Here is my 2nd attempt at a song for KVR One-Synth Challenge. Probably the most I've worked on of the 3 this month.

DAW: Waveform 13
Synth: Dawesome Myth
Plug-ins: Just the plug-ins that came with the synth. Tweaked for the song.

Digital Van Dweller - Myth-ril Cascade

Fountain of Youth

Here's my OSC for November using only Dawsome's Myth in Bitwig
made with :
30x Instances of Myth and the following free VSTS and DAW Plugins:

VSTS:
AirWindows Infrasonic
AirWindows Monitoring 3
AirWindows UltraSonic
BusterSE
BX Masterdesk Classic
FericTDSMkII
Frontier
KHs TranceGate
Limiter No6
OTT
Pancz
RareSE
SuperCharger
TDR Kotelnikov
TDR Molot
TDR Nova
Valhalla Supermassive

Bitwig:
Arpeggiator
Convolution
Delay+
EQ+
FX Grid
FX Layer
Humanize
Instrument Layer
Mid-Side Split
Multiband FX-3
Note FX Layer
Note FX Selector
Note Repeats
Note Transpose
Sculpt
Stereo Split
Tilt
Tool

Acidic Myths

Composed for the monthly KVR One Synth Challenge n. 189. Another space journey that I don’t know where it could end.

Sounds exclusively generated from the VST synth Myth by Dawesome.

Enjoy!

Blinded By C-Beams

A simple track with Dawsome Myth only, no external FX, no mix/mastering. 

Fbr - MythicalBoxJam

A tongue in cheek futuristic look at synths. 

This was produced for the KVR One Synth Challenge 189 using only the synth Myth by Dawesome for all sounds produced. 

Vocal samples were created with Elevenlabs AI (with a license) and imported in to Myth for processing and effects. Two of the voices seem to have switched accents, such is AI, lol.

Made with 27 instances of Myth by Dawesome in Ableton 10. All custom patches from INIT.

 I made good use of Myth's built in effects and only used these few built in Ableton effects: Limiter x1; EQ8 x2; Utility x2, and Convolution Reverb x1.

Third Party Plugins: Loudmax Free and Youlean Loudness Meter 2 Free.

Maltoné - Strange Transmissions - OSC189

DAW - Studio One used 6 instances Myth,
 LUFS momentary max *-8* LUFS real time dynamics -*-8* LU  integrated *-11* LUFS
Not good for headphones.
Compressor,Fat Channel,Pro EQ

Jupiter structures

Written in September 2025. Orchestra.
Mount Nelson Near Hobart Town From Near Mulgrave Battery, Joseph Lycett.

Symphony 14 (iii)

Into Atlantis

I found a sound that sounded familiar because it sounds like something I heard a couple of times in (short) video’s on social media platforms. I thought “what the heck” and in a ‘weak moment’ I decided to just jump the bandwagon. It’s a nice ominous sounding sound but at the same time mysterious and almost reassuring. I made a simple melody and put some synths and bass underneath. This sound is called “AphexTone” and comes from Carbon 2 (Reaktor library). As usual I’ve used a Spitfire Audio soundpackage. This time it’s from GAIKA’s “War Island”. I’ve also used the soundbank Ethereal Earth from Kontakt’s “Play Series Collection” and a sound from “Hypho” which is also by Kontakt. Just like in the last song I’ve posted I tried to make a guitar-sound from something that isn’t a guitar. It turned out pretty good. This song is nice and short (like a intermezzo piece) and I like to think of it like as a theme from a non-existing mysterious ‘old-school’ television series like the “X-Files” (or something like that). The title is an anagram of AphexTone. The picture is of a cuttlefish I saw near the coast of Tulamben in Bali. With some filters it looks even more alien especially with the light and the background that looks like it’s from an alien planet.

189

3lu5iv3