern history, Natsume Sōseki began his career publishing haiku and renku poems in a number of newspapers and periodicals. Early in his career he met Masaoka Shiki, who encouraged him to become a writer and tutored him in the art of composing haiku.

Between 1900 and 1903 he studied at the UCL in London, but this proved to be quite a dramatic experience for the young Soseki. Despite this, when Soseki returned to Japan, he exploded into prolific writing activity.

Haiku by Natsume Soseki: https://www.goodreads.com/author/show/16061597.Natsume_S_seki

To find out more and participate, visit https://www.naviarrecords.com/haiku-music-challenge/

more halF unusuaL

halF waterfalL [naviarhaiku564]

mixing homemade bells, metal junk with synthetic sounds and resynthesis, inspired by NaviarHaiku 564 :
Fog clears away:
the waterfall shows up
bit by bit. 
Natsume Sōseki

Curling Wisps And Tumbling Clouds Of Fog (NaviarHaiku564)

This track was created for the Naviar Haiku group.
564
https://www.naviarrecords.com/naviarhaiku564-fog-clears-away/

2024-10-24

Fog Clears Away (Naviarhaiku 564)

Recorded, mixed & mastered 23 Oct 2024 by Jim Lemanowicz at Blissville Electro-Magnetic Laboratories of Massapequa.

©2024 Jim Lemanowicz

I put together three generative parts for this in Reason - using Monotone, Felt Instruments Lekko & Subtractor. I then moved over to Ableton Live and did some processing there - shifted each track slightly off-time by stretching. 

This original version of "Surfactant Is Cool" was submitted as part of Naviar Haiku 564, Fog clears Away…

Fog clears away:
the waterfall shows up
bit by bit.

by: Natsume Sōseki (Tr. Sōiku Shigematsu)

Undoubtedly one of the most important Japanese novelists in modern history, Natsume Sōseki began his career publishing haiku and renku poems in a number of newspapers and periodicals. Early in his career he met Masaoka Shiki, who encouraged him to become a writer and tutored him in the art of composing haiku.

Between 1900 and 1903 he studied at the UCL in London, but this proved to be quite a dramatic experience for the young Soseki. Despite this, when Soseki returned to Japan, he exploded into prolific writing activity.

Art by Jim Lemanowicz 19 Aug 2011, LIRR, NY, USA

For more about the Naviar Haiku Challenge, see https://www.naviarrecords.com/haiku-music-challenge/

Surfactant Is Cool (naviarhaiku564)

An electronic composition, sounds created using Pure Data with various plugins, etc.

Fog Clears (naviarhaiku564)

Video here https://youtu.be/0akHuIXUIgk?si=ggg7av6axK7fU7xX
Disquiet Junto Project 0669: Phonosynthesis
The Assignment: Make music to help a forest regenerate.

A scientific research paper this month documented evidence that sound can help fungus grow. The conclusion: “Demonstrating a tangible impact on fungal activity, our findings suggest that carefully tuned acoustic parameters might be able to enhance ecological processes.”

Record music to help a forest grow. Imagine an array of solar-powered speakers is spread through a forest-in-need. Or come up with another deployment scenario of your own imagining. What sort of music would you play for the forest to encourage its regeneration?

The research paper: https://royalsocietypublishing.org/doi/10.1098/rsbl.2024.0295.

Coverage in the New York Times: https://www.nytimes.com/2024/10/04/science/fungus-sounds-growth.html

The paper is the work of four people from the College of Science and Engineering, Flinders University, in Australia.

Thanks to Michael Rhode for having shared with me the research coverage.

Phonosynthesis  - disquiet0669

Generative ambient soundscape. Full version: https://youtu.be/63ZWBJa7pmE?si=bIRsK9NHvar9KyPS

Nightfall

Fog clears away:
the waterfall shows up
bit by bit.
 

Undoubtedly one of the most important Japanese novelists in modern history, Natsume Sōseki began his career publishing haiku and renku poems in a number of newspapers and periodicals. Early in his career he met Masaoka Shiki, who encouraged him to become a writer and tutored him in the art of composing haiku.

Between 1900 and 1903 he studied at the UCL in London, but this proved to be quite a dramatic experience for the young Soseki. Despite this, when Soseki returned to Japan, he exploded into prolific writing activity.

Haiku by Natsume Soseki



Waterfall (naviarhaiku564)

SenSen - Desencuentros

Bridge

Ambient Dreamscapes for you to enjoy. Relax, unwind, meditate and chillout

NECRONOMICON DREAMS No35 THE STAR MAKERS

Resolve

until we meet again

Naviar is a music community and label. Through regular publications, open projects and events, we explore the connection between experimental music and traditional Japanese poetry.

To join the Haiku challenge, visit https://www.naviarrecords.com/about/naviar-haiku

Waterfall (naviarhaiku564)

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