3 Sud Est

ATOMIC - TV K LUMEA - Part 1

ATOMIC - TV K LUMEA

Lorenzo2024

▶︎ EnciclopedIA / ChROnoSounds

https://www.youtube.com/@moldovanseptimiugheorghe
https://septimiumoldovan.blogspot.com/2025/01/chronosounds.html

🚀 A revolutionary visual and auditory journey through the history of Romanian electronic music, powered by AI!

🔹 The first intelligent multimedia project transforming the encyclopedia into an interactive experience
🔹 Futuristic AI-generated caricatures 🎭 (ChatGPT)
🔹 AR Gallery 📱 (Blippar) – explore history in an immersive way
🔹 Mini-documentaries 🎬 (inVideoAI) – artist stories in video format
🔹 Audio interviews 🎙️ (NaturalReaderAI) – voices from the electronic scene
🔹 QR codes & embedded tracks 🎶 – instant access to artists' music

📌 EnciclopedIA redefines how we discover musical history!

Combining text, rare images, and memorable sounds, this innovative project offers a dynamic, never-before-seen interactive perspective.

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ChROnoSounds: Timeline of Romanian Electronic Music History

Romanian Summer

3 Sud Est - Nu Te Voi Ierta

Imi plac ochii tai

De ziua ta

Vreau sa te uit (Extended Version)

Vreau sa te uit

Sentimental

Te voi pierde (Remix)

Departe de tine (Remix)

Arati perfect

N-ai avut curaj (Extended)

Departe de tine

Pădure de voie bună

Cu pleoapa de argint

Harap Alb a treia oară rătăcit în pădure

3 Sud Est - Clipe

3 SUD EST   VORBE CARE DOR (720P)

Best of

Beijo [Uh-La-La]

Dalla

Futura

Fool Me

3 Sud Est - Cine Esti

Corneliu Cezar, "AUM", electroacoustic music.
Corneliu Cezar became remarkable after 1960 (breaking out from the proletarian cult).He was a fore runner of post-modernism in Romanian context. He is now considered rather a visionary of music than a producer of acoustic masterpieces. In the ‘60 he sustained and prophesied a new musical direction rediscovering the natural resonance of the sound within a different historical context – the idea of spectral music was going to materialize itself in Romanian tradition. After 1980 the artistic phenomena has no longer interested him. He took more distance of the ideal of skill, originality and aesthetic refinement accomplishment. After 1970 Cezar fought for the cause of recovering “the state of rendition” in music (musical expressiveness) and the composing manner he called “the organ of styles” – polistylism.
Cezar imposed the theory of sonology (as means of applying music therapy). 
(Cristina Uruc)


Corneliu Cezar: AUM

Calin Ioachimescu: "Oratio II" (1981) for winds, percussion, tape and live electronic system
Omnia Ensemble, conductor Marin Soare

http://cimro.ro/2011/05/calin-ioachimescu/

Calin Ioachimescu was born in Bucharest in 1949. In 1975 he graduated from the University of Music Composition in Bucharest. He also participated in international summer courses at Darmstadt and benefiting from a grant of the French State, he attended a training for computer music composers at IRCAM.

For compositional work has been awarded numerous prizes by the Uniunea Compozitorilor si Muzicologilor din Romania and the prestigious “Kranichsteiner Musikpreis” International Music Institute in Darmstadt (1984).

Currently, Calin Ioachimescu leads the Electronic Music Studio of the Composers Union. His work covers all genres of music: from concerts like symphonic to electroacoustic music work. Calin Ioachimescu’s aesthetics is part of the orientation that explores the inner world of sound, a language based on laws vizĺnd acoustic and psychoacoustic, the aspiration to accede to a “new tune”.